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Aggiungi una trama nella tua linguaThe stories behind interesting and unusual artifacts stored in museums are told.The stories behind interesting and unusual artifacts stored in museums are told.The stories behind interesting and unusual artifacts stored in museums are told.
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It's a wonderful program. Don Wildman makes for such a compelling and engaging host. The stories are wonderful to learn about, and the reenactments are entertaining to watch. The series delves deeper into stories from history that have either been forgotten or are lesser known. The stories most often told are about historical events that were not as well heard about or significantly well documented as others, often telling the tales of people who worked in the background of major events to reach an end to an event that took place. The stories told are always based on objects currently located at museums all around the world, giving the stories behind why some more obscure or unusual objects would find themselves at a museum in the first place. For example, one story was told about a celebrities car crash and the mysterious circumstances behind it , based off a piece of wreckage from that crash that's in a museum on display. The series also takes on stories of personal conflicts and events that individual people have experienced, as well as even occasionally tackling supernatural and strange events that took place. It tells these stories through reenactments that Don narrates beautifully. This is a show that really has something for everyone. There are even special episodes that will specifically tackles events like Amelia Earhart's disappearance and the origins of Dracula among other special episodes. This is a great show for any history buff or even casual viewer looking for something that is both informational and entertaining.
Well, it is readily apparent that no one is listening to any of the comments presented with respect to the background noise.
Although the program has some redeeming qualities, the music/noise in the background overshadows the dialog.
Question: Is anyone listening???
I'm sorry, What did you say?
Although the program has some redeeming qualities, the music/noise in the background overshadows the dialog.
Question: Is anyone listening???
I'm sorry, What did you say?
This is a great show. It is amazing what fascinating little nuggets of history they dig up. Some of the stories are so compelling I am continually amazed that they aren't more well known. Some of them would make great films. I will very often research the stories on my own to get more information. Usually, the portrayals are fairly accurate, although they do emphasize certain aspects and play down (or ignore) others for dramatic purposes.
I usually DVR the show and watch it in bed, preparing to go to sleep. As fascinating as it is, conversely,it has a somnolent affect on me, and I usually have to re watch 2 or even 3 times to get through all of the stories. I think it is partly due to the reliable and unchanging rhythm of the show. they start out each entry the same way: setting the scene with the museum that holds the artifact that will introduce the related story, first mentioning some of the other museum holdings, then describing the physicality of the artifact in question. Then they tell the story with silent actors pantomiming the narration.
The narration itself has its own certain conceits: then never use one word when three will do, and adjectives abound. They never use a simple word, when a fancy one exists. (It's never a book, It's and "ancient tome" . People don't die, they "succumb to injuries"). Another little conceit is the rhetorical question and the use of puns. For example, In the story of the Double Eagle balloon crossing of the Atlantic: "Will their "lofty" ambitions be fulfilled? Will the balloon rise to the occasion? Will a slave that worked as a seamstress trying to get confederate plans to the Union be able to "thread the needle" and sneak past guards? How did a brassiere "boost" a young mother's bank account?" I love it. It's amusing.
Don Wildman, the host, is superb. He has a great tone, and conveys a sense of urgency, when called for, without getting all worked up. And always has this kind of amused inflection. Plus he is very easy on the eyes.
Another thing that is part of the predictable comfortable rhythm is timing and flow. When they finish one story, they immediately start the next one, saving the commercial break until a crucial cliffhanger. After the commercial break, they briefly recap the story and proceed. This is good for fast forwarding through the commercials, or if you doze off during the story, you can get up to speed without having to rewind. I swear, it's the same pattern over and over. It's like waves crashing on a beach. Two other shows that are just as good are Mysteries of the Monument and Mysteries of the Castle.
I usually DVR the show and watch it in bed, preparing to go to sleep. As fascinating as it is, conversely,it has a somnolent affect on me, and I usually have to re watch 2 or even 3 times to get through all of the stories. I think it is partly due to the reliable and unchanging rhythm of the show. they start out each entry the same way: setting the scene with the museum that holds the artifact that will introduce the related story, first mentioning some of the other museum holdings, then describing the physicality of the artifact in question. Then they tell the story with silent actors pantomiming the narration.
The narration itself has its own certain conceits: then never use one word when three will do, and adjectives abound. They never use a simple word, when a fancy one exists. (It's never a book, It's and "ancient tome" . People don't die, they "succumb to injuries"). Another little conceit is the rhetorical question and the use of puns. For example, In the story of the Double Eagle balloon crossing of the Atlantic: "Will their "lofty" ambitions be fulfilled? Will the balloon rise to the occasion? Will a slave that worked as a seamstress trying to get confederate plans to the Union be able to "thread the needle" and sneak past guards? How did a brassiere "boost" a young mother's bank account?" I love it. It's amusing.
Don Wildman, the host, is superb. He has a great tone, and conveys a sense of urgency, when called for, without getting all worked up. And always has this kind of amused inflection. Plus he is very easy on the eyes.
Another thing that is part of the predictable comfortable rhythm is timing and flow. When they finish one story, they immediately start the next one, saving the commercial break until a crucial cliffhanger. After the commercial break, they briefly recap the story and proceed. This is good for fast forwarding through the commercials, or if you doze off during the story, you can get up to speed without having to rewind. I swear, it's the same pattern over and over. It's like waves crashing on a beach. Two other shows that are just as good are Mysteries of the Monument and Mysteries of the Castle.
My dream is to have a job in one of my summary's listed professions. As you can probably tell, I freaking love history. I love everything about it, and what seems to make the present even more closely tied to the past are the artifacts: The clothing, the pieces of wreckage, the bullets, the bones, the letters, manuscripts, paraphernalia... All preserved so that we all may hold a physical remnant of what has occurred before us so that we may study it and perhaps learn from it, or as the show loves to say, "to serve as a reminder..."
That all being said, this show does have a few tiny bumps that I frown at: The one that I find a little grating is the fact that the show sometimes posits a useless question to the audience before commercial break on the possible outcome of some life or death situation in history, when many of us know what happened: I'm not sure if this segment occurred (I haven't seen every episode) but an example that would suffice in paralleling this phenomenon would be Reagan's armored car. He got shot in the chest by a stray bullet that ricocheted off the bullet-proof car from would-be assassin John Hinckley Jr. Most of us who have dabbled in American history, even a quick run-through of the presidents would know that he survived the assassination attempt and was discharged from the hospital after having the bullet removed. But the show, after setting the scene of what was to occur, would ask the audience something like "Will Reagan successfully pull through, or will this assassin accomplish his mission?", or whatever.
These questions at times do help propel the intrigue but for us who know what has already happened, they're kind of moot. But hey, maybe that's a sign that we're more knowledgeable than we realize, ha.
Overall this is a good show to watch late at night. When they have mini- marathons of three, four, five episodes back-to-back-to-back it makes for an entertaining evening. And the experts that are called to showcase the artifacts know their stuff. I recommend this show for any and all American history fanatics, or just a general history fanatic, like me.
That all being said, this show does have a few tiny bumps that I frown at: The one that I find a little grating is the fact that the show sometimes posits a useless question to the audience before commercial break on the possible outcome of some life or death situation in history, when many of us know what happened: I'm not sure if this segment occurred (I haven't seen every episode) but an example that would suffice in paralleling this phenomenon would be Reagan's armored car. He got shot in the chest by a stray bullet that ricocheted off the bullet-proof car from would-be assassin John Hinckley Jr. Most of us who have dabbled in American history, even a quick run-through of the presidents would know that he survived the assassination attempt and was discharged from the hospital after having the bullet removed. But the show, after setting the scene of what was to occur, would ask the audience something like "Will Reagan successfully pull through, or will this assassin accomplish his mission?", or whatever.
These questions at times do help propel the intrigue but for us who know what has already happened, they're kind of moot. But hey, maybe that's a sign that we're more knowledgeable than we realize, ha.
Overall this is a good show to watch late at night. When they have mini- marathons of three, four, five episodes back-to-back-to-back it makes for an entertaining evening. And the experts that are called to showcase the artifacts know their stuff. I recommend this show for any and all American history fanatics, or just a general history fanatic, like me.
This show is interesting but it is often misleading. They will show an "artifact" like a bullet but the story will be about a Demon Cat. The two have nothing to do with each other!
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- ConnessioniReferenced in Hotel da incubo: Packing Heat (2014)
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By what name was Mysteries at the Museum (2010) officially released in Canada in English?
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