VALUTAZIONE IMDb
6,8/10
3352
LA TUA VALUTAZIONE
Su-a perde la vista e il fratello in un incidente d'auto. Un poliziotto che lavora con lei le insegnerà che gli altri 4 sensi "vedono".Su-a perde la vista e il fratello in un incidente d'auto. Un poliziotto che lavora con lei le insegnerà che gli altri 4 sensi "vedono".Su-a perde la vista e il fratello in un incidente d'auto. Un poliziotto che lavora con lei le insegnerà che gli altri 4 sensi "vedono".
- Premi
- 3 vittorie e 8 candidature totali
Recensioni in evidenza
After a tragic accident, soon to be police officer Min Soo-Ah (Kim Ha-Neul) loses not only the opportunity to work in law enforcement, but her eyesight as well. Potentially most well known for her role in My Girlfriend is an Agent, Ms. Ha-Neul is absolutely outstanding in her role. Ten minutes into the film, the audience cannot help but feel immense sympathy for the struggles she is forced to endure on a daily basis.
Her character doesn't just look real, but equally feels real too, Ms. Ha-Neul ceasing to be herself, becoming totally immersed in the role. There wasn't a single moment in the film where I didn't believe she was visually impaired.
Moreover, the film excels at showcasing the stigma she is forced to suffer from those she meets, the film ensuring that viewers are not blind to the abusive opinions of disrespectful individuals who see those afflicted with a disability not as human beings, but as hindrances to society.
The feature does not attempt to empower the blind, instead, through Soo-Ah, revealing them to be regular people, attempting to live a normal life. We witness the existence Soo-Ah has been forced to adopt because of her condition; how she is treated by her nearest family; and the affection she has for her loyal canine companion Seul-Gi.
For Soo-Ah however, this desire to live normally becomes even more complicated when she is witness to a hit and run, a case that is linked to a missing person the police are desperate to find.
Jo Hee-Bong portrays Detective Jo, an officer who has no interest in investigating a case where the only witness is visually impaired. When a reward is posted for a witness, who actually saw the hit and run, to make themselves available for questioning, Kwon Ki-Sub (Yoo Seung-Ho), comes forward, contradicting everything that Soo-Ah admitted to hearing, which calls her statement into questioning. Can the statement of a blind witness efficaciously lead to the apprehension of a murderer?
Although Soo-Ah and the Detective originally appear awkward on screen, the chemistry between them as the Detective investigates her side of the story draws the viewer further into the story. Although initially unsure of her capabilities, the Detective comes to admire Soo-Ah's strength, the working relationship between these characters being as well executed as it is engaging.
Despite originally appearing as a rather unlikable character, even Ki-Sub proves to be an individual the audience can invest their respect in. Although his character and the Detective's are well portrayed, alongside having considerable screen time, they each have a limited back-story. Although we can presume to know their history from the limited information we receive, it is seldom enough to satisfy our appetite to explore two of the lead characters in the plot.
Furthermore, greater depth could have being provided to the antagonist. The audience are never granted sufficient information regarding the motivations behind why he kidnaps and murders women, nor do we discover what he acquires from these horrific crimes. Is it satisfaction, power, the Godlike ability to dictate who lives, or is there something else in play?
As the investigation begins to draw closer to finding a suspect, the villain behind it all realizes he is been pursued, putting the lives of those who witnessed the hit and run in jeopardy. The tension exhibited during the cat and mouse style sequences that occupy this feature is terrific, and one particular chase scene, which is beyond expectational, is sure to leave audiences riveted.
The score assists in accentuating even the most suspenseful moments, and the emotional depth provided by not only the script, but the actors themselves, alongside the beautiful conclusion, makes Blind one of those rare films that will keep audiences continuously enthralled.
Although every year sees the manufacture of additional films in this genre, Blind is one sophisticated thriller that no one should consider missing.
Her character doesn't just look real, but equally feels real too, Ms. Ha-Neul ceasing to be herself, becoming totally immersed in the role. There wasn't a single moment in the film where I didn't believe she was visually impaired.
Moreover, the film excels at showcasing the stigma she is forced to suffer from those she meets, the film ensuring that viewers are not blind to the abusive opinions of disrespectful individuals who see those afflicted with a disability not as human beings, but as hindrances to society.
The feature does not attempt to empower the blind, instead, through Soo-Ah, revealing them to be regular people, attempting to live a normal life. We witness the existence Soo-Ah has been forced to adopt because of her condition; how she is treated by her nearest family; and the affection she has for her loyal canine companion Seul-Gi.
For Soo-Ah however, this desire to live normally becomes even more complicated when she is witness to a hit and run, a case that is linked to a missing person the police are desperate to find.
Jo Hee-Bong portrays Detective Jo, an officer who has no interest in investigating a case where the only witness is visually impaired. When a reward is posted for a witness, who actually saw the hit and run, to make themselves available for questioning, Kwon Ki-Sub (Yoo Seung-Ho), comes forward, contradicting everything that Soo-Ah admitted to hearing, which calls her statement into questioning. Can the statement of a blind witness efficaciously lead to the apprehension of a murderer?
Although Soo-Ah and the Detective originally appear awkward on screen, the chemistry between them as the Detective investigates her side of the story draws the viewer further into the story. Although initially unsure of her capabilities, the Detective comes to admire Soo-Ah's strength, the working relationship between these characters being as well executed as it is engaging.
Despite originally appearing as a rather unlikable character, even Ki-Sub proves to be an individual the audience can invest their respect in. Although his character and the Detective's are well portrayed, alongside having considerable screen time, they each have a limited back-story. Although we can presume to know their history from the limited information we receive, it is seldom enough to satisfy our appetite to explore two of the lead characters in the plot.
Furthermore, greater depth could have being provided to the antagonist. The audience are never granted sufficient information regarding the motivations behind why he kidnaps and murders women, nor do we discover what he acquires from these horrific crimes. Is it satisfaction, power, the Godlike ability to dictate who lives, or is there something else in play?
As the investigation begins to draw closer to finding a suspect, the villain behind it all realizes he is been pursued, putting the lives of those who witnessed the hit and run in jeopardy. The tension exhibited during the cat and mouse style sequences that occupy this feature is terrific, and one particular chase scene, which is beyond expectational, is sure to leave audiences riveted.
The score assists in accentuating even the most suspenseful moments, and the emotional depth provided by not only the script, but the actors themselves, alongside the beautiful conclusion, makes Blind one of those rare films that will keep audiences continuously enthralled.
Although every year sees the manufacture of additional films in this genre, Blind is one sophisticated thriller that no one should consider missing.
I admit the most part of the movie is quite flat without giving us a high level of stimulation. The shooting style is quite different from I saw the Devil or No Mercy which are the classic of gloomy and depression type of Korean thrilling movie.
But the good things are the director ingeniously combined the two contradictory things "witnessing" and "visual impairment" to be the driving force for the development of some interesting plots, which made the story more three-dimensional and intriguing. Some impressed scenes like the use of video call to run through the thrills of the perverted murderer's subway chasing, and the last part how the lead actress confronts with the murder.
Just a minor flaw that the murder can manage to escape being filmed by any CCTV in the subway. Surprise me!
But the good things are the director ingeniously combined the two contradictory things "witnessing" and "visual impairment" to be the driving force for the development of some interesting plots, which made the story more three-dimensional and intriguing. Some impressed scenes like the use of video call to run through the thrills of the perverted murderer's subway chasing, and the last part how the lead actress confronts with the murder.
Just a minor flaw that the murder can manage to escape being filmed by any CCTV in the subway. Surprise me!
I chose Blind (2011) solely based on the fact that Nayanthara's next upcoming film, Netrikkann, is based on this Korean thriller.
The unique plotline, where a blind ex-cop looks to track down a serial killer based on a chance encounter, is a surefire hook for any movie aficionado.
An adorable and nuanced lead performance from Kim Ha-nuel and moreover, her beloved pet 'Seul'gi' have you instantly rooting for their perilous journey to the truth.
Yoo Seung-ho is wonderfully restrained in his role as a problematic witness while Jo Hee-bong delightfully inserts dollops of dry humour in the tensest of scenes to leave you pleasantly surprised.
It is Yang Yeong-Jo's fearsome villain that truly takes the cake in terms of performances, balancing the outward gentleman persona brilliantly with the psychopath underneath.
Blind is engaging, emotional, suspenseful and cathartic. In a role seemingly tailor-made for her, if Nayanathra and team manage to keep the audience on a knife-edge with the same suspenseful narration, they will have an industry hit on their hands.
Highly recommended.
The unique plotline, where a blind ex-cop looks to track down a serial killer based on a chance encounter, is a surefire hook for any movie aficionado.
An adorable and nuanced lead performance from Kim Ha-nuel and moreover, her beloved pet 'Seul'gi' have you instantly rooting for their perilous journey to the truth.
Yoo Seung-ho is wonderfully restrained in his role as a problematic witness while Jo Hee-bong delightfully inserts dollops of dry humour in the tensest of scenes to leave you pleasantly surprised.
It is Yang Yeong-Jo's fearsome villain that truly takes the cake in terms of performances, balancing the outward gentleman persona brilliantly with the psychopath underneath.
Blind is engaging, emotional, suspenseful and cathartic. In a role seemingly tailor-made for her, if Nayanathra and team manage to keep the audience on a knife-edge with the same suspenseful narration, they will have an industry hit on their hands.
Highly recommended.
A thriller isn't always about twist and turns or originality. Sometimes a thriller can be just as effective even when it is predictable.Blind gives us a main character called Min Soo-ah we feel connected to from the start.Sure the drama in her life so early on can be considered a little too much.The fact that she managed to move on while having become visually impaired is something that should be admired.(I know people who use their handicap as an excuse for everything.Then there are some who refuse to and keep going and trying to fulfill the dreams they have.And those people are inspiring).Yes,she does suffer from guilt.Given the situation that is very understandable and makes her even more likable.Of course it takes some suspension of disbelief when it comes to a blind person as a reliable witness.But the way they explained some things weren't that far fetching.At one point the killer finds out that and it's obvious our main character and another witness are in danger.Which brings us to The killer.He is is pure evil.I personally do like my villains to be unpredictable and be diverse.If it weren't for the fact that in this case it is so very effective.In one scene especially you will cry out and become angry.This emotional connection is what I want in a film especially the dark ones.It is the element that keeps you glued to your seat.So who cares if it is clichéd or not? Blind does what is supposed to do.One to recommend.
The movie was enjoyable, if you like the thriller/serial killer type of films you have to watch it. The main character plays her role as a blind person very well. Also there's a part in the film that is so sad it hurts. You'll know when you see it.
Lo sapevi?
- QuizFirst all out thriller movie starring HaNeul Kim.
- ConnessioniRemade as Wo shi zheng ren (2015)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 15.724.275 USD
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Proporzioni
- 2.35 : 1
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