Wineville

We got to talk to brande about the film and now's it's on Tubi . It's a great film and you can tell it was a passion film. It's both haunting and beautiful landscape and dark subject matter makes it a great watch. Lots of gore and fun within the film. The acting is fun and the fact that son and mother are in real life son and mother make the relationship even better. If you're into a fun movie with blood, guts, and some nudity. Wineville is one that you need to watch. Not only is Brande an amazing person and super nice to her fans. She's got the chops to run with the big dogs of horror. Vampire& Devil Podcast suggests to check it out.

Brande Roderick's directorial debut proves that a passion project can excel. A woman returns to the murderous vineyard her abusive father disguised to close out its sale after his passing. Ed Gein meets Norman Bates with a sprinkle of the Firefly family makes for a bloody good time. Brande is a wonderful person and her genuine nature that is shown when meeting fans comes through in this film as you can tell she took great care in its design and execution. You don't need a big studio in your back pocket to show that you have what it takes in the horror genre. Brande has it and this is only the start.

This is a film that I got the chance to see thanks to Erika from Gold Dust PR. Coming into this one, I did have a press release which I used to confirm that this was a 2024 horror release. It also seemed like this could be a slasher film, which isn't always my favorite subgenre. Other than that, I came into this one blind.

Synopsis: a woman who fled her abusive father's vineyard as a teenager returns after his death. She uncovers her family's dark secrets, which have festered, leading to violence and death, as she settles the estate.

We start this in the car of Missy (Christie Nicole Chaplin). It subtly alerts us that we're in the 1970s with news on the radio. She sees a guy in a truck pulled over so she sees if he needs help. He is Joe (Casey King). She offers him a ride and he accepts. It then shifts over to them making out. She inquires if there is a more private place to go. We then see her wake up, strapped to a harness and someone stabs her in the stomach with shears.

This then shifts us over to our lead, Tess (Brande Roderick), with her son, Walter (Keaton Roderick Cadrez). They're on their way to the vineyard from the synopsis. Tess didn't tell her son about her family. The story she told him growing up was that they were all dead. Walter is annoyed with her and having to come all this way. Tess is unsure of what to do either, so that makes it difficult. There are bad memories here.

I'll then introduce her aunt, Margaret (Carolyn Hennesy). She helped her brother run this farm. Joe is a guy that they helped raise when he showed up one day as a boy. These two plead with Tess, in so many words, about not selling the farm. This is their lively hood. Tess hasn't made up her mind yet and has a few days to do so.

The disappearance of Missy leads the local sheriff to the farm, John Hicks (Texas Battle). He asks if Margaret or Joe saw her, which they claim they haven't. John is shocked to see Tess, until he remembers her father's passing. They were friends in junior high. There does seem to be attraction here as well.

Old memories are drudged up here and we learn more about the dark truth hidden within this farm. Tess has a difficult position, as she doesn't want to reveal things to her son who is enjoying their time here. Joe seems like a nice enough guy, but we see he has a temper. There is a history of missing persons as well, which continues to grow.

That is where I'll leave my recap and introduction to our characters. Where I'll start is that this has a decent enough concept. This is set in the past to not have to deal with cell phones. I'm not sure the flashbacks work well enough for the time that it is set, but it also doesn't do anything that ruins the façade either. This does feel like it is inspired by things like The Texas Chain Saw Massacre or similar films where we have this isolated farm where people are going missing and it is being noticed. It is an easy recipe to follow, just not necessarily original.

Now that I have that set up, let's delve more into our lead. This tries to be a character study of her. Tess is a single mother who has a history of abuse at the hands of her father. We also learn that her mother killed herself because of it and Tess fled. Again, not a new concept, but it works fine for a movie like this. I figured out a reveal well before it was given. It is in line with what I've said here. That was something else that didn't shock me to learn. My only issue there would just be that I wasn't sure of ages. What I'll say here is that Roderick, who also directed this, did well at conveying this story and the pain that her character has. She's fine in the lead role.

I've already said that I like the isolated setting and the time they put this story since that prevents technology. It is also scarier when someone is being attacked since you know no one is coming to help. This does go brutal there and when we get practical effects those are good. I'll even say here that the cinematography and framing help to set this all up. Another thing with the isolated location, it makes sense that the abuse happening would go unchecked. Part of that again is the period. My issue here though is that it feels like the different ones used were just there for shock value. If it is happening to one of the characters, it doesn't shock me to learn that it is a history of abuse as well

That should be enough for the story, let me finish out the filmmaking aspects. How this was shot and the practical effects were good. If I have an issue, it comes with the CGI. It doesn't hold up and that took me out of the believability. I understand that is budgetary so I won't hold it against this too much. Other than that, the soundtrack and design was solid. They used music that felt of the era. I also like that characters hear screaming and voices as well, which builds tension.

All that is left then is acting. I've already said that our lead, Roderick, was fine. Battle works as this sheriff who is doing his job but has limited evidence to go on. I thought that him and Tess with their interactions were cute. Hennesy works as this older woman who must toe a fine line of hating her niece, but also needing her help to keep the farm. King works as this guy who was homeschooled and now is awkward with human interactions. I also like how sexual urges make him uncomfortable. That makes sense as this goes on. Taylor Murphy-Sinclair, Chris Schellenger and Chaplin were fine in their minor roles. Cadrez and the rest of the cast are also fine for what was needed.

In conclusion, I thought that this was a solid modern slasher. It is set in the past, to help alleviate the use of technology, which is fine. It doesn't necessarily look like the past outside of outfit choices and vehicles. What I'll credit there is using this isolated farm since that gives it a timeless feel. The characters are fine and I'd say that their acting performances work. This is made well enough with the cinematography and framing to help hide the seams. My only issue there is the use of CGI doesn't hold up. It also feels like they include taboo concepts for the shock value. Not a great film, but I did enjoy my time here.

My Rating: 6 out of 10.

Following her father's death, a woman and her son travel to their family's vineyard to take ownership of the property against the wishes of the workers who stay there, but as they stay to make amends grow alarmed at a series of mysterious disappearances around the property tied to a horrifying truth.

This was a pretty solid and likable genre effort. The main feature here that comes off well enough is the main setup involving the family dynamic at play once they all arrive at the vineyard and how it all plays out. The initial backstory about her disinterest in the property with how her father treated her and how it affects her son when they arrive and make friends with the two still taking care of the property all makes for a great touch with how the day-to-day operations on the place go about. How the attempts at getting them into the way of working on this type of property they run while secretly making the serial killer antics feel like their hidden in plain sight due to the way they all seem perfectly natural in the idea of a vineyard such as this. The few scenes of his psychotic antics come off well enough and provide the brutality necessary to give this a solid punch at the right moment. Outside of this, though, there's not a whole lot going on here. The psycho tendencies might be hinted at throughout the early stages of the film but they're not present in any great degree until the last act leaving much of the film to function about the goings-on at the vineyard and the struggle to ensure it stays running. Operating in this manner where the farmhand and the older woman are there on the property teaching the mother and son about life on the winery and how it all works that it comes off without much in the way of a genre feel for most of the running time. It's way too late in the film to pile on the genre material that this one utilizes which goes on so long it does start to wear waiting for the final strike to get going where it gets questioned repeating things that aren't interesting in the slightest, which is the kind of issue here that brings this one down the most overall.

Rated Unrated/R: Graphic Violence, Graphic Language, intense themes of incest, and sexual content.

"Wineville," the 2024 horror offering directed by Brande Roderick and penned by Richard Schenkman, delivers a genuinely unsettling experience that lingers long after the credits roll. Described as dark, psychological, and eerie, the film lives up to these promises, crafting an atmosphere of dread that slowly suffocates the viewer.

Brande Roderick, who also stars, demonstrates a keen understanding of the genre, guiding the narrative through a labyrinth of unsettling revelations. The screenplay by Richard Schenkman is a slow burn, meticulously building tension without relying on cheap jump scares. Instead, it delves into the psychological torment of its characters, making their descent into fear palpable.

The performances are a significant strength. Carolyn Hennesy delivers a captivating turn, anchoring the film with her nuanced portrayal. Texas Battle provides a solid presence, contributing to the ensemble's dynamic. Brande Roderick, in her dual role, showcases both her directorial vision and acting prowess, creating a cohesive and disturbing world.

"Wineville" excels in its ability to create a pervasive sense of eeriness. The film's dark aesthetic and sound design work in tandem to amplify the psychological unease, making the audience question what is real and what is a product of the characters' unraveling minds. It's a film that prioritizes mood and character over explicit gore, proving that true horror often lies in the unseen and the unknown. For fans of atmospheric and thought-provoking horror, "Wineville" is a chilling and effective watch.