The Pact

A woman's mother dies. She calls the rebellious younger sister to see if she will attend the funeral. She then chats with her daughter who lives with her cousin. During the chat the daughter asks her who's behind her. She sees no one but looks around the house. Then she vanishes.

During the funeral the little sister, Annie, does show up. The daughter and the cousin are there and spend the night at the house. Next morning the cousin has vanished.

Annie goes to the police. One night some force grabs her and yanks her throughout the house. Annie does some digging. There's a picture of her mom and a woman in a park. She also has visions of this woman.

When the cop visits her house they discover a secret room with holes in the walls to observe everyone else in the house. When the cop returns to the house by himself he's stabbed to death.

Annie meanwhile has a medium come over who experiences things. As she leaves she utters the name Judas. Annie discovers there was a serial killer in the area years ago who was known as Judas. He killed the woman she sees in the visions. Annie goes to the park and is led to a church/school where her mean mom worked. She finds out a man worked also there who has their same last name. He was a brother of the mother no one knew about. The medium tells her to do a Ouija session. It provides her with more answers and Annie will confront the evil in the house.

The Pact is a well-done lower budget horror thriller. Why it's called "The Pact" is entirely unclear. It's a slower movie but it's effective. Music and effects are very good and you do want to find out just what is going on. The story combines human evil with the supernatural in a convincing way. It could easily have chosen either of those but together they make things more interesting. Direction is excellent and the cast does a solid job as well. My main complaint is the casting of Caity Lotz as the main character. They already hired better choices in the lovely Kathleen Rose Perkins and Agnes Bruckner. The story is a bit short as we learn next to nothing of our main character or the family.

Feisty daughter returns to her dead mother's house and experiences unexplained supernatural phenomena.

Quite effective mid-budget chiller, which, at least, is largely explained at the end (although the fate of the two missing persons is rather ambiguous).

Most scares are signposted (apart from two effective jump scares), which takes away the impact somewhat, but overall it is quite effective. Similar to 'Stir of Echoes' in plot.

My main criticism is that everyone seems to do everything alone. Whereas this is understandable for the loner heroine, a cop is unlikely to go into a house alone and knock a house about to get evidence (you would hope).

I suspect the writers were subconsciously influenced by 'Salem's Lot', as some of the characters' names are similar - ie. Glick/Barlow.

At one point the heroine gets a probate cheque for thousands of dollars. In the UK this process would take at least 18 months, but here seems to be completed with the stroke of a pen.

Overall, I'm being hypercritical, as it is well worth watching and is eminently watchable, if the plot devices are somewhat familiar in films of this type.

Worth checking out.

Nichole arrives back at her childhood home to take care of business after the death of her mother. She calls her sister, Annie, for help but after getting no joy, she carries on without her. It's during a video call with her daughter (who's being cared for by her cousin, Liz) that something happens to her. After a couple of days, Annie decides to help after all, but she discovers that Nichole has gone missing and not before long Annie starts to hear strange noises and is actually attacked by an unseen entity. Not before long, Liz also goes missing, so Annie decides to seek help to find out what is going on...is it a violent spirit hell bent on creating misery for Annie or is there something much deeper going on? The Pact is actually not too bad of a psychological thriller, but in all honesty it is actually pretty slow. It takes a good while for the movie to really get going, but when it does it picks up quite nicely. It's just unfortunate that it takes a while to do this with a bit too many stop/start moments in between.

The feel and atmosphere of the movie wasn't too bad either, and what made these moments better was that there was no "music getting louder" moments. I find the lack of dramatic music in movies like this much more enjoyable as it adds to a better mood. There are some nice touches throughout the movie as well and with being a low-budget film some of the visuals are done well.

I think Casper Van Dien must have had more practice at acting as well because he was actually pretty decent here unlike the hideous over-acting done in Starship Troopers. There are definitely more pluses than negatives for The Pact, but I just wish that it managed to keep a better pace for the 1st half of the film.

Overall, though, it's not too bad of a movie.

Okay, sure, it's not a groundbreaking horror film (what is nowadays?), but I found myself enjoying it. I usually don't watch films below a 6.0 IMDb rating (yeah, yeah, I'm a ratings wh***, shut up). But I was really in the mood for a horror movie and decided to give this a try. Yeah, it's a traditional story and somewhat predictable, but the modern "offbeat" characters kept it interesting. I agree with the user that says it starts off a bit weak/slow, but the rest of the story kept me intrigued. I've seen (modern) horror movies that are far worse than this that have higher ratings so give it a try if you enjoy modern horror.

As a woman struggles to come to grips with her past in the wake of her mother's death, an unsettling presence emerges in her childhood home.

First, let me praise Casper VanDien, who (to put it bluntly) did not suck. I cannot say he is particularly known for his superb acting, having done a number of cheesy movies, but VanDien shows off his acting chops here. This kind of performance could get you a supporting actor Oscar if it was not in a horror film.

I heard the judges at Sundance were praising Nick McCarthy's direction, and that is absolutely fair. Above all else, the camera is the star here. Maybe we should give that credit to the cinematographer (Bridger Nielson), but it is hard to draw that line -- could one have been great without the other? Alan Bacchus said that the film was "smart, well written and genuinely scary". He is right on all three counts. I rarely find horror films scary (I am immune to their nonsense), but I actually had to peek through my fingers at one point. I am embarrassed to say it, but this is true. Well done!