I Do

I saw this at this year's London Lesbian & Gay film festival ... and whilst I normally stay for the Q&A after each film ... this was one of the few that I couldn't bear to!

Don't get me wrong, I was carried along the emotional roller coaster with everybody else - I was welling up with the best of them ... but ultimately it was a fairly trashy film.

Some of the clichés and poor writing was simply inexcusable ... and some of the scenes felt as clunky as a home video. And some of the acting was fairly grim too!

Highlights were the male bodies, Jamie-Lynn Sigler and the beautiful Mike Manning.

If you want a slushy cry-fest, go for it, just be prepared for the issues listed above!

This intelligent and charming NY indie feature has a lot going for it. The over-all premise is a sophisticated urbane justification for gay marriage, but it is presented as a family of friends drama with quite legitimate and compelling emotional drive. I live in Australia and saw it as a film festival presentation. At first I thought it was an Aussie film given the initial male actor, but it quickly revealed to be a NY feature and as a result, a feature that's international in tone and heart. Yes it could be set anywhere and about people we all know. Only occasionally does the script seem too TV with some over written sentences too mouthy for an actor, but this is a minor quibble in a strong film that brings forth a realistic relationship quandary among believable 30 somethings. Newcomer dude Mike Manning is a standout in an unforgiving role, and Alicia Witt proves again why she will inherit roles that Julianne Moore will miss out on. I won't see it again, but you should see it and bring along perhaps a friend who can offer intelligent and heartfelt comment over coffee afterwards. I can see a major remake with Gerard Butler and Antonio Banderas which possibly is the real income generator for the producers of this humane film.

Anyone who's hungry for a feel-good, studio-quality gay romance - with crisp photography, classy sets, clear sound, attractive actors with celebrity stubble, hot bods, pure hearts, and plenty of obstacles for true love to overcome - is going to love this movie. There are no others like it. Even lesbians are pretty well represented, within the movie's Hollywood-like straight-acting constraints. It's certainly as good and as believable as any straight romance Hollywood ever made. Even straight people might like it, because there's a very cute child, the gays are wonderfully domestic and straight-acting, and true love is true love regardless of gender.

The fact that this movie's objective - equal treatment of gay married couples under US immigration law - had, to the whole world's amazement, already been achieved by the time the DVD was released doesn't compromise its effectiveness as much as it could have. It really is a very romantic drama much more than an appeal for justice, so while the appeal already sounds dated it's a small enough part of the movie that it's easy to overlook.

For gay men like me, though, and others who aren't particularly romantic, this movie is not so great. The problem is the screenplay, written by David W. Ross, who also stars as Jack.

Nearly every point on which the highly melodramatic story turns is weak at best, and often ludicrous: Drag-racing taxis on a rainy Manhattan street at night? Jack suddenly losing his work visa after 20 steadily productive years in the US? Why? His lawyer says it's "because of 9/11"? Was every gainfully-employed British WASP deported ten years after 9/11? It makes no sense.

And after all those years of obviously successful employment (just look at his fabulous Manhattan loft apartment!), why doesn't he already HAVE a green card, or even citizenship? That's just the beginning; the contrived, nonsensical crises, one after another, are just too absurd to swallow. It's also hard to sympathize with affluent people who repeatedly make stupid choices.

But this is Hollywood (or might as well be). So while I found the movie mostly annoying (a few dynamite turns by Jamie-Lynn Sigler are the only exceptions), I strongly recommend it to my less cynical and more romantically-inclined brothers who've been waiting an unfairly long time for a movie just like this.

The complications inequality wreaks are deftly illustrated in this highly-polished independent film by newcomer writer David W Ross. The film also comes at a time when Prop 8 and DOMA are under the spotlight so couldn't be more appropriate. I was mightily impressed with the balanced story-telling, the pacing, the high production values and the excellent acting from the cast, particularly Jessica Tyler Brown who surely has a bright acting future ahead of her.

One thing that really makes the film work is the mix of tragedy, comedy, drama and intimacy that brings through the character of the film. Nothing is straightforward in the story, and that's the point with marriage inequality. It inflicts a web of complications and pushes people to break the law to be with someone they love, which can be felt emphatically. The issue doesn't just affect couples who wish to be together, but everyone close to them.

Fortunately the film isn't just a case of watching Jack Edwards's world slowly ebb away, and the anxieties it brings; it also has very touching and humorous moments which don't descend to the farcical. It's this mixture that would bring me back to watch it again. Sure you'll have a couple moments where your eyes may well up, but it thankfully hasn't been over-baked into a Lifetime-style drama. And you will laugh, or at least chuckle at the well-timed and appropriate comedy. I'm still highly impressed by this supposedly little indie film, which punches well above its weight. Go watch it if you get the chance.

Well this little ditty has every sappy melodramatic cliché ever thought of, and with a twist too! Well maybe not.

Here we have Jack & Peter Edwards, brothers. Peter & wife Mya meet Jack at a fancy fancy eatery to proudly announce to Jack that Mya is pregnant and they are joyful that Jack is going to be the gay uncle! All is right in their world ... oops, not so fast ... Peter gets run over by an automobile that very same evening, and the movie just started! Poor Peter!

Jump forward eight years. The daughter, Tara, is now eight years old and ever-so sweet. Mom Mya is studying to be a nurse and Jack has been a comfort and a supportive uncle. All is right in their world ... oops, not so fast ... Jack receives notice that his visa is about to expire and he will have to go back to England! He has family, a job, and has been a fine member of the community in NYC. But 9/11 changed everything he is told, so get ready for a rough ride. So Jack gets his lesbian studio assistant to marry him so he can stay in the USA. Perfect solution ... oops ... turns out if you marry after visa expiration notification you can get into some deep dodo. Lesbian chick wants to bail out on this deal ... no jail time for her. Poor Jack!

Jack just happens to meet a lonely Spanish/American guy at an art opening! Things get hot between them. Spanish/American guy to the rescue, let's get married ... all is right ... not so fast. The gay marriage deal isn't going to work either. And on and on the story goes. Little Tara gets sick, Jack and Mya have a falling out, Spanish guys father falls over dead (and Spanish guy gets all upset over this even though he hasn't spoken with his father for 20 years and dear old dad tried to stab him once!) You can just hear the weepy violin music in your head - such drama!

Guess what - happy ending! Turns out Spanish guy inherits a famous vineyard, Jack goes through with divorce, little Tara gets well, Mya aces her nursing test, and Jack flies off to Spain to jump into the eager and now wealthy arms of Spanish guy. All is right in their world.

Now the twist - two gay guys instead of a guy and a girl. Big deal.