Baishe Srabon

Baishe Srabon, a magnificent movie with simple script but holds you in your seats. Every actor is mind-blowing, and talking about Prosenjit- never once in my mind had I thought that he would be such a pleasure to watch. Prosenjitda is really talented. His acting skills -(minus) his dramewali crying and 'tollywood style' revenge = a perfect blend. And the movie was worth watching, a real pleasure. A movie that talks about obsession. I promise that from next time onwards I will watch Prosenjitda's movie if he chooses scripts like this, and by 'I' , I mean every person who never thought that Prosenjit could act so flawlessly.

With a watched movie list of around 1800, I sure nowadays can guess a crime thriller within half-time. But I was in for a shock. Or should I say pleasant surprise. Bengali movie is surely being resurrected. Every now and then, you will find a movie that's at par with national standards, if not international. The songs are outstanding, each one surpassing the previous, and aptly, the final end credits song, i.e., Gobheerey jao is the best. Now comes the best part. Am a die-hard Al Pacino fan. A few minutes back, I had a debate with a friend, who has not yet watched the movie. I just said, "It's pointless not giving credit to an actor just because he's Bengali. This performance is surely up there in my rating books beside Pacino's Colonel of Scent of a Woman." Dialogues of this movie are a class apart, with extraordinary subtle power, punched with dry sarcastic humor. Download, buy, go to theaters, do what you can, but take this from a guy who regularly watches Akira Kurosawa, Chris Nolan and sundry, you will regret watching a class act if you don't watch it.

" Baise Srabon" ( 22nd Srabon) is Spell Bounding, Erratic, Obnoxious, Mind Crunching and Meaningful all in the right ways! From Direction to Editing, From Songs to Acting, from start to finish it keeps on changing its context! There is so much one can write about the movie, that every anecdote/every phrase/every adjective will fall short of praises! This movie has lot of apt literally influences which makes it all the more special! From the clue containing poetry of the eminent Bengali Poets to the right references of " hungry Movement" of 60's to establish the base of a character, everything is a master stroke.

And on top of it, there is Prasenit, one has to put this movie as a cross reference for Method acting in Indian Cinema. He is such a vibrant performer which is so easy on the eye that most of the time we tend to neglect his abilities! After " Autograph" I was really thinking what difference can he do with this role and he justified his abilities perfectly.

The next point of talk has to be Anupam Roy's Music! Spell Bounding! Each track is easy on the ear and is equally soulful and also meaningful! "Ekbar Bol, Gobheerey Jao and Ei Shrabon" are perfect examples of music blended with lyrical poetry! Any Blemishes! Yeah, some sub plots are unwanted! could have made the movie ten minutes shorter. Also Raima is wasted to an extend! LAstly, go watch this one! They don't make movies like that anymore! Nostalgia! aro gobheerey jao...........................

This can be marked as a great work of Srijit. All the actors have done a catchy performance. Especially, Prosenjit has been mindblowing.

I must say that it definitely scores over Srijit Mukherjee's last film 'Autograph'. It has some very bright performances from Prosenjit Chatterjee, Raima Sen, Abir Chatterjee and Rajesh Sharma. But one man who easily scores over everyone else is Goutam Ghose. He truly shines as the poetic-minded hardcore intellectual of a by-gone era. As for Parambrata I found it a little hard to imagine him as a tough cop. However his acting is believable.

The plot has a couple of good surprises that are hard to predict. The story intermingles very well with the plot. The story-telling involves some non-linear sequences as well.(I would love to see more of these non-linear sequences in his future work)The screenplay is very bold. Its the first time I heard so much cursing in a Bangla film. However I still think that it needed a little more polishing(just my humble opinion).

The cinematography is quite good and in a couple of scenes it really stands out. My personal favorite being the first scene where the director successfully captures the eeriness of a north-kolkata gully at night. The climax also has a very unique Ram Gopal Varma-ish kind of camera angle in it.

All-In-All a considerably intelligent watch considering the usual play-with-your-emotions masala Bengali/Hindi fare.