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7,0/10
17.306
LA TUA VALUTAZIONE
Una rivisitazione moderna della commedia classica di Shakespeare su due coppie d'innamorati con diverse interpretazioni del romanticismo e un modo con le parole.Una rivisitazione moderna della commedia classica di Shakespeare su due coppie d'innamorati con diverse interpretazioni del romanticismo e un modo con le parole.Una rivisitazione moderna della commedia classica di Shakespeare su due coppie d'innamorati con diverse interpretazioni del romanticismo e un modo con le parole.
- Premi
- 1 vittoria e 8 candidature totali
Recensioni in evidenza
I love this play, and have seen many versions. I was even in a production in New Jersey.
This is an unimpressive version of a great story, and the great moments come from the "writing"as the kids are saying nowadays. The leads may not be terrible actors, but they sure failed to move me here. Even Dogberry was pretty blah and that character can really uplift a failed production. Amongst an uninspiring cast, Don Pedro's character was the best of the bunch. I didn't mind listening to him at all. Even his moments with Claudio and Beatrice were bearable. The music was okay. There were some interesting staging choices, but that doesn't make this worth watching.
I really can't get behind this film, and would recommend going to the theatre, or renting the other film versions.
This is an unimpressive version of a great story, and the great moments come from the "writing"as the kids are saying nowadays. The leads may not be terrible actors, but they sure failed to move me here. Even Dogberry was pretty blah and that character can really uplift a failed production. Amongst an uninspiring cast, Don Pedro's character was the best of the bunch. I didn't mind listening to him at all. Even his moments with Claudio and Beatrice were bearable. The music was okay. There were some interesting staging choices, but that doesn't make this worth watching.
I really can't get behind this film, and would recommend going to the theatre, or renting the other film versions.
I was lucky enough to see Much Ado at the UK premier last weekend, and I'm very glad I got the chance. I've been a big fan of Joss Whedon's work for a long time. However my knowledge of Shakespeare is very little, so I read the play first, which really helped me understand the text and the time period and appreciate some of the humour. I would highly recommend any Whedon fan who isn't familiar with Shakespeare to read the play before you see the film.
Much Ado struck me as a lovely little independent film. It's a delight for fans of Joss, as we get to see many fan favourite actors clearly having a great time. Alexis and Amy both shine, and Nathan was hilarious and great, despite this being his first time doing Shakespeare. The acting from the entire ensemble is consistently engaging, and most importantly, the film is funny throughout. Filmed entirely at Joss's house, which is a beautiful location and made all the better in glorious black and white. This and the understated music really add an interesting atmosphere to the film. After all, it is a 500 year old play put in a modern day setting, so it's kind of other-worldly. As for what this interpretation adds to the much loved play, certainly there are some subtleties of the characters and their lives which Joss has expanded on.
This film is the first to be released through Joss's independent production company Bellwether Pictures, and it bodes very well for the future of Joss's independent film work.
Much Ado struck me as a lovely little independent film. It's a delight for fans of Joss, as we get to see many fan favourite actors clearly having a great time. Alexis and Amy both shine, and Nathan was hilarious and great, despite this being his first time doing Shakespeare. The acting from the entire ensemble is consistently engaging, and most importantly, the film is funny throughout. Filmed entirely at Joss's house, which is a beautiful location and made all the better in glorious black and white. This and the understated music really add an interesting atmosphere to the film. After all, it is a 500 year old play put in a modern day setting, so it's kind of other-worldly. As for what this interpretation adds to the much loved play, certainly there are some subtleties of the characters and their lives which Joss has expanded on.
This film is the first to be released through Joss's independent production company Bellwether Pictures, and it bodes very well for the future of Joss's independent film work.
Much Ado About Nothing by Joss Whedon is the latest adaptation of the Shakespeare's comedy.
The good. Excellent ideas. Very funny settings and actions. Nice choice of actors. With visual, it's always possible to add non spoken actions to original dialogs and Whedon made some clever extensions. Great photography.
The actors. My favorite performance were by Nathan Fillion, Sean Maher, and Tom Lenk, although I came to appreciate those of Amy Acker and Alexis Denisof a lot.
The bad. The concept of war as spoken in the piece doesn't translate well in modern time.
The ugly. Nothing.
The result. Solid entertainment for those who like modern transposition of Shakespeare's work, A must for any Whedon fan.
The good. Excellent ideas. Very funny settings and actions. Nice choice of actors. With visual, it's always possible to add non spoken actions to original dialogs and Whedon made some clever extensions. Great photography.
The actors. My favorite performance were by Nathan Fillion, Sean Maher, and Tom Lenk, although I came to appreciate those of Amy Acker and Alexis Denisof a lot.
The bad. The concept of war as spoken in the piece doesn't translate well in modern time.
The ugly. Nothing.
The result. Solid entertainment for those who like modern transposition of Shakespeare's work, A must for any Whedon fan.
"Sigh no more, ladies, sigh no more, Men were deceivers ever, One foot in sea and one on shore, To one thing constant never." Much Ado about Nothing
Deception for good and bad is the stuff of the popular Shakespearean comedy, Much Ado about Nothing. Joss Whedon's modern dress adaptation preserves in lovely fashion the Bard's meanings while making them readily applicable to modern times. The airy location at Whedon's Santa Monica estate, with its easily overheard conversations, allows men and women to deceive and be deceived and be caught but not fast enough to prevent some major hurt.
The battle of the sexes is best evidenced in the verbal roughhousing of Benedick (Alex Denisof) and Beatrice (Amy Acker): "I wish my horse had the speed of your tongue" (Benedick). The battle takes a grim toll when evil Don John (Sean Maher) sets up Claudio (Fran Kranz) and Hero (Jillian Morgese) for her infidelity and his refusal to marry her because of it. Contrarily, deception brings Beatrice and Benedick into a loving relationship, so the game of love is apace and indiscriminate.
Shakespeare has it both ways, a considerable feat, to bring the right lovers together and punish those who would destroy the love. The film shows in revealing angles (those bird's eye shots from the ceiling area are effective giving the overheard and peeping-tom points of view) and close-ups the ambiguities of love. Even when Benedick falls under love's aegis, that state continues to be difficult for both him and his love.
The striking black and white strips the romance of unnecessary frivolity while reminding the audience of the halcyon days of screwball repartee that such stars as Katharine Hepburn and Cary Grant made high art:
Beatrice: "I would not deny you, but by this good day, I yield upon great persuasion, and partly to save your life, for I was told you were in a consumption."
Benedick: "Peace. I will stop your mouth."
Shakespeare plays out the battle of the sexes with his genial finesse, never forgetting the divisive nature of love:
"Friendship is constant in all other things, save in the office and affairs of love." Claudio
Although I am a devotee of Kenneth Branagh's 1993 adaptation, Whedon's takes a comfortable place in my favorite canon.
Deception for good and bad is the stuff of the popular Shakespearean comedy, Much Ado about Nothing. Joss Whedon's modern dress adaptation preserves in lovely fashion the Bard's meanings while making them readily applicable to modern times. The airy location at Whedon's Santa Monica estate, with its easily overheard conversations, allows men and women to deceive and be deceived and be caught but not fast enough to prevent some major hurt.
The battle of the sexes is best evidenced in the verbal roughhousing of Benedick (Alex Denisof) and Beatrice (Amy Acker): "I wish my horse had the speed of your tongue" (Benedick). The battle takes a grim toll when evil Don John (Sean Maher) sets up Claudio (Fran Kranz) and Hero (Jillian Morgese) for her infidelity and his refusal to marry her because of it. Contrarily, deception brings Beatrice and Benedick into a loving relationship, so the game of love is apace and indiscriminate.
Shakespeare has it both ways, a considerable feat, to bring the right lovers together and punish those who would destroy the love. The film shows in revealing angles (those bird's eye shots from the ceiling area are effective giving the overheard and peeping-tom points of view) and close-ups the ambiguities of love. Even when Benedick falls under love's aegis, that state continues to be difficult for both him and his love.
The striking black and white strips the romance of unnecessary frivolity while reminding the audience of the halcyon days of screwball repartee that such stars as Katharine Hepburn and Cary Grant made high art:
Beatrice: "I would not deny you, but by this good day, I yield upon great persuasion, and partly to save your life, for I was told you were in a consumption."
Benedick: "Peace. I will stop your mouth."
Shakespeare plays out the battle of the sexes with his genial finesse, never forgetting the divisive nature of love:
"Friendship is constant in all other things, save in the office and affairs of love." Claudio
Although I am a devotee of Kenneth Branagh's 1993 adaptation, Whedon's takes a comfortable place in my favorite canon.
Well Joss, you have done something no one else has ever accomplished....got me to watch a Shakespeare film. And all I can say is what a treat! For years, I have read about your Shakespeare get togethers at your home and it is nice to see an extension of that on the screen. When I first read that you had filmed this at your home and in only 12 days, I thought it would be unpolished and only available online or via DVD purchase. It appears I was wrong on both counts. This is a great production for anyone that knows your work and the cast you have worked with so many times before. If they do not know your work and see this because it is Shakespeare, I don't believe anyone will leave the theatre disappointed. Congratulations also regarding North American distribution rights being sold at TIFF.
Thanks again on an excellent bit of entertainment and congratulations to you and your amazing cast and crew!
Thanks again on an excellent bit of entertainment and congratulations to you and your amazing cast and crew!
Lo sapevi?
- QuizThis movie was filmed at Joss Whedon's Santa Monica home, which was designed and decorated by Whedon's wife Kai Cole. Cole suggested Whedon make it in lieu of going on vacation for their 20th anniversary because it had long been his passion project.
- BlooperIt is Ursula & Hero whom are 'meddling' (talking about Benedick's love for Beatrice as she eavesdrops). In the following scene, Claudio relays to Don Pedro that it was Margaret & Hero that were meddling.
- ConnessioniFeatured in At the Movies: Episodio #10.21 (2013)
- Colonne sonoreSigh No More
Lyrics by William Shakespeare
Music by Joss Whedon
Performed by Jed Whedon & Maurissa Tancharoen
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 4.328.849 USD
- Fine settimana di apertura Stati Uniti e Canada
- 171.942 USD
- 9 giu 2013
- Lordo in tutto il mondo
- 5.341.221 USD
- Tempo di esecuzione
- 1 ora e 49 minuti
- Colore
- Proporzioni
- 1.85 : 1
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