Aggiungi una trama nella tua linguaBased on footage shot in the early seventies and lost for more than thirty years, NAACP IMAGE AWARD winner Esther Anderson takes us on a journey to Jamaica and into 56 HOPE ROAD, Kingston, t... Leggi tuttoBased on footage shot in the early seventies and lost for more than thirty years, NAACP IMAGE AWARD winner Esther Anderson takes us on a journey to Jamaica and into 56 HOPE ROAD, Kingston, to see and hear the young BOB MARLEY before he was famous. The film shows us the WAILERS' f... Leggi tuttoBased on footage shot in the early seventies and lost for more than thirty years, NAACP IMAGE AWARD winner Esther Anderson takes us on a journey to Jamaica and into 56 HOPE ROAD, Kingston, to see and hear the young BOB MARLEY before he was famous. The film shows us the WAILERS' first rehearsal, when the idea of a Jamaican supergroup like the BEATLES or the STONES was ... Leggi tutto
- Regia
- Sceneggiatura
- Star
- Zigi
- (solo nei titoli)
- Bunny Livingston
- (as Bunny Livingston)
Recensioni in evidenza
When Bob asked her to help him and the Wailers, and she listened to their revolutionary lyrics and rhythm with songs like Concrete Jungle, Slave Driver and 400 Years, Esther made a commitment to get them through the door. She returned to Jamaica to launch the band, rehearsing them, photographing them and filming their early development. A passionate artist, Esther immersed herself in the world of Reggae and the Rastafarian culture, becoming creatively and emotionally involved with Bob Marley, writing songs of protest and pioneering a historical social change in the struggle for equal rights and justice for the people of colour. This entire journey was recorded by Esther with a prototype Sony video camera and a super-8 film camera for a blue print film on the Wailers, Reggae music and the Rastafarian culture, and a Nikon camera for the promotion of their new image. Esther and Bob's first collaboration was the song Get up stand up for your Rights, followed by I Shot the Sheriff, Burnin' and Lootin', Talking Blues, Revolution, Easy Skanking, Road Block and War. Her photograph of Bob smoking a joint became the first iconic poster of Bob Marley and The Wailers and later the front cover of their album Catch a Fire. Her photographs on the gatefold Burnin' album, similar in concept to The Beatles' Sgt. Pepper's album, created the union between Reggae and Rasta, which would become Bob Marley's image around the world. Seven years later, when Bob Marley passed away in 1981, his music spoke to all nations, and today he is the most popular artist in the world.......
Beware some negative reviews of this film, which are ill informed and miss the point.This film makes available for the first time, Esther Andersons personal and intimate footage of Bob Marley & The Wailers. Don't expect polished cinematography, this is very much an earthly portrait of Bob and The Wailers from someone who was actually there. That is not to say that this is not a proffesionally produced and quality piece of filmaking,which it evidently is.
Esther Anderson has been the subject of personal abuse and harassment by racists on her social media sites who are pursuing a hidden agenda to undermine the success of this film. This is a must see film for anyone interested in The Wailers,Reggae Music,Rastafari and its message of universal love and unity.
Them tired fi see we face, but dem cant get us out of this race..
Yes, I have been a huge reggae fan for 30 years, and my favourite records of all time, in all genres, Include Bunny Wailer's Blackheart Man. I have not seen The "big" Kevin McDonald film, "Marley" so I cannot compare.
So how do I review this? This film cannot, And should not, be compared to a film that enjoys an unlimited budget. Perhaps this would have allowed for a "better" product ...or just different. Who can Tell? Esther's determination has given us this film, this slice of history, on a shoestring. It is what it is, and the world is richer for it. Whilst I look forward to seeing the "other " film, I cannot for a moment imagine that it would even come near this on one very important feature: intimacy.
This is what gives "Making Of a Legend" such charm. Perhaps also that makes it less commercial, as I'm sure the "other" film appeals to a broader, less partisan audience, whereas this is IMHO one the Marley lover. As such it is invaluable, fascinating, charming, revealing, atmospheric, and given the story it unveils, thought-provoking. How can you put a price on the positive influence Esther had on wising Bob up for his journey into the wider world? It also makes me reflect on The huge influence Family Man had on giving Bob his musical grounding, production values, and making the songs memorable with his basslines. For all of which he has been sadly unrewarded.
I love the "fly on the wall" nature of the modern interviews. I love E's photography. I love the music. I feel as if I have been privileged to read the pages of a very private, very special, up-close-and-personal INTIMATE diary. Thankyou.
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