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Anthony Hopkins and Matthew Goode in Freud - L'ultima analisi (2023)

Recensioni di Metacritic

Freud - L'ultima analisi

48

Metascore

18 recensioni · Fornito da Metacritic.com
  • 60
    TheWrapKristen Lopez
    TheWrapKristen Lopez
    Freud’s Last Session will certainly find its fans, and the actors are all superlative. But the whole affair feels a bit too dense to enthrall and the script never dives deep enough into these characters’ psyche to tell us something new or particularly unique.
  • 60
    The Hollywood ReporterStephen Farber
    The Hollywood ReporterStephen Farber
    Even acknowledging and regretting the conceptual misjudgments that mar the film, there are moments to enjoy. The conversations between the doctor and the don remain stimulating, and the two central performances add to the electricity.
  • 60
    Screen DailyTim Grierson
    Screen DailyTim Grierson
    Despite its thoughtful ruminations and supple performances, this period drama fails to produce the expected intellectual fireworks.
  • 60
    VarietyPeter Debruge
    VarietyPeter Debruge
    So many movies are either mindless or completely disinterested with engaging the intellect of their audiences that Freud’s Last Session offers a welcome bit of brain stimulation — but does far less for the soul.
  • 60
    The Daily BeastNick Schager
    The Daily BeastNick Schager
    A stately affair that’s never particularly intellectually incisive or revealing, and its stolid execution fails to transcend the material’s inherent staginess.
  • 58
    Paste MagazineAndrew Crump
    Paste MagazineAndrew Crump
    The film’s observations, as filtered through the duo, feel utterly simplistic, and gain gravity only by the enthusiasm in Goode and Hopkins’ performances.
  • 50
    Los Angeles TimesRobert Abele
    Los Angeles TimesRobert Abele
    The leads give it their all — Hopkins’ vinegary parrying is especially lively — but the overall takeaway is of historical puppets playing philosophical gotcha, when we yearn for three-dimensional humans filling up a room with their lives, learnings and flaws.
  • 50
    Washington PostMichael O'Sullivan
    Washington PostMichael O'Sullivan
    Viewers of “Session” may find it harder to take solace from (or to find entertainment in) this stagy jar of slightly pickled discord, directed by Matt Brown, based on the 2011 play by Mark St. Germain (itself inspired by Armand Nicholi’s 2002 book “The Question of God”).
  • 40
    The New York TimesBen Kenigsberg
    The New York TimesBen Kenigsberg
    The look of Freud’s Last Session could make one doubt the presence of a cinematographer.
  • 35
    PolygonSiddhant Adlakha
    PolygonSiddhant Adlakha
    Nothing comes of anything either man says. It’s all noise — all passionless anger going in circles, captured by a camera that seems averse to lingering on the tremendous talents of Hopkins and Goode, who try their best to rescue Freud’s Last Session from itself.
  • Visualizza tutte le 18 recensioni su Metacritic.com
  • Vedi tutte le recensioni esterne per Freud - L'ultima analisi

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