My Brother the Devil

This really is an outstanding film, with beautifully crafted visuals, strong script, and excellent cast performances led by James Floyd and Fady Elsayed. A worthy winner of the Best Cinematography prize at Sundance 2012 where I saw the premiere screening.

It deals in a real and sensitive manner with some fascinating personal issues, and without giving any of the story away it keeps the watcher engaged to the very end.

The film stays loyal to its subject matter, employing a script based on the street lingo of its London estate setting. While this takes a few minutes to adapt to, it allowed me to became immersed in the real interactions, emotions, and events of the film.

A fantastic debut from talented director Sally El Hosaini, this is one to watch when it is released in the UK.

I saw the film at Sundance and I really liked it. The film represents a realistic portrayal of inner-city London gangs and the performances of the lead actors are excellent. In particular, the performance of James Floyd, who has a powerful and engaging on-screen presence deserves praise.

Don't be fooled into thinking this is just another low budget London gangs film. It is much more than that and the quality of the cast and crew shines through in the final product. The cinematography gives the film a truly authentic feel, giving it firmer foundations than many others of its kind.

This is definitely worth a watch and I hope the film gets recognised with more awards.

James Floyd and Fady Elsayed rivet your attention as older and younger brothers, UK-born of Egyptian parents, who have hopes and, therefore, frustrations living in council-houses London. As with so many young, poor males in that milieu, the only immediate path to some kind of decent income is in the gang activities commonplace in their part of town.

And yet this movie avoids every clichéd turn of plot suggested by the familiar premises of the story. The drama is consistently fresh. The developments, though surprising, are invariably right. This movie will hold your attention and its characters your sympathy from the opening scene to the last blackout.

I'd also mention that a lot of the movie is in closeup so it helps that James Floyd is very easy to look at. The most perfect nose without rhinoplasty I ever saw. Jim Smith

MY BROTHER THE DEVIL has quite a lot of quality for a low budget, shot-on-the-streets type of British youth film. It tells the story of a couple of Arab kids growing up on the mean streets of Hackney, where they must intermingle with drug gangs and adult life in a bid to make something of their lives - or merely survive.

Unfortunately for me, I've seen all this sort of thing before in the likes of Noel Clarke's KIDULTHOOD and ADULTHOOD, plus the wave of films along the same line that have been made over the past decade, and MY BROTHER THE DEVIL doesn't really have much more to say on the subject, other than to make a point of how ridiculous, violent, and difficult it all is. Director Sally El Hosaini elicits some strong performances from her young, unknown cast members, and the film is certainly watchable from beginning to end. But it's too familiar and fatalistic to have much of an impact on this viewer.

This was a real highlight at Sundance, an incredible movie, has all the grittiness a street film should have, but with real heart. The story is familiar, but Sally El Hosaini's script keeps it fresh by introducing unexpected twists that keep you wanting to find out what's coming next. Without giving any of those twists away, this is basically a film about two brothers and how their relationship changes as the younger one who has always looked up to the elder grows disenchanted with him, while trying to define himself as a man (which he isn't quite yet). Setting that story in the midst of London gang life pushes the poignancy of the story with great effect. Beautiful cinematography by David Raedeker and the outstanding acting of James Floyd and Fady Elsayed make this a real treat.