Steve Jobs ci porta dietro le quinte della rivoluzione digitale per dipingere il ritratto intrinseco dell'uomo. La storia rivela i retroscena del lancio di tre prodotti iconici, terminando n... Leggi tuttoSteve Jobs ci porta dietro le quinte della rivoluzione digitale per dipingere il ritratto intrinseco dell'uomo. La storia rivela i retroscena del lancio di tre prodotti iconici, terminando nel 1998 con la presentazione dell'iMac.Steve Jobs ci porta dietro le quinte della rivoluzione digitale per dipingere il ritratto intrinseco dell'uomo. La storia rivela i retroscena del lancio di tre prodotti iconici, terminando nel 1998 con la presentazione dell'iMac.
- Regia
- Sceneggiatura
- Star
- Candidato a 2 Oscar
- 28 vittorie e 117 candidature totali
- Jandali
- (as Mihran Shlougian)
Recensioni in evidenza
On the film's highlights - Fassbender leaps off the screen in the first two minutes and never lets go. He looks nothing like Jobs himself did but he perfectly captures the frustrating ego that everyone loathed and matches it with high spirit and a bit of humour. His condescension is so real that we snarl at it. Winslett also makes her mark very early on, nailing an accent and vanishing into the part of Johanna. Her chemistry with Fassbender is palpable. Seth Rogen crushes the role of Steve Wozniak, a casting choice I've been thrilled about since 2014, nailing the low self-esteem and nervous ticks of the nerdy genius. Watching Rogen perform we can see his anger but also the slight plea for their friendship to endure. We all know that one friend who feels like they're doing us a favour by being friends with us, and watching Fassbender and Rogen banter back and forth we can see it in real time. Jeff Daniels rounds out the four-person highlight as Apple's CEO, and truly stands out as a great supporting player.
Probably the most talked about feature of Steve Jobs is the three-act narrative filmed in different styles. Its been reported on a million times and all I'll say is I loved it. The transition between the three events are also clever, montages of real media reports and pictures. There's even a very cleverly used Simpsons gag that helps inform the audience. I also loved the playful score and the cinematography that emulates the walk and talk of the West Wing.
The screenplay is Steve Jobs' greatest aider and abetter. The film's best scenes are written masterpieces - two fights between Jobs and Wozniak in particular take your breath away, a harsh comment where Jobs cuts down his 5 year old girl's beliefs are harsh, the recurring references to Jobs' adoption are clever and the two Andys joke is a nice funny recurring gag. However, Sorkin's screenplay at times feels like a textbook, and with so many words floating around its easy to lose track of what's happening. Some of the lines of dialogue are so pretentious its easy to get taken out of the film. It's also annoying to see Sorkin recycle his classic Sorkinisms "Don't talk to me like I'm other people" and "well one day you'll have to tell us how you did it". When you've seen them a couple of times, they lost impact right where they're needed most. Sadly, Sorkin starts to get too smart for his own good.
I didn't care much for the story arc Jobs went on. He is vehemently opposed to being Lisa's father and hurts the little girl by saying the computer was not named after her. Then all of a sudden he's a caring father and the girl's mother (played wonderfully by Katharine Waterston) is portrayed as the film's villain. In the final act, Jobs has a very clunky reconciliation on the rooftop and says things that simply don't fit right with the story.
There's a lot of talent involved in this movie that I really wanted to love. Fassbender and his co-stars all do exceptional work and Sorkin delivers a number of wonderful scenes, but at the end of the day I can't help but walk away feeling like Jeff Daniels' character, mourning for the things that could've been achieved.
Yet I can also see why it was not so commercially successful. It's weird format of taking place before three computer unveilings and the film essentially consisting of conversations with limited action between them. It is by no means a biography of the man's entire life but it does paint a portrait which, like any picture, only reveals some aspects of the person.
The film has a great cast who give solid performances. Michael Fassbender creates a character whose tyrannical and devilish behaviour you want to keep watching while longing for a glimpse of the human side.
Overall Steve Jobs is a very watchable and engaging film, provided you are already into end of the year Oscar bait drama films.
Thismay be the most interesting way to tell the story of Steve Jobs. We see almost nothing about his life or who he was, other than what we get from his interactions with his daughter, his assistant and Steve Wozniack. Although it leaves a lot out, it is still surprisingly effective.
And what we have is a very limited arc, from failures to success. We never get beyond 1998, so there is no iPod, iPad, iPhone or any of the things that have since made Apple a giant in the tech field. But again, this makes for some interesting storytelling.
Round-Up: Although Fassbender didn't look anything like Steve Jobs, over the 14 year period that the movie portrays, he still brought enormous intensity to the character, who seemed quite scary to be around. The music throughout the movie, suited the mood that was set by the director, Danny Boyle, 59 but I didn't quite understand why the whole film is based backstage, before Jobs is going to release a new computer. You can tell that Boyle has taken the events from a book, because it seemed more like a play than a movie. What's quite fascinating about the film, is that it proves that Jobs actually wasn't the engineer behind the many devices that was released under the Apple name but it was his unique vision and determination to get what he wanted, which has proved to be EXTREMELY successful. I was hoping to get more from the movie but I personally think that I need to watch the many documentaries to find out more about the mind behind the Apple brand.
Budget: $30million Worldwide Gross: $35million
I recommend this movie to people who are into their biography/dramas starring Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg and Katherine Waterston. 6/10
These are all very interesting performances. Fassbender, Winslet, and Daniels all deliver. Seth Rogen is surprisingly good in a non-comedic role. Waterston is terrific as the baby mama. There is no denying that Aaron Sorkin knows how to write unique dialog but it feels non-real. I believe that this would be one of the best movies of the year if it's about Stephen Jet. Sorkin has written some of the greatest work around like West Wing, Newsroom, and others. They all have a superior to reality feel. This is altered realism but I think everybody is more interested in the actual truth. There are some great scenes. There are big scenes. This is a perfect creation.
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
Lo sapevi?
- QuizThe three sequences in the film were filmed on 16mm, 35mm, and digital to illustrate the advancement in Apple's technology across the sixteen years of Jobs' life depicted.
- BlooperIn the first act, Steve Jobs talks about the issue of Time Magazine naming "The Computer" as Person of the Year, instead of him and the Macintosh. Despite the scene taking place on Jan 24th, 1984, that issue came out in December of 1982 and the Time's Person of the Year from 1983 was Ronald Reagan and Yuri Andropov.
- Citazioni
Andy Hertzfeld: We're not a pit crew at Daytona. This can't be fixed in seconds.
Steve Jobs: You didn't have seconds, you had three weeks. The universe was created in a third of that time.
Andy Hertzfeld: Well, someday you'll have to tell us how you did it.
- Curiosità sui creditiThe film's title is never shown in the opening or closing credits.
- Colonne sonoreTimes They Are a-Changin'
Written by Bob Dylan
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Cuộc Đời Steve Jobs
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.766.658 USD
- Fine settimana di apertura Stati Uniti e Canada
- 521.522 USD
- 11 ott 2015
- Lordo in tutto il mondo
- 34.441.873 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1