Tin Soldier
- 2025
- 1h 26min
Il Bokushi offre un programma per veterani di combattimento statunitensi che cercano il loro scopo. Ora il governo è preoccupato per la rapida ascesa di questi Shinja ben armati, altamente a... Leggi tuttoIl Bokushi offre un programma per veterani di combattimento statunitensi che cercano il loro scopo. Ora il governo è preoccupato per la rapida ascesa di questi Shinja ben armati, altamente addestrati ed eternamente devoti.Il Bokushi offre un programma per veterani di combattimento statunitensi che cercano il loro scopo. Ora il governo è preoccupato per la rapida ascesa di questi Shinja ben armati, altamente addestrati ed eternamente devoti.
- Regia
- Sceneggiatura
- Star
- Catherine Monk
- (as Angeliquie Fernandez)
- Shinja Mother
- (as Jessica L. Fuerst)
Recensioni in evidenza
Instead of going full action schlock, Tin Soldier tries to get deep and psychological, which is bold for a movie with such poor editing. Because the emphasis is on the story and on the human angle rather than on schlocky action, my standards for the writing and acting were lifted. Unfortunately, it's here that the film really fails to deliver. The body count is low, the trauma is high, and Jamie Foxx plays a cult leader so unconvincing you'd wonder how he even got people to follow him on TikTok, let alone into armed rebellion. Foxx is loud and aggressive, but he's not seductive or persuasive the way he would need to be as a cult leader.
There are some cool visuals-Eastwood's inner torment gets the psychedelic treatment-but the writing stumbles hard. The movie wants to be about healing and identity, but forgot to make any of that feel earned. Foxx yells vague anti-government stuff, Eastwood broods, and at no point do you believe these two were ever in the same cult.
The film could have worked if we saw Eastwood grappling with his allegiance to the cult, and if a proper parallel had been made between letting go of the rage and anger resulting from his trauma and symbolically represented by Foxx and the cult. Instead, Eastwood is in opposition to the cult from the film's start, and we never really see him being swayed by anything Foxx says or conflicted about what to do. The ending feels completely unearned.
Shoutout to the final showdown, where the movie ditches reality altogether and swan-dives into Mad Max cosplay. Foxx rallies his cloak-wearing cult at a dam that looks like a Bond villain's Airbnb, and suddenly we're in Thunderdome territory! Eastwood and Foxx brawl in a literal arena, surrounded by fireballs and chanting dudes like it's post-apocalyptic Fight Club. Oh, and Eastwood planted a bomb with a big ol' timer. I probably would have enjoyed the whole film more if it had maintained this level of insanity throughout. Sigh!
In the end, it's too serious to be fun, and too sloppy to be serious. If you're looking for meaningful drama or mindless action, you'll come away disappointed.
It was really uninspiring and it was even hard to watch in a single sitting. I failed and watching the last part was really a waste of time.l too.
The acting wasn't great and it didn't seem like it was directed well.
I don't particularly have anything good to say about it. I definitely wouldn't recommend watching it. I'd like to give them credit and hope they just ran out of budget, but with this one, it's hard to know for sure.
Really low quality stuff. It was on Amazon, so no real surprises, as their quality is often very average.
Movie needs help, what a mess. Budget probably went to Jamie Foxx's interview scene, 10min worth of work for 1mill.
How are these projects green lit. Lots of CGI, unfortunately not as much in script.
Movie feels like a chose your own adventure of slop.
Flashback scenes give the viewer the urge to flash themselves for greater entertainment, regardless of pro/con of self-flash.
Please use your time by donating energy to help the world and not on this mess of a movie. Pete Sampras would do better as a writer and/or director.
It's possible that viewers might wonder if the financiers were seeking to exchange money of a certain type for money of another variety. I wouldn't want to conjecture about that.
It's not just the spend on the leads either, it doesn't look cheap for the most part. And there's some kind of ham-fisted attempt to deliver a message too. It's not for me to be offended by the take on combat PTSD that's being put before us here, although I can imagine others would be.
It really is awful though.
Lo sapevi?
- QuizChristian George (FBI Special Agent Yates) suffered a severe leg injury just prior to filming his scenes. The writers modified the script to incorporate his injury and then allowed the cast to ad lib lines.
- Citazioni
Nash Cavanaugh: Some days... I don't know how I keep going. My mind is filled with things that... I don't want to remember. Trauma feeds on you like a disease. And then... even if it's just for a moment... life is unbearable. But this wasn't me not letting go of my past. This was my past not letting go of me.
- Colonne sonoreWait in the Back of the Line
Written by Citizen Cope (as Clarence Greenwood) and Chris Hajian (as Christopher E. Hajian)
Published by CAS Film/Reservoir Media
Performed by Chris Hajian
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Dettagli
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo in tutto il mondo
- 42.291 USD
- Tempo di esecuzione
- 1h 26min(86 min)
- Colore