Alabama Monroe - Una storia d'amore

There are few films which depict raw emotions as powerfully as 'The Broken Circle Breakdown'. Set in Belgium, and somewhat reminiscent of 'Betty Blue', it tells of the love affair between Didier and Elise - a bluegrass musician and a tattoo artist. The story begins with the couple attending to their young daughter's needs in a cancer ward as she battles for her life against the disease. Flashback sequences portray the couple's initial meeting, Elise's incorporation into Didier's band as a vocalist, the mad passion of their early romance and the arrival of daughter Maybelle in their lives.

Back at the hospital seven years later, the child endures the toxic effects of chemotherapy, her health alternately improving and deteriorating, while the parents accompany her on this agonizing roller-coaster ride. Fracture lines appear in the couple's deep bond as atheist Didier rails against a god that could have inflicted such a cruel destiny upon the girl, while Elise struggles to hold onto hope. Somehow their epic odyssey into the deepest regions of pain is neither pessimistic nor depressing, and their story communicates profound insights about the need for love, forgiveness and understanding in extreme circumstances. By contrast, it makes most Hollywood productions look like trite insults to human intelligence. Perhaps they are - and maybe audiences should look elsewhere for authentic artistic expression. This film suggests Belgian cinema might be somewhere to start the search.

I watched this The Broken Circle Breakdown (BCB) immediately after viewing American Hustle AH), which is a Best Picture nominee, and while I enjoyed the latter, what struck me about it, even while I watched the movie, is that it tried too hard. The scenes seemed crafted for Academy voters. This feeling was solidified as I watched BCB, which, on the other hand, is a movie in which the emotions feel real and the acting appears genuine rather than forced.

Avid moviegoers are familiar with the happy-family-torn-apart-by-illness theme, but the marriage of that theme with American bluegrass music in a Belgian setting is novel. I have not seen any of the other Foreign Film contenders, but this one is more than worthy when juxtaposed against AH.

I saw this movie yesterday, and must say that it's the first time that I'm really really impressed by a Belgian movie. If I had to compare it with another movie, I would say Into the Wild. Both movies are about passion, beauty and sadness. Whereas ItW has a lot more focus on beauty and passion (the sadness didn't really reach me), this one also has a lot of beauty (never knew I liked bluegrass music so much) and passion, but the sadness... oh the sadness... Half the movie you will be trying to hold in your tears. So don't expect a big story with plot twists and murder weapons; expect a story about real people, that puts your feet on the ground, and that shows you how little it would take for you yourself to end up like this. Now excuse me while I go and look for some Bill Monroe music...

Powerful depiction of a dissimilar couple who faces softest and hardest moments of life. The little effect that leaves-by everyday when one's heart don't gets what is needed is counted on in the viewers' mind, culminating up to the extreme levels which require a faintest of pokes to fell down.

Everything in this movie is a piece of art. It will make you laugh as well as sob if you're alone. For drama lovers, it's a masterpiece; just pick it if you liked Paris, Texas or The English Patient, Bonnie and Clyde or Wild at Heart..

An Oscar deserving film, cleverly edited, acted and directed.

Yesterday i saw this beautiful movie about life, love and death. After half an hour i had the feeling i was looking to a amazingly well balanced and touching film. Every scene, switches in time, music and countryside setting, the actors, the Flemish language ... it all seems to fit together. All credits for that, because the content is rather heavy: the life of the the two leading persons turns completely upside down when their child becomes very ill. The good thing is that - despite the dramatic events - the film doesn't become sentimental at all. The enormous grief is shown beautiful in small details like a bent hand (in the song if i needed you) or the facial expressions of the main actors. Amazing (and yet, easy to believe) how two people can react so different on a tragic event like losing your child.