Two Mothers

This looked like an interesting story with a good cast and it didn't let me down.

Naomi Watts and Robin Wright are not your average mid 40's moms, both being stunning looking with great figures. It's not surprising that guys of any age would be interested in them. Maybe the film would have been slightly more challenging if the moms in question were less blessed in the looks department. Whilst both Watts and Wright are excellent, the two young male leads are pretty wooden.

Filmed over the period of a few years it charts how the relationships fare. There are plenty of uncomfortable moments but these are handled well. The film does drag a little in the middle and it almost seems to be petering out but thankfully a few unexpected twists help maintain interest towards a satisfying conclusion.

This is a very good and engrossing drama and is well worth watching.

I wanted to see what would happen even afterwords,

I wanted it to continue. I was stunned to my seat with lot of thoughts and emotions. Tanned surfing teenage boys with model-beautiful mothers in bikinis, The beautiful filming that is so well themed and constructed, this relaxed and ecstatic feel that transcends from the screen

making the audience feel the exact erotic atmosphere in which the characters dwell and that pull of desire that comes across in the silence and in the sound of the ocean; and Robin Wright's extremely deep character building and original portrayal of female strength, pull the film together to a true work of art. The location, beach houses, cinematography are beautiful and makes you want to move to Australia. Just for that the movie is worth watching.

I almost didn't watch this film due to its average rating and some of the reviews here. I suspect the negative reviews have more to do with people rigid world views and moral inclinations than actual capacity to distinguish any kind of subtlety in the way the story unfolds.

Interestingly it doesn't actually unfold as one would expect and as some commentators have claimed.

Naomi Watts acting is excellent and the emotions she conveys make the story believable.

As for the 2 young surfer dudes, one of them actually looks a bit like Julian Wilson (Top pro surfer) which should be a pleasant surprise for the ladies out there.

The location, beach houses, cinematography are beautiful and makes you want to move to Australia. Just for that the movie is worth watching.

Well done. Well acted. But it is all events without exploration of those events. There is not enough dialog to explore how characters are reacting to their situation. At one point the boys fight, one trying to drown the other. The cause of the fight is never explained or explored. People get hurt. Relationships are damaged. But the film doesn't explore how the main four characters feel about the damage they've caused. The male actors seem to cast for their bodies not their acting abilities. Ultimately disappointed with characters that are depicted as apathetic, remorseless and selfish.

In rural New South Wales, childhood friends and now mothers Roz (Robin Wright) and Lil (Naomi Watts) live a secluded existence. Their life seems idyllic: Roz runs an art-gallery, while Lil apparently does not work but manages quite well to pursue a good life as a widow. As the film develops, however, so both women fall for the other woman's sons: Roz falls in love with Lil's son Tom (James Frechville), and Lil falls in love with Roz's son Ian (Xavier Samuel). Both women try to end their respective affairs - in the belief that they are somehow wrong - but find themselves incapable of doing so, leading to heartache and loss. There are several reasons for watching TWO MOTHERS: the first being the stunning photography of a rural seaside landscape (by Christophe Beaucarne), full of sandy beaches and azure-blue seas. It's hardly surprising that none of the four protagonists really want to leave the place, even though Tom moves briefly to urban Sydney to pursue a career as a theater director. TWO MOTHERS also boasts four excellent performances: Watts and Wright are quite outstanding as the two mothers, their faces beginning to show the signs of middle age, yet retaining much of their youthful vigor. Director Anne Fontaine's camera scrutinizes their features as they ponder the morality of what they are doing, and desperately decide what to do for the best, while remaining true to their instincts. At the end of the film, when they consider what they have done, they do not say much, but the sequence comes across as incredibly poignant: Wright in the foreground, and Watts in the background trying to explain why she did what she did. The third main reason for watching the film is the sparse script - by Fontaine and Christopher Hampton after a work by Doris Lessing. The film makes no judgment on the characters' behavior'; rather it encourages us to reflect on how human emotions work, often in defiance of moral concerns. Perhaps the film is a touch too long - the ending tends to drag a little - but the final image of the four protagonists sitting sunbathing on a wooden raft, the camera placed directly above them, is a memorable one.