Deleter

In Deleter, Mikhail Red delivers a decent horror that's both familiar and accessible. At its core is Nadine Lustre, whose magnetic presence keeps you engaged throughout. She's has a great register on cam and is clearly the film's focal point, and it's no surprise she's becoming Red's muse with another horror follow up, Nokturno.

The movie feels like late '90s and early '00s Japanese horror films like Ringu and Kairo, using glitchy CCTV and webcam footages. What sets Deleter apart is how it captures the everyday anxieties of office life in the Philippines-from the toxic co workers and low wages to the darker realities of exploitation and workplace assault-all within the high-stress backdrop of a BPO environment.

Red has a knack for storytelling given limited characters and locations. Be it in a vast Philippine forest or in a clasutrophobic Manila concrete jungle.

Ultimately, Deleter offers a fun, fleeting horror experience, delivering exactly what it promises: jump scares, stylized visuals, and over 90 minutes of Nadine Lustre - all we need for a li'l Netflix and chill, only time it is only streaming at Amazon Prime.

I watched the movie at the last day of 2022 and it was worth the price. If you're in a dilemma whether to watch this or not, you should give it a go.

There were scenes that were really terrifying and it'll bring you to the edge of your seat. The first scenes will show you a background of their work and the terrible job of a content moderator. Also, you will be informed by how the job works and what are the psychological trauma it brings.

The plot was a bit slow and the movie all throughout was an OK but the ending really was ambiguous. To be honest, there were scenes that made me confused because of the flashbacks but the plot twist saved it. Wasn't expecting with the closings of the movie as I was wandering with so many questions. But I guess it was good to end that way to let the viewers interpret the plot.

Not to mention the professional cinematography and the transitions. Especially when Nadine was in that bar.

The age limit shouldn't be R-13 because there were absolutely scenes that were sexual, abusive, and can really start a trauma. So my best advice would be having a thick skin.

Overall for me, it was a bit cliché but I truly enjoyed the movie and it was worth the hype.

A content moderator experiences bizarre visions and nightmares after her co-worker dies. The aftermath of this death criss-crosses with the stress of her job and her own past. The first 30 minutes was good: dark subject matter, eerie atmosphere, appealing questions to answer. It was a fine setup. Sadly, the film went down from there but not so much as to call this film a failure.

The best part about this film is the rarely explored world of content moderation. We see here the trauma that workers in this field experience, how even though they try to disengage from the terrible videos they watch regularly, they can't. Watching just the snippets of these videos in the movie made me look away, and I can't imagine what these people go through. They tackled this well and that is the biggest reason why I gave this film 6 stars and not 5 or 4. I wish they explored and used this theme more than they did.

The acting, overall, was nice. There were scenes where I wanted more from the actors, but the positives outweigh the negatives. Also, I wish they used their characters more or gave viewers more information about them.

The atmosphere was creepy in the first half but downgraded from there. It would have been better if they went all-out and removed some background music. Also, the dark lighting of the film became tiring to the eyes as the film went on.

The biggest downside of this film is the mystery/reveal. That was a letdown considering the good setup from the beginning. They have something great and yet they chose a weak, uninventive answer to the mystery.

The ending was another letdown. It's open to interpretation but it was bad.

This film had an interesting subject, decent acting, and nice first-half atmosphere. But, the second half didn't hold up to the first one, especially with the weak mystery and bad ending. Still, I think it had some positives that Filipino horror filmmakers should build on.

The film is about a content moderator named Lyra who begins to experience strange things at work after her colleague commits suicide.

The movie explores the work life of a content moderator. What they do alone is terrifying, I would've quit immediately if I even start to work in such job.

Anyway Nadine Lustre is really great in portraying the introverted Lyra, but her character isn't really explored much so I didn't really care much about her. Louise de los Reyes and McCoy de Leon are good as well. The other cast members could've acted better.

I was expecting a good movie after seeing the trailer.

The story started out good and interesting, with a few tired cliches here and there, but it later became dull to watch. The very slow pace makes it quite boring. The whole movie itself isn't very scary, except maybe for a very few scenes. The climax is really underwhelming, and the ending is unsatisfying.

One of the most successful Horror films from the Philippines, "Deleter" takes on the rarely discussed life of the content moderator and expounds on the awful and grisly nature of the job with a corresponding tale of horror and revenge. A troubled, vape-imbibing young woman with a job as a "content moderator", someone who edits videos of all kinds (and the awfulness that implies) is haunted by her past and present which eventually catches up to her. Filmed in dark tones the corporate world of Metro Manila is the setting in this sordid tale of darkness and vengeance. With her exotic allure Nadine Lustre is the star as she ably leads and steals every scene with her portrayal of a disturbed and fundamentally unsympathetic young woman whose unpleasant and self-serving nature prove to be her undoing. The film shows the underlying hypocrisy and plasticity of human interaction in the capital and hence the world and is a representative work of the times. The movie sacrifices flash for reality by limiting the CGI / special effects and is a double-edged sword. While making the film less juvenile by limiting technology the film fails at times to convey the nightmarish scenarios it tries to convey by at times flat attempts at realistic real-time horror. The movie slips here and there in trying to get the right balance and the inconsistency marrs what could have been a topnotch film. Viewing this nonetheless it's good to see Philippine film finally catching up with international cinema by utilizing the strengths of Hollywood with good directing, sound casting, consistenly solid acting, seamless cinematography and a well-written, realistic script. While flawed this is worth watching for Nadine Lustre and for anyone who wants a good unsettling scare with a different slant to it.