Europa Report

Not every sci-fi movie is an action-packed super-hero popcorn flick. Luckily! And Europa Report shines among those, lately rather rare examples.

Europa Report follows the line of a documentary and does that so successfully that I, throughout the movie, kept forgetting that humans actually have not yet landed on Europa. While the search for extraterrestrial is in fact the focus of the mission, it is not the focus of this movie, but rather human behavior and psychology, the magic of exploration and the steps we are ready to take for something that is larger than individual life.

The story flows beautifully and, yes, with time-jumps demands full attention from the viewer. And as a consequence also delivers a great deal of excitement and enjoyment. Have the last minute or so of "the storyteller's" explanation and commentaries not came across a bit patronizing and unnecessary, somewhat spoiling the spirit of this pretty intelligent movie, I would consider giving it a 10.

I definitely recommend to all the science, space exploration and old- school-sci-fi fans. And for those after Ironman and the Avengers - probably not a movie for you.

"Europa Report" is relatively authentic in its details about the large, icy moon of Jupiter called Europa, But it is not perfect, and it will strike many viewers as, at first, slow and claustrophobic. After all, as one of the astronauts observes, the space inside the ship is extremely limited even while the space outside is vast.

That said, I recommend "Europa Report" for being sufficiently adventurous while not making the intelligent viewer cringe over obviously fake science. In fact, it is a horror movie made more horrifying by the plausibility that, just as there are dangers in nature here on earth, there might be equal or worse horrors lurking on the many moons and planets we have yet to explore.

There are some tropes here that are similar to those of other space movies, but many that are different, too. No, crew members do not become infected with an alien bug that makes them kill each other. Yes, they argue, but it is mostly about taking chances versus safety. The crew cooperates, and they take care of each other in admirable ways--if ultimately futile ones.

There are however, several don't-go-down-those-stairs moments. ("Actually walking on the surface of Europa was always a question mark," says one astronaut as the crew is about to vote on whether one of the scientist-astronauts should go outside.)

The scene that confused me most was the one about the attempted repair of the communications system; I thought they were all in the lander on Europa's surface, but apparently they left two astronauts on the orbiter high above the surface. Anyway, that is the first genuinely scary scene. There are subsequently some more scary scenes including the ending.

For those who do not know. Europa is Jupiter's fourth largest moon (Jupiter has well over 80 moons and moonlets), and it is one of three big Jovian moons that have liquids on their surfaces. In fact, Europa has an all-ice surface with nothing much other than a salt-water ocean beneath that ice. While the surface of this planet-sized moon is absolute zero degrees (utterly frozen), its innermost core is molten hot so that the salty ocean between the hot core and cold surface is relatively warm--warm enough that some of the creatures in earth's oceans would probably be able to live in Europa's ocean. So, does Europa have life of its own? That is what the astronauts in "Europa Report" want to find out.

There are some scientific quibbles: Although the movie acknowledges that radiation is a huge problem, it seems rather cavalier about it. (Europa is pretty close to Jupiter and is hit by 5.40 Sv of radiation a day; as I understand it, that quickly translates into deadly exposure.)

Another problem is that the movie assumes that the surface of Europa is rough but relatively flat; yet recent data suggests that the icy surface is made up of huge, closely interspersed ice-spikes; making landing a ship there similar to throwing a tennis ball at the sole of a boot cleated with sharp metal spikes.

Many advocates of a mission to Europa insist that we should send robots, not people. However, the filmmakers should be forgiven because danger to robots would not be as exciting as danger to humans. "Europa Report" gives us a crew of diverse humans who turn out to be relatable (if somewhat generic), who are nevertheless admirable in their determination and bravery.

31 July 2013. Jumbled, disjointed. This chaotic but visually compelling sci fi movie is about a space attempt to one of Jupiter's moons. Europa has the look and production value of 2001: A Space Odyssey and Alien and the more recent Love (2011) about survival in space. However it tries too hard being classy. The use of voice-over is unnecessary and excessive. Attempts at the Blair Witch Project documentary approach is uneasily combined with the more stark Kubrick photography. Finally the flash back and flash forwards leave the audience spinning in confusion and disorientation.

If only the director had just simplified and shot the movie in the traditional linear footage like the 50s Forbidden Planet or even First Space on Venus, this movie had the potential to be a great. It had the look some of the best space visuals of any sci fi movie to date. It had serious intention, but the sounds in space and no space-time lag in communications between the space craft and Mission control are real major technical flaws for a movie like this. It had had poor editing making it confusing almost to the point of being unwatchable. Some of the dialogue and space craft activity were penetrating and appealingly jargon-oriented really capturing the ambiance of real space exploration but at other times seemed just too banal, used for impressing an uneducated audience that in these days seems a pretty sad commentary of how the producers or director thought of its audience. The non-linear, broken time flow made the movie into a hodge-podge of scenes that only made sense to the editor or director. The revealed reason for the communication lost, scenes that the audience was subjected to twice wouldn't have been unpredictable as described, it would have been monitored and not unexpected. This seems to be just a convenient script device that only weakens the storyline. Another problem was the strangely edited debate scene about going out exploring which was literally broken in half and completed after another completely different scene was inserted. The approach landing scene was visually amazing, but there wasn't enough of the close up of the landing to be brilliantly, dazzlingly and later one of the Mission specialists gets to look out at a close up of a fantastic landscape while the audience only get to see the specialist looking out the window and only later does the audience get to see what the specialist saw after the fact. Finally even as fantastic as the visual photography and set design and landscape design were, there were too many photographic style changes that prevented this movie from flowing smoothly nor allowing the story to become an intimate compelling close up personal story for the audience. Instead the photographic changes became a background distraction.

In one of the major crises scenes its power was taken away by too much previous random, almost pretentious space banter and not enough film time devoted to building up this crucial scene. Nevertheless it was one of the best scenes of the movie, well done both visually and sound wise. Another great scene was the disembarkation from the space craft that was so authentic and visceral, though too much of the 2001 movie helmet-face shot was used instead of allowing the audience to have an extended personal experience of wonderful out of this world landscape shots. Why there was only one space explorer out there seems odd too. Even this great sequence seemed off when there was a little amount of sample time left then suddenly became time to leave then mysteriously all the crew's concern over radiation levels seems to disappear and miraculously there's more time to explore further creating a bewildering sense of incongruity with the script plot outline overtaking the consistency and believability of the story. Even later there is a final face shot but not of what the astronaut was looking at creating more of a disconcerting unnecessary puzzle. At some point two thirds the way through the movie the continuing anomalies that keep piling up in juxtaposition of the overall tone and presentation of this movie. The more authentic and believable, documentary tone of this movie is in contradiction to the number of calamities that befall this space voyage making it more of a stretch to suspend judgment of its theatrical veracity. Instead of focusing on extended scenes of great potency to captivate the audience, the script and director have chosen quantity over sustained quality, allowing the film's integrity to grow dangerously thin. It's almost as if there were at least two or more short films occurring in this movie. The film also eventually becomes more unclear as to what is supposedly recorded film that the audience is seeing and what is just the movie presentation itself that supposedly wasn't recorded but was shot to help fill in important details for the audience, just more distracting, off-putting film experiences. 2010 (1984) a follow up to 2001 with its own voyage to Jupiter had similar events occur in respect to Europa Report but which Europa was able to exceed in the space adventure depiction of its story but also fell short compared to 2010 in its overall movie presentation and storyline coherence. Perhaps the greatest mistake was the use of the flashback technique which in fact became at least two different flashbacks destroying some of the mystery and unknown of first discovery as if the audience was really only getting a compilation of a report instead of being able to be apart of this amazing visually dazzling space adventure themselves.

Overall, this movie of really great potential and visual photographic power and narrative style is similar to Moon (2009) but became even more of a great disappointment with its poor editing and scene selection that only serve to create a massive jumble of confusion, difficult to follow and comprehend and enjoy. If only that director had stayed with a simple presentation this would have been a great cinematic achievement.

I liked this movie. It was a good sci-fi flick, but based in a believable near-future world. The voyage is captured by stationary cameras throughout the ship and a story is patched together from them. The acting was very good. There admittedly wasn't much in the way of character development, but I didn't notice it. The whole film I was hoping the story would move forward faster and faster to the end, to find out what, if anything, was discovered, and the fate of the crew.

Mostly what I liked about it was that it wasn't over-the-top storytelling, nor was it over-the-top with special effects. It used them only to tell the story that needed to be told and weren't overused. One reviewer chastised the special effects as being poor, but I disagree. They were believable. Bad is the crap they make for the Science Fiction Channel.

This movie may not appeal to everyone precisely because it's not over-the-top. It was simple, with building tension throughout the film and a good ending. There weren't monsters and aliens everywhere, there was a distinct Hitchcocian feel to it.

Very good; well worth watching.

While Europa Report isn't mind-blowing and doesn't bring any groundbreaking ideas to the table, it is still watchable at least once. This is a situation when you make the most of what you have. A good budget sci-fi.

The performances are ok, the story is a basic sci-fi one, CGI is very noticeable but they tried, I think I even spotted a couple of good sets and a good matte painting.

The story works mostly because of the characters, which are relatable and imperfect. Their motives and deeds are understandable.

While the pseudo-documentary style opens new options and provides for interesting scenes, they never do anything creative with it besides some fast cut-ins for you to spot. My biggest complaint is that sometimes it gets overly sentimental and somewhat tells you to feel the same, which just doesn't work with the style they've established.

A good one-time sci-fi watch if you thought you've seen it all and if you are desperately looking for good low budget ones.