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Overlook Hotel - Stanza 237

Titolo originale: Room 237
  • 2012
  • Not Rated
  • 1h 42min
VALUTAZIONE IMDb
6,2/10
23.625
LA TUA VALUTAZIONE
Overlook Hotel - Stanza 237 (2012)
A subjective documentary that explores the numerous theories about the hidden meanings within Stanley Kubrick's film The Shining.
Riproduci trailer1: 47
3 video
51 foto
Un documentario

Segui questa esplorazione di varie interpretazioni del film horror di Stanley Kubrick.Segui questa esplorazione di varie interpretazioni del film horror di Stanley Kubrick.Segui questa esplorazione di varie interpretazioni del film horror di Stanley Kubrick.

  • Regia
    • Rodney Ascher
  • Sceneggiatura
    • Rodney Ascher
  • Star
    • Bill Blakemore
    • Geoffrey Cocks
    • Juli Kearns
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    23.625
    LA TUA VALUTAZIONE
    • Regia
      • Rodney Ascher
    • Sceneggiatura
      • Rodney Ascher
    • Star
      • Bill Blakemore
      • Geoffrey Cocks
      • Juli Kearns
    • 196Recensioni degli utenti
    • 208Recensioni della critica
    • 80Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 16 candidature totali

    Video3

    Theatrical Version
    Trailer 1:47
    Theatrical Version
    International Version
    Trailer 1:45
    International Version
    International Version
    Trailer 1:45
    International Version
    Room 237
    Trailer 1:45
    Room 237

    Foto50

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 45
    Visualizza poster

    Interpreti principali46

    Modifica
    Bill Blakemore
    • Self
    Geoffrey Cocks
    • Self
    Juli Kearns
    • Self
    John Fell Ryan
    • Self
    Jay Weidner
    • Self
    Stephen Brophy
    • Cast
    Ash Brophy
    • Cast
    Buddy Black
    • Cast
    Buffy Visick
    • Cast
    Sam Walton
    • Cast
    • (as Samuel Walton)
    Lisa Burns
    • Self
    • (filmato d'archivio)
    Louise Burns
    • Self
    • (filmato d'archivio)
    Sue Lyon
    Sue Lyon
    • Self
    • (filmato d'archivio)
    Ryan O'Neal
    Ryan O'Neal
    • Self
    • (filmato d'archivio)
    Scatman Crothers
    Scatman Crothers
    • Dick Hallorann
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    Tom Cruise
    Tom Cruise
    • Dr. William Harford
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    Barry Dennen
    Barry Dennen
    • Bill Watson
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    Kirk Douglas
    Kirk Douglas
    • Spartacus
    • (filmato d'archivio)
    • (non citato nei titoli originali)
    • Regia
      • Rodney Ascher
    • Sceneggiatura
      • Rodney Ascher
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti196

    6,223.6K
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    Recensioni in evidenza

    3christianrehn

    Disappointed

    First of all, let me tell you that I've always found hidden messages, conspiracies, occult themes etc extremely interesting and it's something I love discussing about. I'm always very open minded when it comes to this kind of stuff and when i saw the trailer for this movie i just could not wait to watch it. The Shining is a masterpiece and just the thought of that it could have a much bigger meaning was just too good to be true.

    Last night i finally watched it, and man was i ever disappointed. Like i said, I'm always opened minded when it comes to this kind of stuff, but the theories the creators of this film has come up with are so far- fetched it's almost embarrassing. They find a hidden meaning in every little thing and they never really seem to stop to question their own theories. Everything is taken for granted, and in my opinion, most of the claims are ridiculous; it holds no water.

    To give you an example of just how ridiculous some of the theories are: If you watched Finding Nemo right now in the same state of mind as the creators of this movie watched The Shining, you too would find subliminal messages about everything from The Holocaust to the faked moon landing. It's just insane.

    Also, all the different theories just turn into one big mess because there's so many of them, so it's hard to understand what they are actually trying to say.

    However, big ups for making this type of movie. I just wish there were way more solid arguments and not all these extremely far-fetched ideas that don't really make sense. The creators might have some things correct (we'll never know) but for me it's just way too over ambitious and messy.
    bob the moo

    Engagingly empty

    There is a lot of anger about this film on this page and, while I was considering whether to watch it or not, it was this passionate hate that made me interested to see it myself. It isn't across the board though, but whenever someone dislikes this film they seem to really dislike it. The problem seems to be that it appears to be a documentary about The Shining but it really isn't any such thing – but to watch it as one must be frustrating because you sit to watch that and have to listen to loopy theories about the film presented as (in your head) facts. I didn't have this approach because I had heard it was all about the theories rather than the film and as such I found it quite fascinating even if it is a little too long.

    The whole film is people talking over clips from the film or other clips illustrating their point; the theories range from the film being about the Holocaust through to the Native Americans through to the Kubrick making it about his own involvement in faking the moon landings. It is all pretty nutty in terms of what it says, but it works because the contributors believe it and they speak with such passion and enthusiasm about their specific interpretations that it is hard not to get drawn in. There are plenty of moments where you find yourself starting to listen rather than mock – so specific things that are in the film that are attributed to meaning something and I started to wonder "well, why is that thing there – it was chosen to be in this shot or be worn by this character, so what was that decision taken for". Of course there are plenty of bits that do the opposite and are pretty laughable but generally I found myself quite drawn in by it. The length works against this in some ways because it does stretch things out more than it can bear but it was still engaging to me.

    Part of the interest for me was seeing how it is possible to really find meaning in anything if you apply yourself. I was never a fan of school lessons where we had to tear works apart looking at each detail and talking about what it could possibly mean, rather than just enjoying the whole for what it does, and this is what happens here. The hunt for meaning and for symbols rewards those that are doing it, but ultimately they all have their point if their theory is true. The extent of their criticial analysis of each frame and second of the film is intense and it did make me wonder why they did it and whether they are still able to see the film for the great piece of entertainment that it is?

    Room 237 is too long and lacks a clear point – it would have benefited from something topping and tailing it, but as it is I still found it engaging thanks to the passion and detail in the delivery; it doesn't mock these people it just gives them a platform and leaves the rest to us and them. I found it interesting even if ultimately it is quite empty as a film – ultimately if you dig in every corner looking for your agenda, you'll find enough to back you up – which isn't the same as you being correct. This is the message that I took from it and I found that message to be entertaining, but it is ironic that Room 237 is about lots of people seeking meaning in one film, all while it really doesn't do a good job of presenting its own meaning.
    6Leofwine_draca

    Great comedy

    Yeah, that's right. I said comedy, and this isn't a review for the wrong film. Like most people, I went into ROOM 237 expecting a documentary on Kubrick's THE SHINING, containing various theories exploring the movie's subtext and the like. What I got was an increasingly deranged collection of ramblings and outlandish conspiracy theories from a team of crackpots and wackos.

    Because ROOM 237 isn't about THE SHINING at all. Instead, it's a documentary about obsession, and how ANYTHING can be interpreted as ANYTHING given the right frame of mind. So in the course of this documentary we learn that Kubrick faked the Moon landings, that a poster of skier is in fact a minotaur, and plenty more besides.

    It's all complete hogwash, of course. Yes, Kubrick added in subtle, almost subliminal things to mess with the viewer's mind; changing the carpet pattern or removing a sticker from a door. But he did that to further unsettle the viewer in what after all is a horror film. There's no more to it than that. However, the nonsense spouted in this film is actually very funny, hence my comment that this makes a great comedy indeed.
    jackquann-32302

    Ridiculous reaching

    I really hoped this would somewhat focus on the film 'The Shining', but it doesn't. It's all about how people, who I have never heard of, think about it and how they interpret it. Sorry, I don't need strangers to tell me what to think. My recommendation is to avoid.
    6gavin6942

    A Bizarre Little Piece of Criticism

    An exploration of various interpretations of Stanley Kubrick's horror film, "The Shining" (1980).

    What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.

    What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".

    So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Leon Vitali, former assistant to Stanley Kubrick, dismissed the theories in this film as "gibberish," saying they are entirely without merit.
    • Blooper
      Bill Blakemore mistakenly attributes a literary quotation. "History is a nightmare from which I'm trying to awake" is from James Joyce's Ulysses, not from anything by T. S. Eliot.
    • Curiosità sui crediti
      The end credits scroll downward.
    • Connessioni
      Featured in Minty Comedic Arts: 10 Things - The Shining: The Lost Version (2022)
    • Colonne sonore
      We Cannot Escape the Past from the album 'A Stairway to the Stars'
      Composed and Performed by The Caretaker

      By Arrangement with History Always Favours the Winners

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    Dettagli

    Modifica
    • Data di uscita
      • 26 ottobre 2012 (Regno Unito)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Film Sales Corp
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • Room 237
    • Luoghi delle riprese
      • Calumet Harbor, Illinois, Stati Uniti
    • Aziende produttrici
      • Highland Park Classics
      • The Ebersole Hughes Company
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 296.359 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 29.693 USD
      • 31 mar 2013
    • Lordo in tutto il mondo
      • 367.406 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 42 minuti
    • Colore
      • Color
      • Black and White
    • Proporzioni
      • 1.78 : 1

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