Smashed

Pretty teacher Kate (Mary Elizabeth Winstead) and husband Charlie (Aaron Paul) are a young married couple who are also alcoholics. When Kate gets sick of waking up in strange places and peeing herself, she decides to quit drinking and get help. But, Kate faces an uphill battle as she gets resentment, not support, from her husband and to gain sobriety she may loose everything. What I liked most about this indie drama was that co-writer/ director James Ponsoldt avoids the melodramatics that usually come with films of this nature and guides his cast trough a real life situation and has them play real life people complete with quirks and all. And as for his cast, they all give good down to earth performances but, it is Winstead who owns the movie as the troubled young woman who wants to change the downward spiral of her life. She effectively portrays the frustration of her own behavior and then then hurt and anger when she tries to change her life and doesn't get the support she needs from those she cares about. Winstead shows chops that she hasn't yet had the opportunity to show and she gives a very real and effecting performance. True, I would like to have seen more of the relationship between Kate and her AA sponsor, Jenny (Octavia Spencer) and a subplot involving her vice principal, Dave (Nick Offerman), who has a crush on her and introduces her to his AA group, doesn't quite click but, this are minor points. Overall Smashed is a solid and heartfelt drama that doesn't preach yet, doesn't make light of it subject matter and gives a talented young actress a role she can really shine in. Recommended for those who are looking for a drama that's refreshingly un-Hollywood and want to see Winstead prove she's more then a pretty face.

I think Smashed starts off pretty rough, and the first ten minutes or so don't really have much of an impact. But the film manages to hit its emotional levels pretty hard from then on, and the characters become some truly fascinating and heartbreaking people to watch. I've never really seen Mary Elizabeth Winstead do any worthy acting. Not that she's bad, but I had no idea she was capable of doing what she does here. Of course, it didn't come as a surprise after waiting months for it because of the hype built around her performance. I found some of her drunk moments unconvincing though. Not all, but a few didn't work for me. But even with those flaws, she gives one of the best leading female turns of 2012, and her AA meeting scenes are brilliant, especially her first AA introduction. That scene alone is worth several nominations. Being a huge fan of Aaron Paul in Breaking Bad, I don't think this role was anything out of the ordinary for him, but boy does he make an impact. I'm surprised that he's actually on Winstead's level in several of their scenes together, and they play off each other brilliantly. Spencer also did some fine work, nice to see her here. I found Nick Offerman unconvincing though, and didn't buy him at all.

Overall, very well acted, really good film.

Writing as an alcoholic... I have 2 things to say about this film. The first is that the learnt ability to 'deal' with life through alcohol abuse, was entirely authentic... and the second is that the loss of important relationships was inevitable with the life changes that salvation demands.

Writing as a film critic... that this taught me something about my own alcoholism... makes it an impressive film from my point of view. The inter-dependent relationship at the centre of this story is entirely real, as is it's eventual de-construction. Only a non-addict would see the interventions contained within the story as being sanctimonious or having some political agenda. This is not an argument... alcohol destroys lives.

The acting from the two 'leads' was excellent. The bigotry towards alcoholism was treated in a perfunctory way... but was still relevant to the story. Most of all... this film portrays the isolation felt by those who escape their entrapments. We all have to take giant steps in our lives... those steps rarely coincide with anyone else's. This film demonstrates that very well.

This was never going to be a film that excites the majority movie-goers...but for those that like films that can tell you something you didn't already know... it is well worth watching.

I am a recovering alcoholic, 23 years sober. Over the years, I've developed somewhat of an obsession with films on this subject, always looking for my own story. 'Smashed' is that film. Mary Elizabeth Winstead captures the essence of the functional alcoholic perfectly. Her character, Kate, is two people - the respected, enthusiastic teacher by day and the out of control drunk by night. This can work for a while, but there will always come a day when these two worlds literally collide.

This movie hits that mark perfectly. Kate's recognition that she is an alcoholic is tough to watch, but so realistic. I knew I had a problem, but denied it until that one morning I woke up in my car and had flashes of memories from a crazy, chaotic night before. Like Kate, I went to AA that same day, and while I hated it at first, those people saved my life.

This movie is about redemption and loss. Getting sober isn't easy. Life continues and we are left to deal with the wreckage of our past. Those problems we ignored, suddenly explode in our faces. But we deal with them. 'Smashed' should be required viewing at rehab because it's real.

This film was one of two real standouts for me at the Sundance Film Festival 2012. Lead by two Oscar-worthy performances from Mary Elizabeth Winstead (Kate) and Aaron Paul (Charlie), "Smashed" accomplishes the impossible by addressing a very serious topic with depth and sympathy and realism, while still finding time to make the audience laugh hysterically now and then. Director James Ponsoldt and his co-writer Susan Burke deserve high praise for pulling off that feat. Additional kudos go to "Parks and Recreation's" Nick Offerman, as the deadpan sad- sack co-worker who takes Kate to AA and starts her on the road to sobriety. In a role that's the opposite of uber-confident Ron Swanson, he's hilarious as the always-ill-at-ease Dave.

This is one of those rare movies that is just like life: sometimes very funny, sometimes very sad, but always real. I hope it gets the audience it deserves.