Róza

"War is like a fire," it is said in The Art of War "if you do not put it out, it will burn itself out." The fire of World War II smoldered in Masuria, in the northeast corner of Poland, long after the war ceased. Life was especially hard for innocents like Rose, a German speaker whose soldier husband died in battle. Victorious Russians and Poles treated such women as conquered enemies. Alone on a potato farm, Rose is on the edge of death when Tadeusz encounters her. Tadeusz, who deserted from the Polish Home Army when his wife was brutally murdered, is in no mood to see another woman suffer like this. He stays to protect Rose as best he can, but also to tend to his own broken heart. Rose and Tadeusz swim in a pristine lake in the forest, relive happy moments from the past, plant potatoes and attempt to mold a bright future from the ashes, yet the flames of war, violence and abuse are not so easily snuffed out.

Rose is a determined character who refuses to give up despite extreme hardship and abuse. She radiates hope amid despair. So does Tadeusz. Together they embody goodness and sparks of renewal in the world even at its bleakest moments. The film tugs at your emotions. Dark and light moods are heightened as film images shift between black and white and color. It is very disturbing yet illuminating to better understand the plight of Masurians, caught between warring powers. Some of my ancestors, German speakers and Russian citizens in what is now Poland, came from the area. The acting is splendid. World premiere seen at the Toronto international film festival.

Looks so real... I almost forget it's MOVIE. it's different kind of movies hard sad real dark .

cold, harsh, bitter. only testimony. reflection of a time. or only picture of an ordinary story. a woman. a man. end of a war. beginning of other. a farm. and mixture between fear, hope and drops of joy. more than a film, it is a travel in the heart of reality. emotions, tension, and gray nuances. nothing else. only a slice from East. and a different lesson of history. because all is testimony. with perfect instruments, with desire to not forgive, to present not exactly an individual tragedy but sufferance of a land who can be Masuria, Bukovina, Kosovo or Alsace.a woman, a man, a love story out of declaration and a war traces. like remember. like profound, silent cry. or only, like a testimony. from a past who is seed for future.

'Rόża', a big-budget Polish production, is set just after the Second World War, as the German community in Poland face reprisals from the Communists. The couple sitting next to me in the cinema were whispering to each other throughout, which was tiresome - almost as tiresome as the film's multiple rape scenes. Many German women did indeed suffer sexual violence at the hands of the Red Army, but I really don't think it was necessary to show it quite so often - even if most of the scenes were extremely quick and none of them were titillating. It spoiled what was otherwise a good human-interest drama. To show one such scene, to establish what the characters were suffering, would have been acceptable - to show multiple such scenes veered, albeit unintentionally, too far into voyeurism, IMHO.

Recommended to me by a Polish penpal to shed light on.the grim and fragmentary situation in Poland after WWII, particularly with regards to the Masurian minority group. It's a rather harsh film depicting the struggle.of a former soldier to find peace and solitude with a widow despite both of their profound traumas. It's a hard subject to wedge any sort of brevity into and the film amiably tries to balance the bleakness with some hope - the narrative lurches are a bit much and poor Rose feels a bit of a secondary character despite the name - but the human fallout of the Potsdam Agreement and the realities of life for the Polish people after the war is little known in the UK so I'm ultimately very glad I saw it.