Slutet på sommaren

This Swedish drama opens in the summer of 1984 as young Vera witnesses her mother committing suicide by jumping into a lake. Twenty years later Vera is working as a grief councillor. A man, identifying himself as Isak talks about how he recently learnt that he was adopted; one of his only early memories concerns the disappearance of a childhood friend. Vera starts to wonder if Isak could in fact be her young brother Billy who vanished shortly before her mother's death. Returning to her rural home town with Isak she tries to discover what happened to her brother. Everybody seems to think local ne'er-do-well Tommy killed him before disappearing himself but is it that simple?

I thought this was a really solid series. There was a good sense of mystery and an impressive '80s feel to the numerous extended flashback scenes. The truth is gradually revealed and doesn't become guessable until it is almost time for the reveal; and even then it is a case of 'I think this might have happened' rather than certainty. The cast impresses, most obviously Julia Ragnarsson who does a fine job as Vera. Six episodes in length it doesn't feel rushed, nor does it ever drag. The setting is great; the flashback scenes beautifully captured the languid feel of childhood summers years ago. Overall I'd certainly recommend this to fans of Scandinavian drama.

I recently binge-watched the first four episodes of End of Summer (Slutet på sommaren) when they were released and now I binge-watched the last 2 , couldn't stop until I finished them.

What truly sets End of Summer apart is its ability to weave together a gripping thriller with a deeply emotional narrative. It's not just about uncovering what happened-it's about exploring grief, guilt, and the long-lasting effects of unresolved trauma. The story doesn't shy away from raw emotions, making the stakes feel incredibly personal.

The acting in End of Summer is nothing short of phenomenal. The entire cast brings a level of authenticity and emotional depth that elevates the series to another level. Vera, portrayed with remarkable nuance, is a character who draws you in with her determination and vulnerability as she unravels the mystery. Her performance anchors the series, making every twist and revelation feel personal and impactful.

The supporting cast is equally impressive, each actor delivering layered and compelling performances. From the subtle expressions that hint at hidden secrets to the moments of raw emotion, the cast captures the complex dynamics of family, grief, and guilt with finesse. Their chemistry and the interplay between characters create an immersive and emotionally resonant experience.

The direction is top-notch, balancing moments of intense suspense with heartfelt drama. The pacing is perfectly executed, unraveling the mystery in a way that keeps you guessing without feeling rushed or overly complicated. Every scene feels purposeful, building toward a satisfying and unexpected resolution.

The series masterfully transitions between two eras , capturing the fashion, atmosphere, and cultural nuances of both eras perfectly. The small details, like the lighting, music, and set design, immerse you in the timeline shifts without feeling forced or exaggerated.

Overall, End of Summer is a beautifully crafted series that delivers on every level. It's intelligent, suspenseful, and emotionally resonant-a must-watch for fans of character-driven mysteries.

It is a six-episode Swedish drama that tells a mysterious and emotional story. It begins in 1984 when young Vera sees her mother die by suicide. Years later, Vera is a grief counsellor still haunted by her past. A man named Isak visits her and talks about his adoption and the disappearance of a friend from childhood. Vera starts to wonder if Isak could actually be her missing brother, Billy. She returns to her hometown with him to try and uncover the truth.

The story switches between the present and the past, and this format works really well. The young actress playing Vera in flashbacks is excellent. Julia Ragnarsson, who plays adult Vera, also gives a strong and believable performance. The mystery unfolds slowly, with many twists and surprises. True, one might still guess parts of the ending, but the truth was revealed in a smart and satisfying way.

There are still some flaws: some parts, like how easily people access the investigation or how slow they are to use DNA tests, seem unrealistic-especially in a country like Sweden. A couple of characters feel overplayed or unnecessary. Also, the main character's career choice feels a bit forced. But once the story gets going, it becomes more gripping and emotional.

The show's atmosphere is beautiful, especially the flashback scenes of 1980s summer. It doesn't waste time with side plots or modern "woke" themes. It sticks to the mystery, which makes it more focused and enjoyable.

Overall, this Series is a well-acted, well-written Nordic thriller. It has heart, mystery, and beautiful visuals. If you enjoy Scandinavian crime dramas, this is worth watching - particularly if you have already watched the "classics" starting from The Killing and The Bridge... 😊

I really enjoyed this. But that's not to say that I found it full of credibility. That a disbarred professional fighting to get her job back would do what Vera does is a step too far, especially in front of witnesses.

That apart, I enjoyed the present day and flashback format of the series. The person playing young Vera was excellent too.

The actor playing the putative adult Billy was less convincing although I'm going to put this down to bad directing. From episode five onwards, he'd obviously been told to look menacing and he did this by baring his teeth when smiling. It didn't work.

I didn't guess what had happened to Billy but I had realised what Tommy's fate was and who the perpetrator must have been.

In a highly regulated state like Sweden, it seemed odd to me how people's identities couldn't be established. Even odder, why not demand a DNA test immediately instead of acting on supposition and intuition?

I'm glad I saw this and it filled a few hours. It made my brain work and surprised me too.

Recommended.

This is a classy piece of work. Starting right at the top, the writing is superb. Most screenplays slap on big, chunky layers of intrigue, a bit like lasagne, but End of Summer is so much more subtle, creating layers, so quietly introduced you hardly notice, like Filo pastry. Its a guessing game right to the end and no-one will guess in advance, even though they might think they have the answer. The casting is excellent, acting top notch and direction makes the complex screenplay hang together almost effortlessly. This is screen production of the higher order. And of course you need very strong screen talent to carry it, especially in the early episodes when the intrigue hasn't really had a chance to ratchet up yet. This is where Julia Ragnarsson excels as Vera ( and the young actress who plays her child self). Both so very good and totally believable being the same person. To the entire crew and team, thank you for an excellent screen drama.