VALUTAZIONE IMDb
7,5/10
11.257
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn the 1860s, an Irish-American Civil War veteran joins the New York City police force.In the 1860s, an Irish-American Civil War veteran joins the New York City police force.In the 1860s, an Irish-American Civil War veteran joins the New York City police force.
- Candidato a 1 Primetime Emmy
- 2 vittorie e 10 candidature totali
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Recensioni in evidenza
I love this show it has absolutely fascinated me with the story. I want to know what happened to Ellen, what will happen to everyone in it.
Everything that you think you know, you have to just throw it out when the next show comes on and it all changes. There is something so wonderful about watching it unfold.
The characters are so interesting; dark and deep. I cannot begin to know what will happen and that cannot be said for much that is on television. I love the unique flavour of this show,the gritty reality. So often people have romanticized the roles of saloon girls and cops and this show does not do that at all, sure some might find that too explicit but they can go watch the regular formula stuff on the bland networks.I find this whole series absolutely perfect. Can't wait to see it each week.
Everything that you think you know, you have to just throw it out when the next show comes on and it all changes. There is something so wonderful about watching it unfold.
The characters are so interesting; dark and deep. I cannot begin to know what will happen and that cannot be said for much that is on television. I love the unique flavour of this show,the gritty reality. So often people have romanticized the roles of saloon girls and cops and this show does not do that at all, sure some might find that too explicit but they can go watch the regular formula stuff on the bland networks.I find this whole series absolutely perfect. Can't wait to see it each week.
And it delivered. I was not expecting much from this show, not because of the relatively unknown actors, but because there's a lot of "back in the day" shows coming out the last couple of years (Deadwood, Hell On Wheels, Boardwalk Empire etc) though this show has certain hints from other shows, it has it's own gritty feel about it.
The characters are great, and you never know who is doing what or who they are doing it for, there's no "Oh I know what's about to happen" and even if you get that thought process, it's a very unlikely chance you'll have guessed it right.
As stated in a previous review it's not the greatest show on earth, but just when you're about to give up on it, you get smacked in the face with the next scene which leaves you hanging for the next season, I do recommend watching this if you are a fan of Deadwood/Hell On Wheels.
The characters are great, and you never know who is doing what or who they are doing it for, there's no "Oh I know what's about to happen" and even if you get that thought process, it's a very unlikely chance you'll have guessed it right.
As stated in a previous review it's not the greatest show on earth, but just when you're about to give up on it, you get smacked in the face with the next scene which leaves you hanging for the next season, I do recommend watching this if you are a fan of Deadwood/Hell On Wheels.
Ladies and Gentlemen, I want SOMEONE preferable the director, producer, cinematographer, somebody to explain why they took a captivating story- line cast, and perfect momentum and made several radical departures that obviously hurt the show so much that led to it's ultimate demise...
Where somebody working on Season 2 screwed up - perfect examples:
#1) Season 2 - Episode 1: Why would you start developing an absolutely maniacal antagonist in the first episode who carved up Franka Potente's back in over-gruesome fashion only to have him killed later in the same episode?
#2) The basic camera filter used to shoot Season 1 depicted a period piece beautifully, and you could tell in the first 3 minutes of the first episode in season 2, that awful over-sepia-toned filter would throw audiences immediately off who had been eagerly anticipating the show to pickup right where it left off at the end of season 1.
#3) Kiara Glasco...this young lady playing Annie Reilly was brilliant in playing a very difficult young character, and she held her own in nearly ever episode. Her role was minimized in season 2 and an obvious void was apparent.
I could go on but these are my top 3, and they are absolutely inexcusable. Whoever deviated so drastically from the success of season 1 should be ashamed of themselves, and they owe Tom Weston Jones a HUGE apology for taking away one of the new great period characters American audiences have seen and will see, in a long damn time.
Just a shame.
-DSC
Where somebody working on Season 2 screwed up - perfect examples:
#1) Season 2 - Episode 1: Why would you start developing an absolutely maniacal antagonist in the first episode who carved up Franka Potente's back in over-gruesome fashion only to have him killed later in the same episode?
#2) The basic camera filter used to shoot Season 1 depicted a period piece beautifully, and you could tell in the first 3 minutes of the first episode in season 2, that awful over-sepia-toned filter would throw audiences immediately off who had been eagerly anticipating the show to pickup right where it left off at the end of season 1.
#3) Kiara Glasco...this young lady playing Annie Reilly was brilliant in playing a very difficult young character, and she held her own in nearly ever episode. Her role was minimized in season 2 and an obvious void was apparent.
I could go on but these are my top 3, and they are absolutely inexcusable. Whoever deviated so drastically from the success of season 1 should be ashamed of themselves, and they owe Tom Weston Jones a HUGE apology for taking away one of the new great period characters American audiences have seen and will see, in a long damn time.
Just a shame.
-DSC
Copper may not be the greatest show on earth but it is damned good. Every time I start and episode I am put off by it for a few minutes, into it for a few more. Then straight up Enthrawled in it as the plot gains weight and momentum.
The show has exception gripping scenes of violence when it has them though it usually doesn't, but when they are their they fully justify the TVMA rating (which is hard to get considering the stuff that hell on wheels does only manages them a tv14).
The acting is superb, the setting well done despite a few quirks with some virtual backgrounds, though totally understandable given the small budget. all in all the people seem rough dirty and brutal.
Most of the show consists of a our main character corky navigating up and down the lines of inner and upper class as he searches for criminals. sick, petty. and vial criminals. that are intertwined in both.
The mellow drama isn't up to par with some other shows other but its not trying too hard and its also not trying to rip off these shows. In that the echos of deadwood are seen, if only they could make this like that, but that wouldn't happen, never the less the spirit in deadwoods creation is in this, just with less articulate melodrama.
The characters are interesting and engaging, the violence brutal and bloody and the way the plot snowballs in mini stories is great.
Its also a touch relaxing to watch, for all its brutality, its very comfortable. you trust the characters to behave as they should and in that kinda in a bit of a trip./
The show has exception gripping scenes of violence when it has them though it usually doesn't, but when they are their they fully justify the TVMA rating (which is hard to get considering the stuff that hell on wheels does only manages them a tv14).
The acting is superb, the setting well done despite a few quirks with some virtual backgrounds, though totally understandable given the small budget. all in all the people seem rough dirty and brutal.
Most of the show consists of a our main character corky navigating up and down the lines of inner and upper class as he searches for criminals. sick, petty. and vial criminals. that are intertwined in both.
The mellow drama isn't up to par with some other shows other but its not trying too hard and its also not trying to rip off these shows. In that the echos of deadwood are seen, if only they could make this like that, but that wouldn't happen, never the less the spirit in deadwoods creation is in this, just with less articulate melodrama.
The characters are interesting and engaging, the violence brutal and bloody and the way the plot snowballs in mini stories is great.
Its also a touch relaxing to watch, for all its brutality, its very comfortable. you trust the characters to behave as they should and in that kinda in a bit of a trip./
What the Hell's kitchen were they thinking of cancelling Copper? A third season shelved on such a cliff hanger, when the story was really gaining momentum, and just as Billy Baldwin showed up and confirmed he hadn't flat lined. Maybe a new TV commercial for a network provider beckons for Kevin Bacon's best mate, know what I mean? Anyway it was good to see his sleazy return to our screens, if only for a short while.
Copper was a great series, not as hard edged as Deadwood, or as sophisticated as Boardwalk Empire, however it was good fun. The violence was a little cartoonish at times and it certainly became a bit modest just when you thought something really awful or exciting should have happened. That said, it really left the viewer wanting to know more about the characters and indeed the actors, who more or less did a great job, especially Kevin Ryan, who plays Detective Francis Maguire. He displayed just the right mix of brooding malice and dogmatic honour that made him really fun and interesting to watch.
The first series starts off well and builds a good story, complete with a few historical inaccuracies and misplaced modern attitudes, but remember this is no Deadwood! Apart from a bit of violence, this was something your mother could probably tolerate. Then came the second season, which obviously must have caught a negative whiff about re-commissioning for a third, because the violence and the nudity are certainly ramped up. Now your mother may have a thing or two to say and you'd best watch it on your own first.
This is a fun and lively series if you fancy a bit of period drama, that is gritty at times but never really shocking or uncomfortable to watch for anyone with a medium strength stomach. However, be warned that you will probably really enjoy it, and will need to be prepared for the disappointment of not seeing a third series!
Copper was a great series, not as hard edged as Deadwood, or as sophisticated as Boardwalk Empire, however it was good fun. The violence was a little cartoonish at times and it certainly became a bit modest just when you thought something really awful or exciting should have happened. That said, it really left the viewer wanting to know more about the characters and indeed the actors, who more or less did a great job, especially Kevin Ryan, who plays Detective Francis Maguire. He displayed just the right mix of brooding malice and dogmatic honour that made him really fun and interesting to watch.
The first series starts off well and builds a good story, complete with a few historical inaccuracies and misplaced modern attitudes, but remember this is no Deadwood! Apart from a bit of violence, this was something your mother could probably tolerate. Then came the second season, which obviously must have caught a negative whiff about re-commissioning for a third, because the violence and the nudity are certainly ramped up. Now your mother may have a thing or two to say and you'd best watch it on your own first.
This is a fun and lively series if you fancy a bit of period drama, that is gritty at times but never really shocking or uncomfortable to watch for anyone with a medium strength stomach. However, be warned that you will probably really enjoy it, and will need to be prepared for the disappointment of not seeing a third series!
Lo sapevi?
- QuizCopper (2012) is filmed in Canada, and, to mimic the iconic 'Five Points' of New York, the show runners created an entire replica in an old car factory.
- BlooperCorcoran and company are Irish immigrants working for the Metropolitan Police. The Metropolitan Police was formed by the state in 1857 as a counter to the pre-existing municipal police, and they were rival agencies. Irish immigrants worked almost exclusively for the municipal police rather than the Metropolitan Police, so it is highly unlikely that a Metropolitan Police precinct would would have been manned mainly by Irish.
- Citazioni
Detective Kevin Corcoran: I have a favor to ask.
Elizabeth Haverford: Well that's fortunate. I've brought you here to ask a favor of my own.
Detective Kevin Corcoran: [pulls out Elizabeth's letter] Next time, could you ease up on the rose water? I will not hear the end of it at the precinct-house.
Elizabeth Haverford: Embarrassing you was not my intention. It's just the way I smell.
- Curiosità sui creditiIn the opening credits, there is a map showing the Five Points as it stood in the show's time period.
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Dettagli
- Tempo di esecuzione
- 42min
- Colore
- Mix di suoni
- Proporzioni
- 16:9 HD
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