Aggiungi una trama nella tua linguaBreast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are ... Leggi tuttoBreast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are raised in the name of breast cancer, but where does this money go and what does it actuall... Leggi tuttoBreast cancer has become the poster child of corporate cause-related marketing campaigns. Countless women and men walk, bike, climb and shop for the cure. Each year, millions of dollars are raised in the name of breast cancer, but where does this money go and what does it actually achieve? Pink Ribbons, Inc. is a feature documentary that shows how the devastating real... Leggi tutto
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Pink Ribbons, Inc., based on the 2006 novel by Dr. Samantha King, professor of kinesiology and health studies at Queen's University, explores the possibility and the stunning proposition that the "pink ribbon campaign," whose efforts are directed specifically at creating breast cancer awareness, is only a shameless cash-grab for companies to utilize while contributing very little of their profits to famous organizations. Some companies products that are donating towards breast cancer research include chemicals that possibly contribute higher risk of developing the disease. Not to mention, with so many organizations, big and small, and so many corporations shelling out products apparently with profits being donated to cancer research, it results in very disorganized money patterns. Millions being donated, with little rhyme or reason, and little coming out that is revolutionary.
There comes a point where we can seemingly define the sincerity of companies attempting to fund breast cancer research and some simply trying to bank off a serious disease. When Susan G. Komen and Avon commit to holding a charity event, you almost feel compelled to trust them because they've given millions upon millions of dollars in efforts to find cures. But when we begin seeing pink handguns, we question how we've drifted from sincerity to shallow consumerism. I've frequently seen teenagers walk around with thick bracelets proclaiming "I LOVE BOOBIES. KEEP A BREAST." Do they wear them because they believe in stopping breast cancer, or do they just love having something as provocative as "BOOBIES" on their wrist? The same can go for those brazen "Cancer Sucks" t-shirts. Why? Interviews conducted are with the author of the Pink Ribbons, Inc. novel Samantha King, Barbara Eherenreich, writer of many books around the cancer, who resents the idea of softening the disease into making it "normal and feminine," and my personal favorite, the sassy, shamelessly blunt Barbara Brenner, a health activist, diagnosed twice, and not afraid to attack some corporations' lucrative practices. She makes no hesitation to call out Yoplait Yogurt for their "Save Lids to Save Lives" campaign, where if one were to peel off a lid of their yogurt, clean it up, then mail it back to the company, a dime would be donated to the Susan G. Komen Foundations. Brenner states that if you were to eat three cans of yogurt, everyday, and send the lid back for four months straight, the time the event was going on that, you'd successfully donate only $34 to the Komen foundation. "Bottom line, write a check," she says.
Easily, the most intimate shot of the picture involves an obese African-American woman who struggles to walk at one of the sponsored breast cancer walks. We are unaware if she's diagnosed with the disease, knows someone who is, or simply walks out of the goodness of her heart. For about thirty seconds, we watch as she pursues on, through sweat and exhaustion; something about that scene made me want to help her along or sit her down and give her the resources necessary to complete the walk. It is one of the most affecting shots in any documentary I've seen, mainly because of the impressionistic prints it leaves on the viewer.
The speakers we see in the film are mostly women, understandably so. One thing I caught early on that, beneath their deep intelligence and their wide range of talents, lied an angry, seemingly bitter core, in someways throwing the documentary a curveball. These women are mainly angry at the glorification of a painful disease that deteriorates the energy and body of a woman, but it seems they occasionally talk down to those who participate in walks and runs for the charitable organizations of the disease when they appear to be doing nothing but trying to take part in a community event to raise money or simply partake in the activities to memorialize a loved-one. It seems unfair to pull the "you don't understand suffering" card to those who are benefiting those who are actually suffering, don't you think? Starring: Barbara Brenner, Barbara Enherenreich, and Samantha King. Directed by: Léa Pool.
The film also explores the problems with Komen's messaging. They speak to a support group of women living with stage four breast cancer, who talk about how it feels to have cancer paraded as something pink and pretty and normal. (The filmmakers typically juxtaposed these interviews with shots of people at Komen race events waving pink pompoms and streamers and cheering.) They spoke candidly about how they feel that there is not a place for them in the current dialogue surrounding cancer, as they are viewed as the "angel of death" in a typical group of people living with breast cancer. They also touch on the sexualization of the disease, speculating that one of the reasons that it receives so much media attention is that it affords people the opportunity to say "breast" on the news. All of these interviews were incredibly poignant, articulate, and at times heart-wrenching, and while in general I would have liked to have had interviews with more people overall, the subjects that were featured were chosen very wisely.
This is an exemplary work of activist documentary filmmaking. Unlike some other examples of the genre, it does not beat you over the head with emotional pleas (though some moments are incredibly emotional), but rather calmly lays all of the rational arguments out before the viewer. It is a difficult task to take down a giant like Komen, but this film firmly does so with elegance and grace.
Read the full review here: http://mattreviewsstuff.com/2012/04/28/pink-ribbons-inc/
Sadly, not much. This disturbing fact, along with many others of equal discomfort, are at the heart of "Pink Ribbons, Inc.," a new documentary now in general release. Director Lea Pool takes Dr. Samantha King's 2006 book "Pink Ribbons, Inc. - Breast Cancer and the Politics of Philanthropy" and expands upon it via interviews, documentary footage, and current data.
Here are three facts gleaned from the film that should give everyone cause to pause:
* Since 1940, the chances of a woman developing some form of breast cancer have gone from 1 in 22 to 1 in 8.
* Only 5% of the money spent on breast cancer research goes into researching environmental causes.
* A large number of products sold that donate a portion of their proceeds towards breast cancer organizations contain ingredients known or suspected to cause cancer.
The film traces the transmogrification of the "fight" against breast cancer from political activism to consumer activism. Remember the days when you just wrote a check to The American Cancer Society? Or you joined a protest march against a corporate polluter? Now you can spend 50 cents on a container of yogurt, peel off the lid, wash it, stick it in an envelope, spend 45 cents on a stamp, and mail it back to the company so that they will make a 10 cent donation. Do the math.
And what about companies that "enlist in the war on cancer" that are on one hand developing pharmaceutical treatments for breast cancer but on the other hand sell pesticides containing cancer-causing agents?
As good as this film is in exposing the issues surrounding cause marketing, it fails to answer one simple question (though apparently not from trying. Companies are notoriously tight-lipped on the subject.) – How much do these companies profit from the sale of these products versus how much do they contribute to the cause? As one of the members of a Stage IV Cancer Support group asks, "Are they profiting from my disease?" If the answer is yes, would you still buy that paper towel?
The film's bottom line is this - Has the cheerful, fuzzy pink aura built around breast cancer to facilitate "awareness" and charitable giving obfuscated the harsh realities of the disease? We still don't know what causes it; the treatments are pretty much the same as they were 50 years ago, mortality rates are the same as they have been. Has the "branding" of the cause led us to fail to ask the tough questions? Where is the money going? How is it being spent? What exactly is being researched?
See this film. It may give you something to think about before you sign up for that next run...
www.worstshowontheweb.com
Does the cheerful image built around breast cancer really help ill women, or does it hide the harsh truth? We still don't know what causes it, treatments haven't changed in 50 years, and survival rates are the same. Where's the donated money going? How's it used? Before you join the next charity run, think about it. Donations often end up in basic science and flawed research models that don't help people. Big institutions, inclluding the health care industry, benefit, and those in it make a living from the funds. The main focus here seems more on cashing in for personal gain. The prevailing notion that a complex problem can be solved by simply pouring money into it is a quintessentially American capitalist mindset, albeit fundamentally flawed.
Lo sapevi?
- ConnessioniFeatured in Gruen Planet: Breast Cancer Month (2011)
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- Budget
- 1.200.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 26.608 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2721 USD
- 3 giu 2012
- Lordo in tutto il mondo
- 26.608 USD
- Tempo di esecuzione1 ora 37 minuti
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