Bad Behaviour

Jennifer Connelly and Ben Wishaw both give great performances in a film that is just unfortunately too unfocused. Alice Englert (who also stars as Dylan in the film) makes her directorial debut here with a lot of style. The camerawork was very unique and interesting. The comedy at times I think works quite well and I actually think the film could have benefited from having more of it. The problem is I couldn't tell what the film wanted to be. Serious character study or comedy? It seems that she wanted both but fell short in both avenues. I think her heart was in the right place while making this and it even felt like it was probably personal to her. It's just a shame that I felt at arms length throughout the runtime and could never fully connect with the characters.

'Lucy' takes herself off to an enlightenment weekend and we see how she navigates that and her relationship with her stunt performer daughter.

I struggled really to see what this film was actually about. There was very little about the mother/daughter relationship in the film, except for bad feeling and rushed messages and each not really caring for or listening to the other. But there's no context for that or explanation or resolution.

At the retreat the dialogue is stilted, meaningless, bizarre at times and completely empty in terms of narrative or story context.

The acting now and again was fairly good, but I don't think that was as a result of good direction: I think it was sheer luck that the actors had found something to bite on. Other times it was almost painful to watch as they floundered around not really knowing where the film was going, nor what their part in it was.

Not one single character in the entire film was likeable. Most weren't even pitiable. So the film left me throughout it's excruciatingly long run time feeling bereft of any order, or value, or context, or humanity. It was just a boiling pot of mish mashed emotions and nothingness disconnected form anything else and to be very truthful, I hated it.

My first solo film of 2024. Just me in a cinema and after half an hour I was beginning to understand why! "Lucy" (Jennifer Connelly) is trying to have a phone conversation with her daughter "Dylan" (auteur Alice Englert) whilst en route to a remote Oregon retreat. She's thousands of miles away in New Zealand and we get the distinct impression that she's not especially interested. That's a feeling that's quite contagious as we all now endure her experience at the spiritual "Loveranch". A supposedly tech-free place run by "Elon" (Ben Whishaw) that encourages people to open their hearts, their souls and their brains to meaningless waffle about finding yourself. Now insofar as this is supposed to be a parody of this kind of rip-off facility, it sort of works - especially with the arrival of model and DJ "Beverly" (Dasha Nekrasova) to whom "Lucy" takes not just an instant dislike but also the leg of a chair! Meantime the daughter has an incident of her own on the whacky film set where she is stunt artist. That results in her losing her job and racing home to be by the side of her now incarcerated mother. If you weren't bored already, then the best is yet to come - a positively nauseating tale of family discord, a suicide attempt involving some pills and the shallow end of a swimming pool and, finally, some meaningful conversations amidst the forest with running water gently trickling a-foot! Can they salvage the relationship? Does it need savaging? Do we care? Perhaps this read better as a script, and there are times when I felt the wrath of "Lucy" emanating from the screen, but for the most part this is the stuff of a really poor stage play that reminded me again that Ben Whishaw is no great shakes at all on the big screen - indeed, I wonder if he was actually acting at all! As "Yoda" might have said - one fun scene does not a movie make.

Starts out as a subtle, but very efficient witty satire about people trying to heal themselves in a meditative retreat weekend, but then suddenly half way through (just as I was wondering if anything dramatic would happen) things turn bleak with an out of wack violent plot turn that I really hadnt seen coming.

The good: a truly brilliant acting performance by Jennifer Connelly, whom we all know from her pretty face roles in the nineties and on (Top Gun), but Top Gun fans stay away from this movie, because this is serious hardhitting drama and no fluffy action romance.

Jennifer Connelly now shows her real acting capabilities with a devestating performance as a mother, who is "DEAD INSIDE" and cant stand to live in her own skin and who has passed her mental pain on to her daughter with a lot of soul wrecking negative fallout. And that is the core of this subtle, bleak drama.

Art house movie fans beware, this is one solid acting gem, with long unedited takes, beautiful photography and sound. I truly applaud the direction by Alice Englert!

Slow, but gripping. Bleak, yet still warm and endearing. Cold, but so humanlike. I am impressed!

This movie was well written. The acting was extremely good. This movie won't serve most people because it doesn't have aliens, gangsters, monsters, zombies, or a major crisis that needs to be averted.

The backdrop isn't the predictable NYC nor any other major city. The characters are average people. No high profile, rich, and powerful careers. This film was about a woman struggling with indifference, regret, guilt, and shame. She harbored anger for the way her mother treated her. Now, she's coming to grips that she treated her own daughter just as harshly.

Mom went to a retreat to reconnect to an inner peace. Emotions were brought to the surface that we're dormant for so long. I know a few women that act just like the mom did here - played by Jennifer Connelly. The daughter, played by Alice Englert was equally impressive. She also wrote and directed the movie at the whopping age of 28.

A great story about people suffering but trying to do their best. Some may say it's a movie about a mother and daughter dealing with mental health issues. Perhaps. However, I saw it more as two women dealing with their past while contemplating how they want their futures to look so the pain inflicted onto them doesn't continue getting projected onto others. It's in the present moments when they become aware how they've been hurt and have hurt the ones who matter the most. The scars are deep. How does one forgive for the healing to begin?

This film captured real struggles every day people internalize. The dialog was very authentic. This is real life family interaction.

I'm not sure audiences can handle common people doing typical things, wrestling with their own sufferings without an alien invasions, car chases, espionage, monsters, tragedy, overcoming extreme odds, or radical shootouts.

You see, it's the audience that's most basic in their own thoughts, feelings, and actions that prevents them from seeing and appreciating the depths of this marvelous presentation.