VALUTAZIONE IMDb
6,4/10
6352
LA TUA VALUTAZIONE
A Manhattan, il regista Erik lega con l'avvocato Paul dopo un'avventura. Mentre la loro relazione diventa alimentata da alti, bassi e modelli disfunzionali, Erik fatica a superare i propri c... Leggi tuttoA Manhattan, il regista Erik lega con l'avvocato Paul dopo un'avventura. Mentre la loro relazione diventa alimentata da alti, bassi e modelli disfunzionali, Erik fatica a superare i propri confini rimanendo fedele a se stesso.A Manhattan, il regista Erik lega con l'avvocato Paul dopo un'avventura. Mentre la loro relazione diventa alimentata da alti, bassi e modelli disfunzionali, Erik fatica a superare i propri confini rimanendo fedele a se stesso.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 10 candidature totali
Souleymane Sy Savane
- Alassane
- (as Souléymane Sy Savané)
Recensioni in evidenza
In New York City, two young men are in an intense relationship which is made all the more intense as one of them is a drug addict.
The film seems bleak in the beginning (though in a realistic way) with lonely men getting lost in fast sex and hard drugs. The story, thankfully, goes beyond this as it shows some of these same people genuinely wanting to connect with someone.
Some opportunities were missed in that there were no scenes of what goes on inside a rehabilitation clinic. This would have enhanced the story as would some exploration of the co-dependent behaviour of the non-addicted partner. Also, an overly sentimental speech at a Christmas dinner seemed to go too far.
But these are small compared to the film's good points. It is very rich in exposing the ups and downs of a loving relationship that is realistically flawed. The ending (and the twenty minutes preceding the conclusion) were very powerful emotionally. The ending doesn't quite suck the tears out but instead leaves a deeper emotion which is very genuine.
Also, the film gets credit for avoiding bad, old cliches about gay characters.
The film seems bleak in the beginning (though in a realistic way) with lonely men getting lost in fast sex and hard drugs. The story, thankfully, goes beyond this as it shows some of these same people genuinely wanting to connect with someone.
Some opportunities were missed in that there were no scenes of what goes on inside a rehabilitation clinic. This would have enhanced the story as would some exploration of the co-dependent behaviour of the non-addicted partner. Also, an overly sentimental speech at a Christmas dinner seemed to go too far.
But these are small compared to the film's good points. It is very rich in exposing the ups and downs of a loving relationship that is realistically flawed. The ending (and the twenty minutes preceding the conclusion) were very powerful emotionally. The ending doesn't quite suck the tears out but instead leaves a deeper emotion which is very genuine.
Also, the film gets credit for avoiding bad, old cliches about gay characters.
My biggest beef with this movie was that the romance between the two main characters, Erik and Paul, seemed shallow. They only meet each other a couple times before we as an audience are supposed to believe that they are "in love." Even Erik can't seem to really put into words why he's so into Paul when directly questioned. That, and that alone, made it difficult for me to be emotionally invested in the relationship between Erik and Paul, and therefore I didn't really care about any of the subsequent ups and downs that they went through. What the script lacks is the development of the relationship, and without it I am left confused as to why Erik chooses to stay with Paul throughout the story.
Otherwise, the acting was believable and the plot was interesting. I just like to feel emotionally connected to the love story in any romance movie, and I didn't feel it here.
Otherwise, the acting was believable and the plot was interesting. I just like to feel emotionally connected to the love story in any romance movie, and I didn't feel it here.
As a gay man, I like to support films with gay characters and stories when I can. Oftentimes such films sacrifice writing and acting in order to titillate. This film avoided that pitfall and delivered a cohesive, relevant and tasteful product. The characters were gritty and weren't cardboard cut outs. Personally, I found it a lot more relevant than a recent art film I caught called THE MASTER. The central relationship in this film is between gay men but the film manages to touch on failing/toxic relationships in general and offers up some noteworthy and humorous ensemble performances. As difficult as it is to believe, these relationships exist in gay and straight life. It seems to me that the filmmaker decided it was important to hold up a mirror and show us reality and a real relationship gone awry instead of showing us that gays can have just as little sex and/or just as loving relationships as straight folk. We have enough sanitized and safe portrayals of gays on network TV. I found the performances to be interesting and the characters were dynamic. Each had a journey unlike the static characters in the aforementioned, lauded art film. Since this film was most certainly shot quickly and with a limited budget, I take my hat off to cast and crew. The selfishness, desperation, preoccupation, co-dependency and obsessive behavior depicted seemed right on point. I felt that the filmmakers unflinchingly and without apology depicted the good, the bad and the ugly of this relationship while tell a story about two individuals in love.
Keep the lights on is a story about Erik, a filmmaker, who falls in love with Paul. The movie is about their decade long relationship with many highs and lows and how their lives, tangled into each other's, gets affected by the choices they make.
First of all, hats-off to the direction by Ira Sachs. The film is shot in a very sombre manner which states that the men were never meant to be together to begin with, without the characters explicitly saying it in the film. I am excited now to see his much spoken about "Love is Strange" if I wasn't before. Another thing which I liked is the character development of the protagonist. As he is a filmmaker, he is depicted as eccentric who follows his desire but at the same time, we see him getting entirely overwhelmed by not being able to handle his relationship. As if he is putting so much efforts to make it work but it doesn't seem to be happening like he wanted which makes him furious and forces him to say or assume something which makes the whole situation even worse. Erik is played by Thure Lindhart. I haven't seen any of his other work, but I'll sure keep a lookout from now on.
The movie occasionally takes a very slow pace which might be a turn off to some people but I'll recommend one and all to stay fixated as all the other times, the movie is truly heartbreaking. The truthfulness of the characters, the amber cinematography, the contemporary demeanours but still yearning for traditional facets of a relationship like having a child, are the things which triumph for Keep the Lights on. It's the absence of emotional transparency between the couple which makes it one of the most moving films of its time.
Do give it a go if you're a fan of watching budding romantic flings on-screen and are not too afraid of watching it all shatter as well in less than an hour and a half.
NOTE: If you like, "Keep the Lights On", you might also like, "Happy Together" by Kar-Wai Wong.
First of all, hats-off to the direction by Ira Sachs. The film is shot in a very sombre manner which states that the men were never meant to be together to begin with, without the characters explicitly saying it in the film. I am excited now to see his much spoken about "Love is Strange" if I wasn't before. Another thing which I liked is the character development of the protagonist. As he is a filmmaker, he is depicted as eccentric who follows his desire but at the same time, we see him getting entirely overwhelmed by not being able to handle his relationship. As if he is putting so much efforts to make it work but it doesn't seem to be happening like he wanted which makes him furious and forces him to say or assume something which makes the whole situation even worse. Erik is played by Thure Lindhart. I haven't seen any of his other work, but I'll sure keep a lookout from now on.
The movie occasionally takes a very slow pace which might be a turn off to some people but I'll recommend one and all to stay fixated as all the other times, the movie is truly heartbreaking. The truthfulness of the characters, the amber cinematography, the contemporary demeanours but still yearning for traditional facets of a relationship like having a child, are the things which triumph for Keep the Lights on. It's the absence of emotional transparency between the couple which makes it one of the most moving films of its time.
Do give it a go if you're a fan of watching budding romantic flings on-screen and are not too afraid of watching it all shatter as well in less than an hour and a half.
NOTE: If you like, "Keep the Lights On", you might also like, "Happy Together" by Kar-Wai Wong.
This film tells the turbulent love story of a filmmaker and a drug addict.
The storyline looks great on paper, but "Keep the Lights On" dos not manage to captivate our engage. The two leading characters are poorly developed, especially the drug addict as we don't see who they really are. We seldom see them outside their relationship, so their portrayal is so narrow and one dimensional. As a result, I don't find myself caring for them. Their dysfunctional interaction only annoys me. And there are too many unlikely plot details, I just don't understand how Erik could be allowed in the room while the boyfriend and another guy is having sex.
"Keep the Lights On" is well made, with great sets, lighting and scene composition. However the story is not engaging and I couldn't wait for it to end.
The storyline looks great on paper, but "Keep the Lights On" dos not manage to captivate our engage. The two leading characters are poorly developed, especially the drug addict as we don't see who they really are. We seldom see them outside their relationship, so their portrayal is so narrow and one dimensional. As a result, I don't find myself caring for them. Their dysfunctional interaction only annoys me. And there are too many unlikely plot details, I just don't understand how Erik could be allowed in the room while the boyfriend and another guy is having sex.
"Keep the Lights On" is well made, with great sets, lighting and scene composition. However the story is not engaging and I couldn't wait for it to end.
Lo sapevi?
- QuizIn the film, Erik goes to the Berlin International Film Festival and wins a Teddy Award. According to the director, the Berlin scene was shot in New York. Keep the Lights On then won the same award in real life.
- BlooperModern iMac box.
- ConnessioniFeatured in The 2013 Film Independent Spirit Awards (2013)
- Colonne sonoreClose My Eyes
Written by Charles Arthur Russell Jr.
Performed by Arthur Russell
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Keep the Lights On?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ánh đèn thắp sáng
- Luoghi delle riprese
- Film Forum, 209 West Houston Street, New York, New York, Stati Uniti(Exterior and Lobby)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 246.112 USD
- Fine settimana di apertura Stati Uniti e Canada
- 55.574 USD
- 9 set 2012
- Lordo in tutto il mondo
- 388.331 USD
- Tempo di esecuzione
- 1h 41min(101 min)
- Colore
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti