Sleepless - Il giustiziere

Based on the coming attractions, I wasn't expecting much, and I got even less. This is another good cop/bad cop, is he or isn't he, kind of flick, set in Las Vegas with lots of glitz and glamour to hide what is a very shaky plot. If the glitz and glamour aren't enough to dazzle you, the music tracks will deafen you, and your visual delights will be satisfied with death by knife, death by pistol, death by automatic weapon, death by shotgun, death by truck, death by wine bottle - just to name a few.

The acting is pretty good, all things considered, but the direction is appalling and the action-every-minute film has low spots.

Generally I like films about internal affairs. "Internal Affairs" (1990), "The Departed" (2006) and "Q&A" (1990) are my favorites.

First and foremost , this movie is not very fresh. One simply cannot pin point the exact movie with which Sleepless bears uncanny resemblance. Not because there are none , but because that are many.

I shall not divulge any spoilers here but long story short , the movie is directed in the fashion of some 80's and 90's cop movies. Having said that , the director failed to synergize the elements of a good 90's thriller and a 21st century flick.

The result is a fairly confused movie , with strange action scenes, insipid dialogue, textbook movie characters no comic elements , not the slightest trace of wry or even dark humour.

Designed to have the elements of mystery ( the who is who? kind) , the director misuses his actors and and the plot.

However,for some reason the movie keeps the interest alive. One knows that around the corner there lies a very ordinary sequence and typical dialogue but still the straightforward narrative succeeds in holding your attention .

I cannot pan the movie because it is ordinary and unimpressive . So much so, in fact, that one can tolerate it, to pass time.

You may go sleepless while watching this abduction thriller with a couple of stars, Jamie Foxx and Michelle Monaghan. They're Las Vegas PD detectives involved in drug busting with all the kidnap, corruption components in place.

The outstanding element is the awareness that an Oscar winner--Foxx--can be wasted in a hum-drum actioner that surprises not at all. Believe me when I tell you that if you stirred Liam Neeson in with this script, you'd know the difference only by the skin color of the kidnapped children.

Although director Odar does a competent job with the foot races and car chases, they are still boiler-plate staples of the genre. While Foxx spends most of the film improbably finding his son, losing him, finding him again in an almost Groundhog Day motif, the action becomes tedious quickly. His life-threatening-wound is ludicrously not debilitating except for a few high-priced Oscar grunts that end up immobilizing a goon or two who have no similar disabilities.

It was a dismal afternoon when I saw Sleepless because I love cinematic visuals and watching Michelle make something out of nothing. Otherwise, you'll be more careful about the safety of your children. That's the good part.

The two decades on either side of the new millennium seem to have been the heyday of movies about corrupt cops. After some pretty corny cop movies in the 1980s, 1990 started off its decade pretty well with "Q & A" and "Internal Affairs". As we moved through the 90s, Hollywood served up "Bad Lieutenant", "Unlawful Entry", "Léon: The Professional", "Cop Land" and the Best Picture Oscar nominee "L.A. Confidential". In the first decade of the 21st century, we got a chance to enjoy Denzel Washington's Oscar-winning performance in "Training Day", followed by the underrated pair "Cellular" and "16 Blocks" and, of course, the Best Picture Oscar winner "The Departed". The current decade has given us less popular dirty cop movies like "Rampart" and "The Place Beyond the Pines". 2017's "Sleepless" (R, 1:35) has things in common with the corrupt cop movies of the previous decade and those of the 90s.

The movie opens with Las Vegas police partners in crime prevention (and crime), Vincent Downs (Jamie Foxx) and Sean Cass (T.I.) stealing a bag of cocaine from a group of hooded thugs that they unceremoniously dispatch in the process. When their sergeant is assigning a team to investigate the homicide scene, Downs and Cass convince him to give them the case. Meanwhile, in the same department, Internal Affairs detective Jennifer Bryant (Michelle Monaghan) is recovering from a drug bust gone wrong. Bryant's partner, Doug Dennison (David Harbour) and the police psychologist express concern for Bryant's mental and physical state, but she insists on getting back to work. Bryant is also investigating the aforementioned drug murder because shell casings from police ammunition were found at the scene. As the story progresses, Bryant becomes convinced that Downs isn't what he seems.

Things get dicier when it is revealed that the cocaine that Downs and Cass stole belongs to casino owner Stanley Rubino (Dermot Mulroney). Rubino sends more masked thugs to kidnap Downs' son, Thomas (Octavius Johnson) and demands that Downs bring the drugs to his casino if he ever wants to see his son again. As Downs is trying to hide his son's predicament from the teen's mother, Dena (Gabrielle Union), the person for whom Rubino was transporting the drugs, ruthless local crime boss Robert Novak (Scott McNairy) comes looking for his coke. All this drama descending upon Rubino's casino is compounded when Bryant and Dennison, who have been following Downs, show up at the casino and work to figure out what's going on. This leads to a series of escalating confrontations and rising stakes for all involved.

"Sleepless" is entertaining, but forgettable and fails to live up to its potential. This is a remake of the 2011 French thriller "Sleepless Night", but can't match that film's adept storytelling and high tension. Several plot points in this American version are suspect at best, although the excellent cast helps draw you in and there are a couple decent twists late in the story. The plotting feels like a throwback to genre movies of the late 80s and early 90s and the overall quality is as unremarkable as the corrupt cop tales from earlier in the 2010s. "Sleepless" is good enough to keep you awake and somewhat engaged, but it isn't impactful enough to keep you up at night thinking about it. "B-"

This is I what I call "a comedy of errors" Ridiculous, hilarious effort from Hollywood on a remake of "Nuit Blanche" (Sleepless Night), (2011). The original was truthful to its name. but this? if it hasn't been so loud I would have caught a nap.

What can I say? predictable, terrible directing acting, editing, and so on and so forth.

Repetitive but definitely not boring, because it is more of comedy than an action thriller,... what? anyone here was acting, my bad I thought they were joking!

"Saddest part"Jamie Foxx will never catch up with Denzel Washington!