VALUTAZIONE IMDb
6,5/10
31.045
LA TUA VALUTAZIONE
Chris vuole mostrare il suo mondo alla sua ragazza, Tina. Ma subito gli eventi cospirano contro la coppia e la loro vacanza da sogno in roulotte prende una piega molto sbagliata.Chris vuole mostrare il suo mondo alla sua ragazza, Tina. Ma subito gli eventi cospirano contro la coppia e la loro vacanza da sogno in roulotte prende una piega molto sbagliata.Chris vuole mostrare il suo mondo alla sua ragazza, Tina. Ma subito gli eventi cospirano contro la coppia e la loro vacanza da sogno in roulotte prende una piega molto sbagliata.
- Premi
- 11 vittorie e 18 candidature totali
Recensioni in evidenza
When you think of all the millions of dollars invested into epic Hollywood blockbusters, then they turn out to be complete turkeys, you'll be heartened to know that there are still brilliant films being made on a fraction of the budget.
If Lord of the Rings was basically an advert for New Zealand's magnificent landscape, then Sightseers does the same job for the north of England. It's about your 'average' couple as they take their first holiday together, i.e. a romantic caravaning tour of the countryside. However, things soon start taking a turn for the worse and the dead bodies soon start piling up.
I won't go into too much detail about the plot. Some films are better that you know as little as possible about them. All you really need to know about Sightseers is that it comprises of the blackest of comedy around. The humour and tone is very dark indeed. If you think you can laugh at some characters with real human frailties, as they come to terms with each other and how they see life, then you should enjoy this.
It really is a true gem. Sadly Sightseers will never attain the dizzy heights of Hollywood's output, but it really deserves its place as a great British film.
If Lord of the Rings was basically an advert for New Zealand's magnificent landscape, then Sightseers does the same job for the north of England. It's about your 'average' couple as they take their first holiday together, i.e. a romantic caravaning tour of the countryside. However, things soon start taking a turn for the worse and the dead bodies soon start piling up.
I won't go into too much detail about the plot. Some films are better that you know as little as possible about them. All you really need to know about Sightseers is that it comprises of the blackest of comedy around. The humour and tone is very dark indeed. If you think you can laugh at some characters with real human frailties, as they come to terms with each other and how they see life, then you should enjoy this.
It really is a true gem. Sadly Sightseers will never attain the dizzy heights of Hollywood's output, but it really deserves its place as a great British film.
Tina and Chris on the road. Caravan behind being towed. Incident on a tram. An unfortunate ram. Due to litter incongruously stowed
Tina and Chris on the road. Caravan in front being towed. An unfortunate fall. Calamitous sprawl. The price for being rather high browed
Tina and Chris at the pub. Quiet drink and a spot of pub grub. Over she goes. A splash as she throws. All because of the smallest of snubs.
Tina and Chris on a ramble. A pleasant countryside amble. Ends with a bludgeon. Hefty wooden truncheon. Locking horns with the pair is a gamble.
Tina upfront, Chris in bed. A cyclist appears up ahead. After brakes are applied. There's a body to hide. Road rage satisfied and duly fed.
Tina and Chris sit with Martin. He's unconventional and quite spartan. He'll soon meet his god. In his coffin like pod. But Chris will be irked and disheartened.
Tina and Chris viaduct. Preparing to be jointly plucked. A hell of a ride. The pair side by side. An outstanding black comical construct.
Tina and Chris on the road. Caravan in front being towed. An unfortunate fall. Calamitous sprawl. The price for being rather high browed
Tina and Chris at the pub. Quiet drink and a spot of pub grub. Over she goes. A splash as she throws. All because of the smallest of snubs.
Tina and Chris on a ramble. A pleasant countryside amble. Ends with a bludgeon. Hefty wooden truncheon. Locking horns with the pair is a gamble.
Tina upfront, Chris in bed. A cyclist appears up ahead. After brakes are applied. There's a body to hide. Road rage satisfied and duly fed.
Tina and Chris sit with Martin. He's unconventional and quite spartan. He'll soon meet his god. In his coffin like pod. But Chris will be irked and disheartened.
Tina and Chris viaduct. Preparing to be jointly plucked. A hell of a ride. The pair side by side. An outstanding black comical construct.
I was glad that booking this hilarious black comedy at the Melbourne International Film Festival was so worth it.
The story is centered around an odd couple; Chris (Steve Oram); who takes his girlfriend Tina (Alice Lowe) around the British towns of rural England for inspiration for a book he's writing, However their circumstances take unusual turns until things go horribly wrong.
I may of heard about director Ben Weatley's earlier films' but haven't caught up yet. This film however show he's a skilled filmmaker able to bring a promising film like this to viewers of adult comedy.
Sightseers is woefully original, full of witty dialouge, charming characters and some of the best British Black Humour I have seen in a long time if not ever. There's so many laugh out loud moments I just really feel that this film should be given a limited release in Australia. Its was such a great surprise, by far my favourite film of the Melbourne Intrnational Film Festival.
I do highly recommend this gem of recent British cinema.
4/5
The story is centered around an odd couple; Chris (Steve Oram); who takes his girlfriend Tina (Alice Lowe) around the British towns of rural England for inspiration for a book he's writing, However their circumstances take unusual turns until things go horribly wrong.
I may of heard about director Ben Weatley's earlier films' but haven't caught up yet. This film however show he's a skilled filmmaker able to bring a promising film like this to viewers of adult comedy.
Sightseers is woefully original, full of witty dialouge, charming characters and some of the best British Black Humour I have seen in a long time if not ever. There's so many laugh out loud moments I just really feel that this film should be given a limited release in Australia. Its was such a great surprise, by far my favourite film of the Melbourne Intrnational Film Festival.
I do highly recommend this gem of recent British cinema.
4/5
Ben Wheatley provides one of the year's darkest and funniest comedies in this tale of true love, caravans and dead bodies.
Ever since her terrier Poppy died in a bizarre knitting accident, Tina (Darkplace's Alice Lowe) has lived a sheltered life with her mother. New boyfriend Chris (Steve Oram) decides to show her his world and takes her on a self-proclaimed "erotic odyssey" in his caravan to such wonders as the Crich Tramway Museum, Ribblehead Viaduct and, of course, Keswick Pencil Museum. But with litterbug, National Trust snobs and feral youths running rampant, Tina and Chris inadvertently leave a trail of dead bodies in their wake, as their holiday continues to spiral out of control.
Steve Oram heads up the fantastic cast as the muted, yet brutal, Chris, complementing Alice Lowe's awkward, yet creepy, Tina perfectly. However, the real star is the special effects, which provide some of the most realistic and memorable on screen deaths of the year. The unsettling, albeit hilarious, performances of the two leads is mirrored in the soundtrack, a mix of cheery '80s pop songs and a haunting minimalist score.
Shot in the beautiful Lake District, director Ben Wheatley uses lingering shots and slow-mo in an innovative way, making his comedy edgy whilst poignant. No doubt, this is a very British black comedy. Wheatley shows directorial flair, but reigns it in from his previous work Kill List, leading to a much tighter film, with a concentration on the biting wit of the script.
Sightseers, overall, plays out like a cross between Bonnie & Clyde and In Bruges, leading to a perfect pitch-black comedy that's not for the faint hearted.
Ever since her terrier Poppy died in a bizarre knitting accident, Tina (Darkplace's Alice Lowe) has lived a sheltered life with her mother. New boyfriend Chris (Steve Oram) decides to show her his world and takes her on a self-proclaimed "erotic odyssey" in his caravan to such wonders as the Crich Tramway Museum, Ribblehead Viaduct and, of course, Keswick Pencil Museum. But with litterbug, National Trust snobs and feral youths running rampant, Tina and Chris inadvertently leave a trail of dead bodies in their wake, as their holiday continues to spiral out of control.
Steve Oram heads up the fantastic cast as the muted, yet brutal, Chris, complementing Alice Lowe's awkward, yet creepy, Tina perfectly. However, the real star is the special effects, which provide some of the most realistic and memorable on screen deaths of the year. The unsettling, albeit hilarious, performances of the two leads is mirrored in the soundtrack, a mix of cheery '80s pop songs and a haunting minimalist score.
Shot in the beautiful Lake District, director Ben Wheatley uses lingering shots and slow-mo in an innovative way, making his comedy edgy whilst poignant. No doubt, this is a very British black comedy. Wheatley shows directorial flair, but reigns it in from his previous work Kill List, leading to a much tighter film, with a concentration on the biting wit of the script.
Sightseers, overall, plays out like a cross between Bonnie & Clyde and In Bruges, leading to a perfect pitch-black comedy that's not for the faint hearted.
What happens when 2 un-complimentary psychopaths go on a holiday caravan adventure together? A whole lot of murder, apparently.
What starts off as an innocent vacation between two social outcasts- Chris & Tina- quickly takes a darker turn when it becomes clear that Chris is not only a manipulative psychopath, but someone who will resort to murder over the most petty of concerns.
Basically he'll murder anyone who annoys him. But he's gotten quite good at covering up his work and throwing the dogs off his scent.
After witnessing one of these outbursts first hand, Tina comes around and begins to embrace the ethos of her beloved. And once she pops her murder cherry, she starts to realize that she can use random violence and murder to manipulate others- particularly Chris- with the best of 'em, if not better.
This drives Chris mad. He thinks she's too chaotic- a liability even. She murders randomly, without the structured justification on which he bases his code. Though, really, she just murders anyone who crosses her, or whoever might arbitrarily be in the vicinity when she gets upset.
Like she did before him, though, Chris eventually comes around to accept Tina's new-found tendencies toward murder.
But it becomes ultimately clear that Tina has taken the upper hand when she discovers Chris' deepest, darkest fantasies- inevitably leading to the conclusion of the film.
Sightseers is another brilliant black comedy-horror concoction from the twisted mind of Ben Wheatley- who is proving himself to be one of the most exciting new director's out there (especially after his $30,000 masterpiece- A Field In England). This film is much in the same vein of his previous two features: Down Terrace and Kill List- though each are original in their own ways. There are some interesting sequences which reference satanism and dark shamans, that will have you pondering on the symbolic meaning. And I do believe I detected some Vertigo influences spun in there. When all is said and done, Sightseers is a darkly hilarious film that is definitely worth a watch.
6 out of 10.
What starts off as an innocent vacation between two social outcasts- Chris & Tina- quickly takes a darker turn when it becomes clear that Chris is not only a manipulative psychopath, but someone who will resort to murder over the most petty of concerns.
Basically he'll murder anyone who annoys him. But he's gotten quite good at covering up his work and throwing the dogs off his scent.
After witnessing one of these outbursts first hand, Tina comes around and begins to embrace the ethos of her beloved. And once she pops her murder cherry, she starts to realize that she can use random violence and murder to manipulate others- particularly Chris- with the best of 'em, if not better.
This drives Chris mad. He thinks she's too chaotic- a liability even. She murders randomly, without the structured justification on which he bases his code. Though, really, she just murders anyone who crosses her, or whoever might arbitrarily be in the vicinity when she gets upset.
Like she did before him, though, Chris eventually comes around to accept Tina's new-found tendencies toward murder.
But it becomes ultimately clear that Tina has taken the upper hand when she discovers Chris' deepest, darkest fantasies- inevitably leading to the conclusion of the film.
Sightseers is another brilliant black comedy-horror concoction from the twisted mind of Ben Wheatley- who is proving himself to be one of the most exciting new director's out there (especially after his $30,000 masterpiece- A Field In England). This film is much in the same vein of his previous two features: Down Terrace and Kill List- though each are original in their own ways. There are some interesting sequences which reference satanism and dark shamans, that will have you pondering on the symbolic meaning. And I do believe I detected some Vertigo influences spun in there. When all is said and done, Sightseers is a darkly hilarious film that is definitely worth a watch.
6 out of 10.
Lo sapevi?
- QuizTony Way (Crich Tourist) is seen eating a Cornetto. This movie was Executively Produced by Edgar Wright, who directed Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), a.k.a. "the Cornetto trilogy".
- BlooperEarly in the film, when Tina's hair is being brushed by her mother, there is a cut to Tina with her mother visible behind her. Although we can hear her talking, her mouth is shut. Out of sync audio/visuals are a trademark of director Ben Wheatley's editing style (see also: Kill List)
- ConnessioniFeatured in Sean Bradley Reviews: Free Fire (2017)
- Colonne sonoreTainted Love / Where Did Our Love Go?
Written by Ed Cobb / Brian Holland (as B. Holland), Lamont Dozier and Eddie Holland
Performed by Soft Cell
Courtesy of Mercury Records (London), Under licence from Universal Music Operations Ltd
Published by Burlington Music Company Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Sightseers
- Luoghi delle riprese
- National Tramway Museum, Crich, Derbyshire, Inghilterra, Regno Unito(The litter-bug scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.300.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 61.782 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7384 USD
- 12 mag 2013
- Lordo in tutto il mondo
- 2.122.909 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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