Emilia Pérez

Emilia Pérez has sparked significant controversy, and for good reason. From the outset, the lack of Mexican representation like a glaring oversight. The French director's admission that he didn't feel the need to research Mexico, paired with the casting director's claim that no talented Mexican actors could be found, only adds insult to injury. These choices reflect a tone-deaf and dismissive approach to authenticity.

What's even more baffling is how Emilia Pérez managed to garner so many Oscar nominations. While the Academy has a history of nominating films with problematic undertones (The Help, Green Book), those at least offered stories that entertained broad audiences. Emilia Pérez, however, doesn't even accomplish that. The story is dull and lifeless, so much so that out of three of us who watched it, two fell asleep, and the third decided to switch to another movie.

To make matters worse, Emilia Pérez is a musical - but not in a good way. The songs are forgettable at best and cringe-worthy at worst, and most of the cast can barely sing. The musical numbers, which should have been a highlight, drag the movie down even further.

That said, there are a couple of redeeming elements. Zoe Saldaña and Karla Sofía Gascón deliver strong performances and truly don't deserve the backlash tied to the film's broader issues. Their nominations are the only ones that feel genuinely earned. Unfortunately, the rest of the film is a mess.

Overall, Emilia Pérez is an underwhelming, uninspired production that fails to justify the attention it's received.

I had high hopes for Emilia Pérez, but unfortunately, it fell far short of expectations. The premise had potential, blending drama, comedy, and crime in a unique way, but the execution was lackluster.

The pacing of the film felt inconsistent, with drawn-out scenes that added little to the story and abrupt transitions that made it hard to stay engaged. The characters lacked depth, leaving their motivations unclear and making it difficult to connect with them. Even the comedic elements felt forced and out of place, failing to land in most instances.

Visually, while there were some striking moments, the cinematography and set design often felt uninspired and repetitive. The soundtrack, which could have been a strong point, didn't complement the tone of the film and seemed disconnected from the narrative.

Perhaps the most disappointing aspect was the story itself. What promised to be a compelling and daring plot ended up being predictable and riddled with clichés. It seemed to rely heavily on surface-level gimmicks rather than delivering meaningful substance or emotional impact.

I will start out by saying I am not a fan of operas. However this film was not what I had expected. The main characters were mostly unlikable. The plot was rather ridiculous. Certain actors were very miscast. Selena Gomez needed Spanish lessons. I am sure that anyone who lives in Mexico will hate this movie. The director isn't Mexican. I saw all the awards at the Golden Globes and that is the ony reason I decided to watch it. If you like any of the actors, you may want to give it a try. However I would have to say watch at your own risk. It is one of the worst films I have seen in the recent past.

As a Spanish native speaker i found this movie disrespectful and childish. The spanish speakers characters can barely pronounce two words, turning the whole script into an uncomfortable caricature. Although disguised as a modern production, they fall into the same errors of typecast Latinos into same old stereotypes. The only valuable thing is the attempt to offer something different by mixing a Spanish language film with a musical, however its execution becomes irritating to watch. I'm sure any positive reviews must come from someone totally unfamiliar with the Spanish language, as this is a determining factor in making this film totally inedible and a endless meme material.

Sorry, I've got to say it. EMILIA PEREZ IS NOT A GOOD MOVIE. It's not a Razzie film by any stretch, but it's practically incoherent narrative flow, at times excruciating dialog and lack of internal logic leave it as a mediocre straight-to Netflix commoner in the movie space. I'll give you an example of its bad script, in the movie the characther says "Bienvenido" which means Welcome, but in the context of the conversation she means to say "Your Welcome", "De nada" in Spanish. It seems they did the writing in French and use google for translation. Yes, it covers some important themes and issues, but that doesn't make your movie good. You still have to build a fundamentally good film around the issues or it's just noise. And that's Emilia Perez... just noise.