Mood Indigo - La schiuma dei giorni

To me, this movie does what movies are for: activate the imagination. In this case, touching a theme not as alien as one might wish it to be in a fantastic setting. The 'fantastic' way in which people and institutions appear is far from random; it feels to me like a hyperdream of familiar entities and sensations, their logical extreme. Rich, vivid imagination which enters your brain and puts hooks in it. Loved the book and Gondry made it even more alive for me. Quite a feat. If you do like the movie, please check out the book (and also other titles by Vian). Don't want to generalize too much but if you like movies by Terry Gilliams you will probably like this a lot, too. Rats, writing reviews is hard and I'm not very good at it; but i so disagree with the IMDb-grade for this film (currently 5.8) and the general reviews I've read so far that I had to create an account just to weigh in. So please go see this film and find out for yourself!

Did I mention already that it is beautifully made, and at times very funny?

Usually, I do not care about how a book is adapted, as long as the movie is good on its own. In that case it was completely different; I am a huge, massive Boris Vian fan, and I never thought his style (for example the way he took metaphors literally) could be set upon a screen.

That is to say, until I've heard that Gondry was directing L'écume des Jours. Sometimes, those things just make sense; Gondry is the only one who could have transformed Boris Vian into something visual, and that is exactly what he did, and with no CGI, only old fashioned tricks. The DIY way ladies and gentlemen, that's what it is all about.

Maybe many will dislike this movie. Others, like me, will love it passionately, for its effusiveness, for its communicative joy, for its unrelenting sadness. But at least, people will feel what Boris Vian is all about. And I mean especially for the English speaking countries, where Boris Vian is really not well known and most of the time poorly translated: by transcribing his style to a visual dimension, Gondry made it universal.

It's been a long time since I've been acquainted with Michel Gondry. Eternal Sunshine of the Spotless Mind and The Science of Sleep are two of my all-time favourite films. Be Kind Rewind was an unfortunate misfire but I already warmly welcome his style. However, I've never seen him quite so unrestrained like this. Mood Indigo is a truly fantasy world. No dream, no drugs, and nothing is how you'd expect. Not even dancing, not even a handshake. To say the world of Mood Indigo is surreal and absurd is an understatement and no words can quite grasp the chaos on screen. It's like an R-rated Dr. Seuss. Like Gilliam's Brazil. But, it's an absolute delight. Things may not make sense at any point, but it's not about symbolism, it's about expressionism. The characters are deeply human, and that's what counts. All these inventions, twists, obscurities all about emotion. And Mood Indigo constantly had me bellying with laughter or sinking an anchor in my stomach when tragedy strikes even when I wasn't sure what was happening.

That's the spirit of filmmaking really, to feel how the characters are feeling, and this film achieves it admirably. But at times it is so dense that its hard to keep up. The special effects and production design are wonderful, but the way it's shot in HD does sometimes nullify its effects and brings us back to reality in a way it doesn't want (I would've preferred Gondry to not have his cameo). Sometimes the cast can't even keep up with it. I really wasn't sure about the cast at first. They're familiar faces, but they didn't seem to suit the tone, plus they felt too old. However, with the film's dark twist in the second half, so dark the film turns black and white, it did become apparent that these cast members fit this melancholic side of the world. I wish it wasn't so bloated in characters and was more restrained like The Science of Sleep. The great soundtrack definitely adds to its rich atmosphere too. I do hope this film will stick with me like his two best films. It may be manic, but it's thoroughly charming. Not Gondry's best but his best in a long while.

8/10

When I decided to go see that movie, I was really scared. Scared that, somehow, this movie might be bad, whereas the book of Boris Vian is one of my favorite. But when I got out, I was really amazed. I felt almost depressed, exactly the same way when I finished reading the book. For the whole night long, I couldn't keep my mind of the movie, and I was barely able to sleep.

Gondry actually made me open my eyes about some things, that I couldn't imagine or figure out. But when I think about it, it just make sense. Like the fact that Alise is black woman. I don't know why, I've always imagined her as a white and blonde woman. But it's only natural that she is in fact black.

I can understand the fact that some people would not like the movie, being very weird, and being in it's own universe. But I really think this movie deserves a way better grade. Maybe one of the greatest adaptations that I have seen, yet. I gladly recommend to see this movie.

I went in to the theater without checking out the reviews beforehand, completely open-minded. I was drawn in by the word "surrealist" in the description, and curious to see whether the movie was going to compare with the early day movies like the 1902 A Trip to the Moon. This was when the totally new possibilities of film were being enthusiastically embraced, and for those long-gone creators the sky was the limit. I wasn't disappointed. It is fabulous how the director has created the most absurd situations and effects, giving the viewer the feeling of bouncing from one surrealist painting into another. It looks like a movie which must have been incredibly time-consuming to bring together, and in my mind Michel Gondry has totally succeeded. Bravo also to Marie-Charlotte Moreau, for her wonderful editing to bring about this beautiful result.