Our Son

I wondered, with only 1s and 10s ratings, what was going to be this movie like. This spoiled me the very first part as I was looking for some strong point of views one way or another. In fact, there is nothing controversial, it's just a nice indy movie.

Acting is quite good, characters are played well enough to get involved in the story and even choose a side.

The story was not really predictable, my friend guessed one end, and I guessed another one. So just don't trust too much those too angry or too excited reviews.

About the story, it was interesting, after all those legal battles on gay marriage and surrogacy, how a judge, how families, would behave. An inevitable subject 10 or 15 years later, now in 2023.

Some of the comments that have been made here are difficult for me to completely understand. The acting was outstanding, the story progression and emotional leverage throughout the film were excellent, and the brilliant method in which the picture was directed is truly remarkable.

The story touches on a subject that is not typically discussed, namely gay divorce and child custody. Today, we are celebrating the first gay marriage, which took place 23 years ago. This is an important milestone. As a married gay man who is still married and has a son with joint custody, everything that is depicted in this movie is true, and the acting of the actors demonstrates that this is the truth. Billy Porter's acting was stunning.

I did wish a happy ending.

Bill Oliver's OUR SON is a fine drama, telling the story of a gay couple whose marriage comes to an end, and their subsequent custody battle over the young son whom they fathered via IVF.

In a time when homosexuality is still illegal in some areas of the world, and there is still a large percentage of those in the West who oppose gay marriage and view the LBGTQ community as "other," what Oliver (and his co-writer, Peter Nickowitz) present to the audience is that gay people are simply regular folks, who go through the same day-to-day trials and tribulations as the hetero world does. If anything, OUR SON has far more in common with films like KRAMER VS. KRAMER than something like BOYS IN THE BAND. And it is that population who refuse to see the gay community as human beings just as they are who will benefit most from seeing this film.

Luke Evans is excellent in the lead, managing to paint a complex portrait of a man who is a driven professional, but who also loves his husband and son deeply, but who perhaps comes to that realization too late. Billy Porter gives an equally fine turn as the estranged spouse, who has found that fatherhood awakened something inside of him that he wasn't aware of previously. The rest of the supporting cast is excellent, with nary a false note among them.

There are no heroes or villains in this film, just regular people trying to cope with the same roadblocks that life seems to throw in our path randomly. Highly recommended.

Our son

In this heartfelt narrative, a gay couple embarks on the challenging journey of divorce, entangled in a poignant custody battle. The storyline, while seemingly uncomplicated, distinguishes itself by embracing an authentic simplicity. Although it may occasionally appear unadorned, this simplicity serves as a genuine reflection of life. While the film doesn't extensively delve into character development, the characters' motivations remain transparent.

The adept performances of Billy Porter and Luke Evans gracefully elevate the film, injecting it with an abundance of emotion and authenticity. Christopher Woodley, in the role of the titular son, delivers a performance that is both revelatory and deeply touching.

Furthermore, the cinematography, direction, and soundtrack collaborate seamlessly to enhance the inherent simplicity of the movie, contributing to its overall impact.

7/10.

While I didnt feel much connection between Billy and Luke (purposeful?), I resonated and reverberated with the pulse of this story. With some friends going thru similar struggles recently I saw an adept struggle between to people who are faced with one of life's most challenging struggles: divorce/child care.

The movie doesn't really beat a totally compelling rhythm while we drift along with the two actors - but their journies feel real, honest, and painful.

A solid drama. I cried (not buckets, but tears).

The boy gang was a tad cliche (but what do I know I dont have a boy gang). Oh and a cameo or two from some wonderful legends.