VALUTAZIONE IMDb
5,7/10
3797
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA novelist and an accountant meet while they are traveling for work, and though they both are in relationships, their one-night stand could become something more.A novelist and an accountant meet while they are traveling for work, and though they both are in relationships, their one-night stand could become something more.A novelist and an accountant meet while they are traveling for work, and though they both are in relationships, their one-night stand could become something more.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Robert Deamer
- Bartender
- (as Robert E. Deamer Jr.)
Yaitza Rivera
- Bar Patron
- (as Yaitza Rivera Dimeo)
Brett Collier
- Bar Patron
- (as Brett Collieb)
Recensioni in evidenza
I would not have chosen this movie but woke up to it in the middle of the night - and was quickly hooked. The characters are wonderful to get to know as they increasingly get to know each other, and delightfully free of self-pity or narcissism. The device they use to go from scene to scene is a black out followed by a new room number which is the scene of their next tryst. That device cleverly moves the action along a continuum of character development and maturing of their relationship without ever bogging down in an overly heavy dialog. Both actors have that kind of cinematic face which is fun to watch and never boring. Best thing I can say about this movie, though, is that it was written, produced, directed, and acted with an intelligence all too rarely found in today's American movies. And not a single car chase, explosion, or blood spattered body! No wonder it wasn't advertised by the studio!
10Paula57
Normally I'm not a fan of infidelity in films. I think monogamy is ideal and my feelings haven't changed. But 28 Hotel Rooms brings up the question "Can you be in love with more than one person at the same time?" What if you're a happy relationship and unexpectedly meet a person who MIGHT be your soulmate? Do you stay in your stable relationship while you pine for someone else? Do you leave that relationship for the new person that you have known for a much more briefly? Maybe it's not black and white.
This movie is excellent. The acting is impressive, especially Chris Messina. The two main characters are captivating, and the movie grabs you attention and never lets it go. Despite the fact that it takes place entirely in hotel rooms, the movie is interesting, thought provoking, and will take your emotions all over the place. It doesn't need fancy scenery or special effects, the acting and story line do all work. What I consider to be a hallmark of a great movie is that you still think and care about it afterwards. This movie is original and makes you think, and could quite possibly cause you to feel differently about the black and white world of infidelity, maybe there are shades of gray. I have re-watched this twice now, it feels real when so much out there is fake.
28 Hotel Rooms is in some ways a formalistic movie -- the structure of the film and its cast are highly unusual and constrained. But rather than feel confining or artificial, this allows an intense focus on the actors and their performances.
These performances are so true, and so devoid of stagey or film-y artifice, that it makes other movies about romance feel false in comparison. There is no "saying the perfect thing at the perfect time" to the seduction between the leads, as there is in so many other movies. Instead, you see charisma that mirrors how charisma really operates among real people.
The same thing with their communication and difficult emotions: they are presented in a loose, real, palpable way, without being dressed up or made to have artificial consequences.
The only false note, for me, was the final scene; I didn't totally buy it.
These performances are so true, and so devoid of stagey or film-y artifice, that it makes other movies about romance feel false in comparison. There is no "saying the perfect thing at the perfect time" to the seduction between the leads, as there is in so many other movies. Instead, you see charisma that mirrors how charisma really operates among real people.
The same thing with their communication and difficult emotions: they are presented in a loose, real, palpable way, without being dressed up or made to have artificial consequences.
The only false note, for me, was the final scene; I didn't totally buy it.
There is something about dating and affair. If the involved parties do not care about the meaning of marriage, they would be the same.
The idea of this movie is somehow unique but it doesn't mean it is good. If the director used its scenario as a sub-plot not the main course, it might be just fine. There are people would not pass their adolescence through out their life time. They are not going to change their behaviors no matter what stages of their lives are . So can you blame them? I guess not. This movie depicted that type of people. There is a little depth in this movie. It pretty much surrounded with dark sides of adultery which were nothing new.
I think if the main course has its unique storyline then adultery would enhance its complexity. It is a movie with too little effort to make a good one. So to speak.
The idea of this movie is somehow unique but it doesn't mean it is good. If the director used its scenario as a sub-plot not the main course, it might be just fine. There are people would not pass their adolescence through out their life time. They are not going to change their behaviors no matter what stages of their lives are . So can you blame them? I guess not. This movie depicted that type of people. There is a little depth in this movie. It pretty much surrounded with dark sides of adultery which were nothing new.
I think if the main course has its unique storyline then adultery would enhance its complexity. It is a movie with too little effort to make a good one. So to speak.
Lo sapevi?
- QuizThe 'Room 1507' segment was shot over a period of 48 hours with a single video camera sped up in fast speed involving both stars, Chris Messina and Marin Ireland, actually performing in terms of sleeping, eating, phone chatter, changing clothes, showering and simulated lovemaking.
- BlooperOver a period of time, the characters' looks and hair never change. His facial hair comes and goes.
- Colonne sonoreLooking At You
Written, Produced and Performed by Lindsey Haun
With Guitars by Jimmy Haun
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