A Simple Life

Ann Hui's "A Simple Life" is a poignant and melancholic film about the relationship between an old servant and her companion, a successful film producer to whose family the servant had been in service with. It is a beautiful, touching, and, more importantly, human film. It lives and breathes its own life with the help of the cast and crew involved.

The performances by Andy Lau as Roger the man and especially Deannie Yip as Ah Tao complement the movie's atmosphere as a whole. It is a warm, homely and crystal-clear one – subtly quiet, slightly louder when there's more people around. This film's screenplay relies more on the look on the actors' faces rather than relying on dialogue. This is a good thing. It allows the audience to focus on the performances in rapt attention. Relying on dialogue/subtitles more than often will distract from the movie. This is one movie which follows my rule for any great movie: subtlety is key. In many dramatic Chinese movies, the piano is a must for every music score, and it is overdone cheesily at many times. For this movie, however, composer Law Wing-Fai knows crucial music timing - the music is not overdone, yet not too minimal, and it knows when to appear at the right time. Correct.

Hui's focused yet calm, serene direction basically drives Susan Chan's screenplay right at home. Hui seems to have learned a thing or two about human drama from greats like Yasujiro Ozu and Akira Kurosawa – it is put into terrific use here. But Yip's performance as the altruistic Ah Tao is simply wonderful; her face and body language speak more than herself, her vocal qualities ranging from sharp balking to solemn calm. She is the heart of the movie, alive, beating and like her, moving quietly along as her life goes by. Lau is also very good here, being more stoic than usual but hiding uneasiness within his eyes.

There is no great story without good characters, and "A Simple Life" has two great characters that drives the movie. Roger is a successful film producer, his whole family has migrated to America, and he's seemingly living the high life with his wealthy friends (featuring many non- intrusive cameos by Chinese celebrities including humorous ones by Sammo Hung, Tsui Hark and Anthony Wong) and yet he is more concerned with Ah Tao than everyone else. Ah Tao is an orphan since World War II and has since been serving Roger's family for four generations without expecting any sort of compensation in return. Roger doesn't mind taking care of Ah Tao as everyone else progresses around him – the same way Ah Tao doesn't mind living her life on her own at an old folks' home without Roger to help her around after a stroke attack – she feels guilty if he did that. The two characters are bonded, play with, even depend on each other as if they're the only two people who understand each other. A sort of mother-son love, but more powerful. Compare with later scenes with Roger and his real mother and you'll see the difference. I'm not implying Roger's real mother is a morally bad character, far from it. The relationship between them is more real and human than I had expected.

Some will call this tedious and pretentious; others will call it pointless. I'm not sure, but I'd love to see movies like this where the characters unwrap the story around them as life progresses with its ups and downs. Sure, there are a few bits and pieces that did not really relate to the main character's story – but they make up the story and the characters as a whole – shaping this narrative up. It is a thing of beauty. So is life. So is this film - one of the year's best.

Overall rating: 88%

I saw this film during the film festival in Norway; it's been a long, long time since I watched a movie which captivated me even after the credit started to roll.

It's a movie which primarily focus on every little moment of an elderly woman, but it is never a dull moment as the first impression might seem. It's a movie which really drives you to care for the characters in a natural way as opposed to many films where they "force" you with "natural" gimmicks. No, this movie broke most typical western styles, but at the same time made it entertaining and thrilling.

It's a movie where there're no explosions, no foresight drama or no extreme twists... it's truly, a simple life, which showed me how simple it can be to be humble, and care for those we love.

I seriously do not know why it took this movie so long to be in the cinemas. It is one of the defining works of the year and essentially a simple movie about simple and unexplored characters of Hong Kong people. Ms Ann Hui is truly at her very best once again. After winning awards for The Way We Were, Hui strikes the cord to the highest potential by casting Andy Lau and former box office queen of 80s Deanie Ip whose chemistry dates back to almost 23 years old in their last corroboration. It is truly a delight to sit through a movie like this and while this being one Hui's most accepted work to the general public; she never strays away from her principles and values. At its core, it is a film about human interactions, feelings, relationships and old age. One day, we will die and old age is a burning topic for the baby boomer's generation.

Deanie Ip puts in a career defining performance and as she puts it, acting as an old lady is not difficult at all, as she is just playing herself. The manner she manages to make the audience enjoy her character the Chinese servant of Hong Kong family for 3 generations is impressive to say the least. Life is never easy and sometimes, we just tend to forget those people who work their life within behind the scene, with heart, soul and pure dedication. These are people who gave up on having a family of their own and instead spend their whole life raising other people's families. Nowadays, the loyalty and the servant and master relationships are a lot more different. As mentioned before, Ip's characters work so well because there is an underlying chemistry between Andy Lau and her. Lau puts in an underrated performance that doesn't allow him to overshadow the main character. It is a compliment that it is because of the understated manner Lau manages to approach his character that allows Deanie Ip's the spotlight and attention.

A Simple Life has already won a lot of awards and not to mention plenty of admiration from a new league of fans young and old. Hui has been around a long time and has never strayed from the commercialism of Hong Kong cinema. To finally witness an Ann Hui film making splash at the box office is really as a good a feeling as watching a fine piece of cinema. In many ways this is a true and realistic look at simple aspects of life, characters and old age. It is this simplistic that makes Hui's films so different, enjoyable and ultimately touching. All in all, A Simple Life is a Hong Kong movie and more importantly a movie that takes us along the ride, respects those around us and allows the audience to reflect upon their own lives. Movies like these only comes along once in a generation and while this may not be Hui's best work, but in terms of balancing the needs of the Hong Kong people and her own vision, it is certainly the most accessible of her works. A fine piece of cinematic experience…

Neo rates it 9/10

• www.thehkneo.com

The Palm Springs Film Festival ended with a day that included the best films of the fest. A Simple Life was on the list and was the icing on the cake of this great festival. This is a film about our connections to those we love, those we hardly know, and to ourselves. It is a sublimely graceful work and truly seamless. Deannie Yip, plays a maid who has worked for a family for many, many years. When she falls ill she moves to a long term care facility. Her struggle to move into her new role as an "ill person" is completely in keeping with what we know about her character. Great acting! The relationships she shares with the family members she's worked for are studies in the nuances of intimacy. Directed by Ann Hui....it's no wonder she's said to be "Asia's most important female director".

This is a simple film - two main characters with no blood relation and yet deeply connected to each other - and presumably made with a modest budget. It is slow, and arguably a tad long (but I am OK with it), but as the story evolves I begin to care about them.

As a film it is a great antidote to the sex, violence, intriguing plots, and CGI (I must admit I like some of those too) that we are so used to on the big screen these days. Director Ann Hui indicated the story was inspired by true events and I believe her. What makes this story unique is we are looking at love, respect and a feeling of duty and obligation between two human beings as if they were mother and son - but they are not. Instead, what started out as a servant-master relationship transcended itself to become something more sublime when the care-giver became incapacitated and the table was turned. When this happened the roles were reversed and yet it happened in such an unforced, natural and leisurely fashion.

There are tear-jerking moments, of course, but they came in such an unpretentious manner. The ending is as you would expect when age and illness took their toll on Tao Jie, played by Deannie Yip. And yet, I finished watching the film feeling uplifted, and with a strong sense of hope on humanity.