#LookAtMe

Ken Kwek's "#lookatme" is a captivating film that delivers a biting commentary on the dangerous implications of our society's obsession with social media. The movie also bravely tackles sensitive topics such as religion and homophobia, offering a fresh and bold perspective on LGBTQ issues in Singapore.

One of the standout features of the film is Kwek's expert direction of the actors. Pamela Oei delivers an exceptional performance as Mom (Nancy Marzuki), portraying her character's sensitivity and thoughtfulness with depth and nuance. Additionally, Yao's portrayal of the Marzuki brothers is outstanding, particularly Sean M's transition from initial mischief to madness when he's imprisoned.

Perhaps the most compelling reason to see "#lookatme" is for Pamela Oei's masterful acting. She brings a level of authenticity and vulnerability to the role that is both powerful and memorable, making her performance alone worth the price of admission.

Overall, "#lookatme" is a must-watch film that challenges its audience to confront uncomfortable truths about our society.

Although the film is impressive overall, there are some areas where it could have been more nuanced. For instance, certain scenes, such as those set in the prison, felt somewhat prolonged and could have been trimmed down for better pacing. Additionally, some of the characters, particularly the antagonists, came across as somewhat one-dimensional caricatures, lacking the nuance that would have made them more compelling.

However, despite these shortcomings, the film is a powerful and moving work that offers a sense of solidarity to LGBTQ allies.

Looking to the future, one can only hope that more films will continue to explore these complex themes and foster a greater sense of empathy and understanding among all members of society.

This film is far more important than a piece of entertainment.

Set in and coming out of Singapore, a place where as of the time of this review, the LGBTQIA+ community still does not enjoy anywhere close to the same amount of rights as "straight/cis" people, this film joins the ranks of pieces of art that is brave enough to do the important work of amplifying stories and issues that DO exist in clean & green Singapore, but are always shoved under the rug.

The film is thoroughly engaging from start to end, and as a great and important note, lots of the cast members are part of SG's LGBTQIA+ community of members and allies and thus an integral part of this piece of work.

My only criticism is that, for a film marketed towards that community, it still places the "straight/cis" character front and center as the hero of the story.

That being said, I am grateful to every person involved for being some of the many daring artists willing to put their careers and names on the line to produce content like this that is still largely unwelcome in Singapore and has a very real potential to affect their working options in some way.

I hope one day we will all look back on this and other similar works of art as signs of an outdated era, rather than a continuing situation in Singapore.

Gripping account on how it feels to be at odds with some of your community whilst supported by others. Loyalties are tested in this story where the power of a viral video can have major consequences.

Really meaningful work from Ken Kwek and supporting team. It really brings to light how just being yourself, and speaking up is immeasurably harder when you or your sibling is part of the LGBTQ+ community.

The poignancy of parts combined with the dark humour of others made for a compelling watch.

Some notable performances. Yao plays two brothers with great effect. Touching and guenuine performance. My best actor goes to Pam Oei for a caring, devoted, loyal yet pragmatic Mother figure. If you were in this situation you'd want Pam's character rooting for you too. Highly recommended watch.

Being such a long while where I have been at a movie where the audience laugh as one, cheered and exclaim together.

A simple production that is at times raw, it hits you. It does showcase some underlying themes of the society that most people are afraid to know, thread or understand or challenge.

A lot of foreigners don't understand why Singaporeans got so much to complain about Singapore. Maybe this movie can help share such insights.

However, audience are to be careful with the opening statement. It's a fictional storyline, with inspiration from some real events. After all Amos is now locked up in US for his own crimes and is definitely not anyway close to be a hero in Singaporeans eyes.

Recently saw this film and felt very much like Ken Kwek had taken me on an emotional roller coaster. The film, aside from being incredibly well shot and written, covers a broad range of issues ripped from the news in Singapore-but which have implications for communities around the world: the (very real) hypocrisy of evangelical leaders, the fear of speaking out in countries that punish free speech, and the ways in which families will sacrifice everything they have for one another.

The cast is superb. Yao is an actor to watch for sure. He carries almost every scene in the film as twins caught in the gears of the world around them, and through them we're allowed to see how destructive the world we've created can be for people who just want to live their authentic lives. He really is a truly talented young actor. Pam Oei, a Singaporean actress often associated with her comedic chops, also shines here as a mom who not only unconditionally supports her children but will do anything for them. Her performance is heartbreakingly sincere.

The film ends perfectly, which is such a hard landing to stick in any movie-perhaps more so when a final emotional catharsis is needed. Kwek nails it.