Emergency

Very poor story. Only achievement is Indira's look.

There is hardly any attempt to put the events leading up to the Emergency in perspective. We miss the Machiavellian leftist side of Indira that she employed in style to crush the Syndicate within the party. The film keeps talking about Gudiya has found a voice but doesn't care to show how. The Green Revolution, nationalisation of banks, and abolition of privy purses don't make it to the script or, for that matter, the failed motto of garibi hatao.

It might not work for those who have learnt their lessons from Whats App after 2014, but those looking to cherry-pick from the past to create an atmosphere for one nation, one leader, and one slogan might find the spectacular symbolism worth emulating.

While I admire Kangana Ranaut for her sincere attempt at creating a biography centered on Ms. Indira Gandhi, a figure who stands as one of if not the most contentious in our nation's post independence history, the execution falls significantly short of its potential.

Indira Gandhi's character was multifaceted, encompassing her aspirations for absolute power, dedication to her country, and her complex relationship with her son, Sanjay.

All rhese elements warrant a more nuanced script and character development, which "Emergency" regrettably did not achieve, despite having right intentions.

Regarding the performances, Kangana bore a striking resemblance to Indira and attempted to emulate her mannerisms and speech too but all her efforts came off too overstated, lacking the authenticity that would render them natural.

There is always a fine line between imitating an individual against becoming a replica from inside; for reasons unknown, Kangana opted for the former, I wish, she chose the latter.

Emergency (2025) sets out to dramatise one of the most controversial chapters in Indian political history-the Emergency declared by Prime Minister Indira Gandhi from 1975 to 1977. It was an ambitious subject, rich with political intrigue, constitutional breakdown, and human stories that deserved to be told with depth and nuance. Unfortunately, while Kangana Ranaut delivers a reasonably compelling performance as Indira Gandhi, her directorial choices fall flat, making the film feel more like a half-baked political cosplay than a powerful political drama.

Let me start with what worked. Kangana, as an actor, brings sincerity to her portrayal of Indira Gandhi. The prosthetics, makeup, and costume design help her resemble the late Prime Minister quite convincingly. She clearly studied Gandhi's mannerisms, voice modulation, and demeanour-and in isolated moments, you can see the intensity and command she tried to channel.

But even as an actor, she seems held back by her own direction. Rather than letting the performance breathe, the film often cuts away too quickly or drowns the scene in overbearing background scores. There are moments when she genuinely shines, but they're scattered in a sea of over-dramatisation.

Direction is where the film really struggles. As a director, Kangana tries to tackle too much and ends up achieving very little. The film is crammed with historical events, political figures, and ideological references, but there's no narrative flow or emotional core tying it all together. It's like flipping through a disorganised political scrapbook-event after event with no time to reflect, no depth, and often, no clarity.

The characters are reduced to caricatures. Their dialogues are too on-the-nose, sometimes bordering on laughable. And in her attempt to portray herself as a strong leader facing opposition from all sides, she forgets to develop the supporting characters, who are either demonised or glorified in extremes, leaving no room for gray shades or complexity.

Visually, the film tries hard to look polished. There are moments where the cinematography manages to create atmosphere, and the production design does its part in evoking the 70s. But the editing is choppy and lacks rhythm. Scene transitions are abrupt, and some sequences feel unintentionally comical. One particularly bizarre moment had a room full of political leaders breaking into a jarring musical sequence that completely destroyed the tone.

Also, the film leans heavily on expository dialogue and voiceovers instead of letting the visuals or subtext tell the story. It feels like the director didn't trust the audience to understand the context without spoon-feeding it.

The Emergency era is one of those rare moments in Indian history where personal ambition, political ideology, and institutional collapse intersect. It had the potential to be a deeply engaging political thriller. But instead of focusing on storytelling and character development, the film feels like a personal vanity project. It tries too hard to send a message and ends up delivering a sermon instead of a story.

Emergency (2025) could have been a sharp, reflective, and haunting look at power and its consequences. Instead, it turns into a self-indulgent, uneven mess that does injustice to both the subject matter and its cinematic potential. Kangana Ranaut proves once again that she's a capable actor-but as a director, she's not there yet.

This film deserved better.

To truly appreciate this movie, you need to understand our country's history. It presents her story with raw authenticity.

As a historical drama, the film delves deep into the events surrounding the Emergency of 1975, shedding light on the political upheaval and its profound impact on ordinary citizens.

The movie effectively highlights how politics and politicians have the power to shape a country's socio-economic landscape, for better or worse, through their actions and decisions.

Kangana's portrayal of Indira Ji is, in my opinion, one of her finest performances to date, powerful and deeply compelling.

The subject of the movie is why I went to watch it, as this wasn't taught at school, the movie was very underwhelming though. The movie felt like a non-stop series of events in rapid succession. Before one could grasp what was happening at a particular time period depicted in the movie, it was already on to the next one! For people like me who don't know the complete history from that time, this movie did not feel very informative. Names of characters could have been shown at certain places. The weird thing was the dubbing of the French and some Bengali dialogues! Never before have I seen such a thing in a movie. It looks like the dialogues were not given a proper thought and dubbing was added as a post thought. The makers could have easily included hindi translations for the Bengali and French dialogues. The second half of the movie was more well-defined than the first one. Overall, a boring experience.