Perry Mason

I'm completely puzzled by the reviews of this series. I love good noir. The series, in my view, is the best contemporary noir since LA Confidential. The cinematography is beautiful, the plot doesn't insult me, and you actually have to listen to the dialogue to follow the plot. The characters don't look like something out of Entertainment Tonight, and the meter, cadence, and thstructure are right on time. If you like noir, and you're not texting, posting on Twitter or Instagram while you watch, you won't find anything better.

This is a completely different story, in a different time and place than the 1950s TV series. It's darker, messier, less predictable. That's not a bad thing. Maybe this is a Perry Mason origin story that will eventually lead to the polished courtroom wizard we all know and love; maybe it won't. I don't really care. It's a ride worth taking no matter what. It feels like Chinatown; it's got some things in common with Showtime's Penny Dreadful: City of Angels. The acting and production values are first-rate. Like many series first episodes, it takes time to set up characters and situations - the pace should pick up. I'm intrigued enough to see where it goes from here.

...and I'm not disappointed. I'm all for providing an old story an origin, and this production gives you just that and does it very well. And, boy, is it gritty, dusty, smoky, and boozy. It is not for the weak-stomached. Keep in mind that this is an old story being told in today's voice. The Perry Mason of the 60's is an interpretation of his character for television audience of that decade, produced for family network TV, while the HBO version is for an audience that expects what HBO is capable of delivering. Can't wait for the finale to see how it all comes together.

If you are hoping this series will be like Raymond Burr's 1957 PERRY MASON, then release that expectation. This is an HBO production, so you can expect nudity, crude language, politically corrected characters and violence. What you will also find is some very talented actors giving convincing performances. Matthew Rhys portrays an evolving character, slowly breaking free from PTSD. I cringed when I heard that Tatiana Maslany's character was going to be an Aimee Semple McPherson copy, but I have to give credit to Tatiana, she didn't settle for disparaging stereotype but, unsurprisingly, gave a nuanced performance of a young woman caught in extraordinary circumstances. BRAVO. In essence this first season is an origin story for the character of PERRY MASON. It begins in one place and ends with Perry Mason, lawyer. I enjoyed it and will look forward to the second season. I give it an 8 (great) out of 10. {Crime Drama}

I've never left a review on here, but I feel I have to with all the backlash I'm reading. No, he's not an attorney, but I feel he will evolve into that throughout further seasons with Della by his side. I love the gritty, dark vibes in the show and think it's an excellent noir with great acting and writing all around, especially considering HBO's less than stellar track record with shows lately. I hope more people enjoy it too and it buds into an excellent multi-season series.