VALUTAZIONE IMDb
5,9/10
1853
LA TUA VALUTAZIONE
Un percorso per la vita e carriera del produttore discografico degli anni '70 Neil Bogart, co-fondatore della Casablanca Records.Un percorso per la vita e carriera del produttore discografico degli anni '70 Neil Bogart, co-fondatore della Casablanca Records.Un percorso per la vita e carriera del produttore discografico degli anni '70 Neil Bogart, co-fondatore della Casablanca Records.
- Regia
- Sceneggiatura
- Star
Sam Nelson Harris
- Paul Stanley
- (as Samuel Harris)
Recensioni in evidenza
It's a biopic of Neil Bogart (Jeremy Jordan) who co-founded Casablanca Records. In 1974, they are a new company with only one act on their roster. It's KISS. Neil is having an affair with KISS manager Joyce Biawitz (Lyndsy Fonseca) while his wife Beth (Michelle Monaghan) is at home with the kids.
It's an interesting story that I'm not familiar with. I do know all the songs, but they are a little before my time. The lead needs to be a star. Jeremy Jordan does a fine job. In fact, he's probably very close to the real Neil Bogart. A leading man role does require the biggest star that they can get. As for directing and writing, it's a mistake for Neil's son to do the job. He's also not the most experienced. It's a bit of his father's gambling mentality. He's betting on himself, but the film would benefit from someone better than him. In the end, the songs are great and the story is compelling. The filmmaking is average at best. It's a passable biopic.
It's an interesting story that I'm not familiar with. I do know all the songs, but they are a little before my time. The lead needs to be a star. Jeremy Jordan does a fine job. In fact, he's probably very close to the real Neil Bogart. A leading man role does require the biggest star that they can get. As for directing and writing, it's a mistake for Neil's son to do the job. He's also not the most experienced. It's a bit of his father's gambling mentality. He's betting on himself, but the film would benefit from someone better than him. In the end, the songs are great and the story is compelling. The filmmaking is average at best. It's a passable biopic.
I will give the director (son of the man this movie is about) credit. Watching this movie from beginning to end (or rather listening to the narration, A clear sign this movie was bad) made me interested in his dad. Ironically, I became so interested that I felt this man deserved a better movie about himself.
It was over bloated with too much stuff that could not be gel together well. Possibly would have been better as a series of episodes in which each musical act was on focus (If it was a series, I would give it a higher rating simply because of the Kiss episode).
Its funny that the movie is about the filmmaker's father because it felt like the man himself directed it as a stoke to his own ego.
Literally, the film was a man telling me how awesome he is and realistic that could have been done in a podcast or Youtube video. These days listening to some one talk for over two hours seems like better time management than watching a boring biopic.
It was over bloated with too much stuff that could not be gel together well. Possibly would have been better as a series of episodes in which each musical act was on focus (If it was a series, I would give it a higher rating simply because of the Kiss episode).
Its funny that the movie is about the filmmaker's father because it felt like the man himself directed it as a stoke to his own ego.
Literally, the film was a man telling me how awesome he is and realistic that could have been done in a podcast or Youtube video. These days listening to some one talk for over two hours seems like better time management than watching a boring biopic.
Note to self. Don't let the sons make a film about the father. Bad wigs, bad acting - covers that don't sound like the originals Tone is all over the place. Just bad and poor Jeremy Jordan in a terrible wig. Jason Isaacs so miscast. The actresses are badly used. Just a bad version of Scorsese or PT Anderson. How did this get a wide release? Who financed it? It should have gone straight to video. The lead character is unlikable and inconsistent. This is a vanity project if there ever was one. The script is terrible and the directing borrows from a bunch of different movies. Expect to see this on VoD very soon.
A colorful and moving tribute to Neil Bogart, "Spinning Gold" is about fulfilling dreams and life itself. A somewhat sedate and less manic "Vinyl" the movie is a cruise through mid - 20th Century America and the ascent of a young Jewish man from humble and troubled beginnings in New York to the pinnacle of success in Hollywood and beyond. Jeremy Jordan livens the party as the glib and amiable Bogart who navigates his way through debt and hairy personal situations in making his record label Casablanca Records the most successful independent music company. Along the way we're witness to music history as Bogart discovers or signs KISS, Donna Summer, Gladys Knight, The Village People, Parliament, etc.., and the rest is music history. One aspect missing here is the failure to bring life to the times and the music. Too much focus on the interpersonal relationships charts this tale into tunnel vision that misses the fun parts of a fun time. Perhaps the most glaring sin is the miscasting of the music legends featured. The actors are either too tall, too short or too fat. Considering the nature of the film they should have damn well made the actors look like their characters as much as possible. All in all a fine tribute to a man and a time that altered and enriched and whose legacy endures potently to this day.
I don't understand the hate given some of the other movies out there like Cocaine Bear, 64 and Shazam. I thought this was a pretty good bio-pic. It is a very interesting insight on how the first Independent label was started. It also showed the people behind the scenes to get the talent, make the music and to get it out there for public consumption. Probably would have been better served if they focused more time on this change in the music industry. There was a bit of personal things they could have left out and it actually might have made the movie a little bit more focused. Regardless, if you can handle any of the above 3 other movies, then go out an enjoy a pretty good movie with some sound acting and editing, and make it a nice evening out.
Lo sapevi?
- QuizTimothy Scott Bogart, the eldest son of Neil Bogart, wrote, directed, and co-produced this film. His brother Evan Bogart co-produced and worked in the music department for the film.
- BlooperIt's implied that KISS' Alive! album wasn't released until much later in that band's career after many failed tours and releases. In actuality, Alive! was released in 1975, after the band had only put out three studio albums, and it's largely the record credited with saving Casablanca Records from debt.
- Citazioni
Beth Bogart: You know what I dream of? It's that you're actually here with us, Neil, and not in New York, or Las Vegas, or whatever else you disappear to when you're too afraid I'll see the truth.
- Colonne sonoreOh Happy Day
Performed by Jeremy Jordan
Written by Edwin Hawkins
Produced by Harvey Mason Jr. and Evan Bogart (as Evan 'Kidd' Bogart)
Additional Production by Justin Gray
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Disco De Oro
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Botteghino
- Budget
- 27.000.000 USD (previsto)
- Lordo in tutto il mondo
- 66.284 USD
- Tempo di esecuzione
- 2h 17min(137 min)
- Colore
- Proporzioni
- 2.39 : 1
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