Late Bloomers
- 2023
- 1h 29min
VALUTAZIONE IMDb
6,1/10
1415
LA TUA VALUTAZIONE
Dopo un incidente alcolico, una 28enne diventa improbabile badante di un'anziana polacca scorbutica con cui non può comunicare. Un duo riluttante costretto ad affrontare l'età adulta.Dopo un incidente alcolico, una 28enne diventa improbabile badante di un'anziana polacca scorbutica con cui non può comunicare. Un duo riluttante costretto ad affrontare l'età adulta.Dopo un incidente alcolico, una 28enne diventa improbabile badante di un'anziana polacca scorbutica con cui non può comunicare. Un duo riluttante costretto ad affrontare l'età adulta.
- Premi
- 3 vittorie e 6 candidature totali
Malgorzata Zajaczkowska
- Antonina
- (as Margaret Sophie Stein)
Recensioni in evidenza
This movie kills and everybody is fantastic in their rolls. I immediately want to see a follow-up cause this is my life. Malgorzata Zajaczkowska, when she hits the dance floor in her red dress and that song hits, it sinks me, that chance to just feel free even for a moment, so very inspiring. Such good choices of music, everyone did amazing and I hope to see these actors in their future endeavors, I love this movie. Karen is such a great actor for this gen, smart, funny and damn real. Happy to see movies like this I can relate to. Someday my superpowers will manifest but in the meantime, I really enjoy movies that both point out my stuffs, yet inspire me to be greater and find the happiness within simple circles. Happy!!!
In an age where personal responsibility and accountability have become increasingly hard to come by, it's comforting to know that it's never too late to grow up, as evidenced in director Lisa Steen's debut feature outing. This touching yet insightful comedy-drama tells the story of Louise (Karen Gillan), a 28-year-old Brooklynite seriously in need of getting her act together. When the would-be musician breaks her hip while in a drunken stupor, she undergoes surgery to repair the damaged joint, but, while recovering in the hospital, she's assigned to a semi-private room with a cantankerous old woman who only speaks Polish, Antonina (Margaret Sophie Stein). Language considerations aside, they get off to a rough start on a variety of fronts. But, before long, Louise comes to understand and appreciate Antonina's simmering frustration with essentially being treated as though she's invisible and ends up, quite surprisingly, becoming her caretaker after being released from the hospital. And, through this unlikely relationship, Louise starts to take her own life more seriously, leaving her irresponsibility behind and finally living up to her obligations, most notably reconnecting with her mother, Dorothy (Talia Balsam), who's in the late stages of early onset Alzheimer's Disease. Based on this picture, it's certainly heartening to see that it's possible for those in need of getting their lives in order can still do so, even with some slip-ups along the way. "Late Bloomers" serves up a charming mix of laughs (many of them unexpected in nature) that are well integrated with its share of tender, sensitive moments, all brought to life by the excellent performances of the two leads and a host of colorful supporting players. There are a few points where the narrative meanders a bit, but these are more than made up for by everything that the filmmaker, cast and crew get right. Based on what I've seen here, I'm anxious to see what this director comes up with next, as this effort represents an auspicious start to what I hope and believe will be a promising filmmaking career.
Watched this with an open mind and really enjoyed it. The bond between the awkward young Karen Gillian and the older Polish woman was beautifully done-a good take away is that they didn't need to fully understand each other to connect.
Their dynamic felt authentic, with plenty of learning moments and self-awareness throughout. The film explores loneliness (especially with the elderly), change, and unexpected friendships in a way that feels both touching and relatable. You never really know how much of an impact your can make with someone who is unlike you. A quiet but meaningful story that stays with you.
Their dynamic felt authentic, with plenty of learning moments and self-awareness throughout. The film explores loneliness (especially with the elderly), change, and unexpected friendships in a way that feels both touching and relatable. You never really know how much of an impact your can make with someone who is unlike you. A quiet but meaningful story that stays with you.
Multilayered drama full with emotions that range from humorous, sad, sorrowful to those of unfulfilled love. Karen Gillan as Louise, is a perfect personification of a late 20's lady reeling after a breakup, and whatever happens in the film, she is the centre of the story. You will notice that, as the movie goes on, you find out there's a lot more to her. Heartache that extends beyond a straightforward breakup has impacted her life and everything else is interwoven into it. We are brought into her life and the feelings she has because of her past, helping us to understand her friendship with an elderly woman who speaks Polish only - all this adds quiet emotion to the narrative, but creates simultaneously the subplot to the main story, as well. The unspoken magic of connection between two unlikely characters makes possible for the anxious Louise to teach the old woman Antonina how to move into the future while missing her past. All those characters feel essential to bring every single feeling to life in the numerous film scenes while assembling the puzzle of life full of hidden love.
Louise (Karen Gillan) is a 28 year old mess. She breaks her hip while trying to sneak into her ex-boyfriend's apartment. Her hospital roommate Antonina (Malgorzata Zajaczkowska) is a cranky old lady who speaks only Polish. She ends up in physical therapy with a bunch of old ladies and befriends former enemy Antonina.
Antonina is a little too mean at the start. I'm not sure where she crossed the line. It would be more compelling if she turned up a Polish song instead of English TV. Gillan is doing a terrific job as usual. She's endearing with Antonina. What I love most is her trouble dealing with her mother.
Antonina is a little too mean at the start. I'm not sure where she crossed the line. It would be more compelling if she turned up a Polish song instead of English TV. Gillan is doing a terrific job as usual. She's endearing with Antonina. What I love most is her trouble dealing with her mother.
Lo sapevi?
- BlooperLouise asks Brick if he wants to see "the new Pixar" movie in theaters. This movie is set in 2014 and no Pixar movie was released that year.
- Colonne sonoreFarewell, Farewell
Written by Richard Thompson (as Richard John Thompson) (BMI)
Performed by Fairport Convention
Courtesy of Universal-Island Records Ltd.
under license from Universal Music Enterprises
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Dettagli
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Proporzioni
- 1.78 : 1
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