Back in Action

If you don't like super exaggerated action scenes just skip this one as that is exactly what you will get. I wouldn't say it's my favourite genre either but sometimes it passes if it's well made. And it is well made, with nicely choreographed fighting scenes, plenty of action scenes and decent acting. Cameron Diaz and Jamie Foxx work well together. Maybe it could have used more humour, that part was just average, but in the popcorn movie genre it works. Spies that can take out everybody, solve all the problems as it was the easiest thing to do, that you can only see in these kind of movies. In real life they both would be dead and buried.

15 years after leaving behind their careers as superspies by faking their deaths, Emily (Cameron Diaz) and Matt (Jamie Foxx) have started a family and now live a quiet suburban life with their teenage daughter Alice (McKenna Roberts) and young son Leo (Rylan Jackson) while dealing with parental challenges like teenage rebellion and screentime. After following their daughter to a late night rendezvous at a night club where they use their martial arts training against some aggressive young men, the two are visited by their former handler Chuck (Kyle Chandler) who warns them the video of their fight has gone viral and that both the CIA and arms dealer Gor (Robert Besta) will likely track them down in the hopes of acquiring the ICS, a digital weapon that Matt hid unbeknownst to Emily if in case they ever needed leverage and to keep it from falling in the wrong hands. After Chuck is killed the two flee with their children while dodging assassins and mercenaries as they head to England where the ICS is hidden with Emily's estranged mother Ginny (Glenn Close).

Back in Action is the latest star studded genre film from Netflix and comes to us from writers Seth Gordon and Brendan O'Brien the former of whom also directs. The film marks Foxx's fourth collaboration with the streamer following works like Project Power, Day Shift and they very enjoyable They Cloned Tyrone and also marks the first role for Cameron Diaz since 2014's Annie after the actress took a hiatus due to the travel demands of acting. Back in Action doesn't break any new ground when it comes to this kind of high concept action-comedy film, but despite being pure formula it is elevated by the strong chemistry and comedic timing of Foxx and Diaz.

Back in Action follows a similar framework you've seen with this type of format which can be traced back to things like True Lies from the 90s or Romancing the Stone and its various immitators of the 80s (like American Dreamer for instance). This kind of format has been used time and time again (This Means War, Killers, The Spy Who Dumped Me, Ghosted, etc.) and if you're familiar with the formula it's very much in play here. The opening sequence involving Emily and Matt infiltrating Gor's mansion to obtain the ICS is actually quite well done and features some good choreography even if the plane crash sequence maybe is a tad overdone. It helps that Diaz and Foxx do have really good chemistry with each other and it's a marked improvement from last year's Argylle that had terrible chemistry between its leads and an overly bloated runtime. The first act after the opening sequence is probably the weakest part of the film with some very on the nose "generation gap" humor with Alice and Leo two-dimensional Gen Z and Gen Alpha archetypes whose position is really only to react to the reveal of their parents superspy past without really being fully fleshed characters themselves and it's the kind of thing that feels very "sitcom" in its usage of awkward humor. Once the family is forced on the run it adheres pretty closely to the patterns of this kind of formula action comedy but there are some amusing moments especially with Glenn Close as Emily's mother and some good against type stunt casting where the prior roles associated with two actors help make a pretty obvious twist have more weight than you'd expect.

Back in Action is not a great movie but it's a decent rental especially when you consider prior spy films from last year like Canary Black and Argylle that didn't work at all. If this were a theatrical film, I'd say it's something you can rent and be reasonably entertained. Take that for what you will.

It's a predictable, bad and a boring movie.

I've just wasted my time with another boring Netflix movie.

I love Cameron Diaz but it still is not enough to like this movie.

What's this obsession with secret agent married couples with children running away from the bad guys? It's all the same!

I don't even remember the last time Hollywood made a proper comedy or action movie. I keep watching movies from the 80s, 90s and 2000s.

Please Netflix no more so called "action-comedy"!

I am this close to cancel my subscription.

Maybe it's not just Netflix, the problem with Hollywood as a whole. Hollywood is on a big decline.

Diaz and Fox together with Glenn Close as Diaz's English mom, certainly make for a star studies cast, but that's prob where most people's reviews will stop. The film is not to be taken seriously and it's not going to win any awards, but it's a family, light hearted spy film that doesn't actually try to take itself seriously. The dialogue is corny at times and the acting is straight out of low budget action movies as is the plot, but if you want something to watch where you won't have to use any brain power whatsoever it's not that bad. There is enough action and stunts to keep the interest of most action movie officianardos, with Diaz and Fox playing two spies and obviously having martial arts skills. It does drop off a little around 3/4 the way through but picks up again towards the end. Decent enough watch.

A couple are convinced to come out of retirement, after their new life and cover is blown.

It's teetering on being one of those movies that's so bad, it happens to be fun. It's nonsense, sheer, total and utter nonsense, but I watched it from start to finish, and didn't get bored.

Everything was over the top, the fact that the couple didn't age at all after fifteen years, the shoot out scenes, the annoying children.

There was a hint of Johnny English about it, nonsensical sci fi, gadgets and gizmos, ridiculous shoot em up scenes, it did make me laugh a couple of times, the stereotypes were pretty funny.

You go for two wonderfully over the top English characters, and neither are English, that made me laugh, and think of Murder, she wrote, Glenn Close and Andrew Scott doing wonderfully, plummy English accents.

I rather liked Nigel, a bumbling British agent, who could have been lifted out of a spoof from the early 2000's, Jamie Demetriou was amusing.

One issue though, Americans poking fun at British food.....hand me the sugar, colourings and trans fats.

Fun, nonsense.

6/10.