Una donna che con riluttanza diventa Dear Sugar; una redattrice editoriale di consigli, anonima e venerata, anche se la sua vita sta andando in pezzi.Una donna che con riluttanza diventa Dear Sugar; una redattrice editoriale di consigli, anonima e venerata, anche se la sua vita sta andando in pezzi.Una donna che con riluttanza diventa Dear Sugar; una redattrice editoriale di consigli, anonima e venerata, anche se la sua vita sta andando in pezzi.
- Candidato a 2 Primetime Emmy
- 1 vittoria e 15 candidature totali
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The script clearly focuses on the wrong things, so, instead of developing the characters along the series, it very quickly gives facts and stories left and right without going deep in any of them.
When trying to connect with so many different audiences at the same time (and pandering to many of them), the story got lost in the way and became secondary to the narrative. A real shame.
The main character is supposed to be 49 (we buy it) with a 16 year old daughter, but her younger version of looks like a teenager, but she's playing a 33 year old married woman in all those out of order flashbacks? So very, very confusing...
When trying to connect with so many different audiences at the same time (and pandering to many of them), the story got lost in the way and became secondary to the narrative. A real shame.
The main character is supposed to be 49 (we buy it) with a 16 year old daughter, but her younger version of looks like a teenager, but she's playing a 33 year old married woman in all those out of order flashbacks? So very, very confusing...
The writing! The poetry! The music! The art of the acting and mixing of it all together to a perfect musical pitch that carries you away with it and then, with that perfect pitch, rips your heart and make you weep.
This series hits all my buttons: losing my younger beloved, brilliant, kind brother to lung cancer as I view this; lost a mother too soon.
The major problems for me - and costing a star - was the age discrepancies. The Hahn character is supposed to be super young when she has Francis Rae, but the age makes the Hahn character 33 when she had her daughter. Also, to me, the mother seemed to die when she was terribly young. However, Frankie, the mother, was played brilliantly.
What I liked about this series was that while it a deep and dark, there's good comedy interwoven to keep us from getting to far in the pits. Well worth the watch!!
This series hits all my buttons: losing my younger beloved, brilliant, kind brother to lung cancer as I view this; lost a mother too soon.
The major problems for me - and costing a star - was the age discrepancies. The Hahn character is supposed to be super young when she has Francis Rae, but the age makes the Hahn character 33 when she had her daughter. Also, to me, the mother seemed to die when she was terribly young. However, Frankie, the mother, was played brilliantly.
What I liked about this series was that while it a deep and dark, there's good comedy interwoven to keep us from getting to far in the pits. Well worth the watch!!
This show is based on the book by the same name, a collection of Dear Sugar letters answered (originally anonymously) by Cheryl Strayed. Anyone familiar with Cheryl's work knows her life story and will recognize the real parts of her story in this show. About half the show is a Strayed biography and half is fiction. The overdubbed real letters are original and beautiful. Cheryl is an extremely gifted writer and advice giver, and she based her Dear Sugar advice on her own life experiences. The show creates a fictional narrative of a woman's messy life partially based on a real woman's messy life, incorporating the letters into the narrative. Although clever and well executed, the parts of the show don't completely add up. But the book is amazing, and given the choice between the book or the show I would definitely choose the book.
Imperfectly perfect series. Life is messy, life is hard, life is made of choices. Life is pain, life is love.
It was so, so, so beautifully acted. Kathryn Hahn and Sarah Pidgeon blew my breath away, they deliver flawless and unforgetablle performances.
Also, they really nailed with it with the sountrack.
What a ride. A whole lot of feels after finishing this series in a binge row. It will stay in my mind for a long time.
I still am left with a bunch of questions but I almost don't care. Some moments were flat, but I almost don't care. I almost want a second season and I almost don't want it.
It was so, so, so beautifully acted. Kathryn Hahn and Sarah Pidgeon blew my breath away, they deliver flawless and unforgetablle performances.
Also, they really nailed with it with the sountrack.
What a ride. A whole lot of feels after finishing this series in a binge row. It will stay in my mind for a long time.
I still am left with a bunch of questions but I almost don't care. Some moments were flat, but I almost don't care. I almost want a second season and I almost don't want it.
Hahn is a terrific actress, but she couldn't save this. This story had a lot of potential but the muddled narrative makes it difficult to keep up, relate to any of the characters or enjoy. Danny is the only character I liked, but in the end, I ended up feeling deceived by what he does in the last episode. The constant, constant flashbacks gave me a headache. It was difficult to keep up there as well.
Hahn has done another miniseries which is also unconventional, but you could so well relate to her character and the narrative. And I started watching this expecting the same. But it went nowhere near that. After a few episodes I had to skip by to get the gist.
Hahn has done another miniseries which is also unconventional, but you could so well relate to her character and the narrative. And I started watching this expecting the same. But it went nowhere near that. After a few episodes I had to skip by to get the gist.
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- ConnessioniFeatured in The 75th Primetime Emmy Awards (2024)
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- Lingua
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- Tiny Beautiful Things
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- Tempo di esecuzione30 minuti
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- Mix di suoni
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