Magpie

Not everything (technically) adds up in this taut 90-minute infidelity thriller, but I'm really liking the dramatic roles that Daisy Ridley has been taking up recently. This is written by her spouse Tom Bateman, and plays out much like any married-relationship-turned-bitter thriller even though its setup looks fairly unique. But I have questions (burning ones, in fact). Asking them would resort to giving away spoilers, so I'll refrain. Sam Yates gives it the neo-noir treatment, simultaneously taking advantage of Ridley's strong points.

The final twist looks satisfying on paper (and momentarily on screen too), though the feasibility of it is somewhat questionable. The male lead also comes across as a permanently rude and uncaring "human", let alone a partner or a parent. Since the film wants to get to the point quickly, there's a definite lack of texture to everyone except for Ridley's character-the actor once again aces her role. Nonetheless, Magpie is one of those films that offers instant gratification, even if you may forget it soonafter.

This film centres on married couple Annette (Daisy Ridley) and Ben (Shazad Latif), whose daughter Matilda (Hiba Ahmed) is cast alongside a glamorous movie star, Alicia Romano (Matilda Lutz). As the days go by Annette's suspicions are raised about the relationship between Ben and Alicia, and as Ben's relationship with with Alicia becomes deeper and deeper, Annette can't follow what is happening as Ben has begun locking his phone. But perhaps Annette is more devious than Ben realises... This is a really nicely done thriller. I'm not a great fan of Ridley, but she plays the sidelined wife really well and I truly felt her pain as her husband's relationship with the actress developed. There was something slightly off right from the start, but of all the things it could have been, I never once suspected what it really was. It's not until the end scenes that we get the full picture but no spoilers here, I want you to enjoy the ride!

The music was odd at times, the score was very rasping and didn't always fit the scene. There were some mildly silly plot points but nothing to spoil the film at all. I was saddened by yet another DEI casting. It seems like we must have an interracial relationship in every film we see these days, a far greater proportion than exists in real life, which means I can't always relate well to the cast. However Latif puts in a good performance and I always felt there was a brooding menace from him, which helped the tension throughout. All in all it's not a groundbreaking film but it's certainly a worthwhile thriller that everyone will enjoy, not just misandrists. I rated it a healthy 6.

By far the best aspect of taut little British psychological drama "Magpie" is its cracking lead performance from Daisy Ridley as a doormat wife trampled on by narcissist hubbie Shazad Latif as she edges towards insanity in their beautiful yet remote country home. Things come to a head when young daughter Hiba Ahmed is cast in a film shooting nearby, where Latif gets drawn to captivating lead actress Matilda Lutz (rising star)... but how will Ridley react? Sam Yates' direction's fine, Tom Bateman's debut screenplay's neat enough (albeit with holes), and the support cast's solid - but the big fish here is unquestionably Ridley. A terrific actress, so strong again.

I just finished watching this and it kept my interest. You sort of new there was a build up in this movie but the writers kept it hidden pretty good. Since you were always waiting for the climax this thriller did its job pretty good. It does play to certain stereotypes of husbands and wife's. It is a bit unusual to see a movie breaking out of the liberal movement of 2024.

This is a great couples movie and it does not disappoint. Definitely a conversation starter after watching this. Which the junkyard of movies coming out of Hollywood this one is brave enough to go out into left field. Put this movie near the top of your list.

Living in a sumptuous modern country house, successful but blocked Anglo-Pakistani author Ben is stuck in a dour marriage to Annette. This state of affairs is telegraphed from the outset, with much of the marital discontent Ben's own fault. He is clearly bored by his unhappy spouse, while Annette is suppressing anger over Ben's condescending attitude and lack of support after she gave up her career to raise their two children. The eldest is 6YO Mathilda, who has been cast in a film as the daughter of its principal character. As Ben escorts Matilda to the set each day, he becomes attracted to lead actress Alicia, and Annette soon becomes suspicious.

Deeper discord becomes apparent as jealousy grows, leaving one wondering why the couple doesn't just call time on their dismal union. Meanwhile the narrative settles into a creative rut with all three main characters depicted as deceitful, manipulative and fairly unlikable. The story trots along an unexceptional path until it arrives at the surprise twist and melodramatic climax which is obligatory for this movie genre. The project may well be commercially successful, but thirty seconds of reflection after the end titles will have many shaking their heads at the characters' shallowness and the plot's implausibility. The acting is decent, but the screenplay's deficiencies leave one yearning for the richness of a classic like 'Body Heat' which enabled Kathleen Turner to transform deceit and manipulation into an art form.