This Ain't California

I saw this film last night at the Palm Beach International Film Festival. As a passionate fan of anything related to Germany, I figured I'd enjoy it, and I did. The film revolves around a group of old friends who have gathered to reminisce about one who recently died. The deceased was the central and most popular figure in East Germany's emerging skate culture in the 1980s.

The film's story is told by the friends in personal interviews and with period film clips. Some of the clips are grainy or out of focus, which is understandable, given the time period and the difficulty of obtaining good quality cameras and film in East Germany. Rather than distracting, these clips give the film its authenticity. Life in East Germany was hard, as the friends make clear. Having never lived there, it's difficult to imagine the restrictions (e.g., skateboarding was considered an anti-Socialist activity) they constantly had to deal with.

The story is told with a mixture of humor and sadness, and it was thoroughly enjoyable throughout. It is a remarkable piece of filmmaking, never less than engrossing. The closeness and camaraderie evident among the friends will almost make viewers feel they are part of the story. My spirits rose and fell with them as the details emerged. The film's most important fact is not revealed until a few minutes before the end.

The film is also accompanied by an excellent soundtrack featuring a wide range of genres from techno pop to speed metal. Each tune is appropriately matched to the action in the film. Stay through the closing credits, because the song director Marten Persiel chose to play over them is a perfect summation of what you have just seen. Don't be surprised if you get misty. If this movie comes to a local theater, I will see it again, and I will definitely buy the DVD when it's released.

I caught this movie on TV and at fist sight thought it was good. 1/4 into the documentary and something was bothering me. It was painfully obvious the "old" footage was not old but new footage made to look "old". After searching for more info about the movie online I found out what I fear. Movie is a fake dockumentary which is not labeled mockumentary but instead it is trying to pass as a real documentary. Only for that reason I gave this movie 2 stars. Even the director himself is not answering the question if movie is fake or not. Interestingly no one ever heard of Denis Panichek nor did anyone under that name died in Afghanistan. At this point I'm even failing to see what is the point of this fake documentary?

Is it a documentary? Is it a feature? First time writer and director Marten Persiel tells us that it is actually both, more of a 'documentary tale' of sorts. This description of the German subtitled feature is quite fitting.

This Ain't California introduces us to a group of friends who are gathering for a funeral after-party, following the death of their once close friend 'Dennis 'Panik' Paracek. What follows is a reminiscence session of old memories and footage showing the rise of staking, hip-hop and break dancing all throughout the GDR controlled 1980's.

Split into several subheadings and with an additional back story, this ain't a normal documentary. It is an entirely fresh approach. Director Marten Persiel describes the films ethos was the keep away from the politics – especially the Berlin Wall. Instead the film fundamentally follows the subjective mind-set of a 17 year old of the era. This is reflected heavily, what with the shaky cam, youths doing a ton of impressive skateboarding tricks. All of that, but mixed with a mash of funky-techno music. Very unique in a sense, however it deeply echoes as just a blend of German sport advertisements merely with the brand logo missing. Sadly it is nothing more than that.

Filled with footage because it can, not because it should, Marten Persiel's first feature film still stands as an original take on a documentary and it is perhaps the first skating movie ever cared for.

THIS AIN'T California tells a great story, of the growth and development of the nascent skateboarding culture in East Germany during the Eighties. Told through the biography of one of the leading protagonists in the movement, Dirk (aka Panik), this documentary tells of how a group of friends came together in a local housing estate, and developed their own approach to skateboarding - not necessarily in opposition to the West, but independently of it. Eventually the group came into contact with colleagues from West Germany, as well as other skateboarders from Europe and the United States; and they discovered that the community was far greater than they had anticipated. The group were not necessarily rebelling against communist rule; rather they were creating an alternative world in which personal fulfillment mattered more than collective good. This message is a powerful one; but devalued somewhat by the fact that much of the footage - which claims to be authentic from the Eighties - has been mocked up for the film. Moreover the narrative thrust becomes a little lost as the film unfolds; perhaps there ought to have been less slo-mo shots of the skateboarders in action and more emphasis on the multiple narrators - the group (now middle aged) looking back on their exploits.

I grew up in the former GDR (East Germany) and I am about the same age as the skaters in the movie.

There have been quite a few movies about that time. None got it right in my opinion. Some portrait it as a dull place - some exaggerated it as a comedy.

So, this movie about the Skater scene in East Germany is very close to how life was at the time (as far as I can trust my memories). It is a movie about young people that share the passion for skateboarding. They have to live with the boundaries of the GDR.

Also interesting, it tells a clear story but on the other hand it is a documentary as well.

Besides, I also liked how the movie is made. The pictures, the music, the cuts, ... it simply fits.