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Jesse Stone: Trappola di fuoco

Titolo originale: Jesse Stone: Benefit of the Doubt
  • Film per la TV
  • 2012
  • Not Rated
  • 1h 30min
VALUTAZIONE IMDb
7,1/10
4358
LA TUA VALUTAZIONE
Tom Selleck in Jesse Stone: Trappola di fuoco (2012)
Watch a clip from the latest movie in the Jesse Stone series, starring Tom Selleck.
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Aggiungi una trama nella tua linguaJesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his o... Leggi tuttoJesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his own since all the other officers have quit.Jesse Stone comes out of involuntary retirement after the new chief who replaced him was blown up, along with another officer in their police car. Jesse is forced to solve the crime on his own since all the other officers have quit.

  • Regia
    • Robert Harmon
  • Sceneggiatura
    • Robert B. Parker
    • Tom Selleck
    • Michael Brandman
  • Star
    • Tom Selleck
    • Kathy Baker
    • Kohl Sudduth
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    4358
    LA TUA VALUTAZIONE
    • Regia
      • Robert Harmon
    • Sceneggiatura
      • Robert B. Parker
      • Tom Selleck
      • Michael Brandman
    • Star
      • Tom Selleck
      • Kathy Baker
      • Kohl Sudduth
    • 30Recensioni degli utenti
    • 4Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Video1

    Jesse Stone: Benefit of the Doubt
    Clip 0:48
    Jesse Stone: Benefit of the Doubt

    Foto16

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    Interpreti principali25

    Modifica
    Tom Selleck
    Tom Selleck
    • Jesse Stone
    Kathy Baker
    Kathy Baker
    • Rose Gammon
    Kohl Sudduth
    Kohl Sudduth
    • Luther 'Suitcase' Simpson
    Gloria Reuben
    Gloria Reuben
    • Thelma Gleffey
    Stephen McHattie
    Stephen McHattie
    • Captain Healy
    William Sadler
    William Sadler
    • Gino Fish
    Robert Carradine
    Robert Carradine
    • Arthur Gallery
    Jeremy Akerman
    • Councilman Carter Hanson
    Christine Tizzard
    Christine Tizzard
    • Amanda
    Jeff Geddis
    Jeff Geddis
    • William Butler
    Vito Rezza
    Vito Rezza
    • Anthony D'Angelo
    Saul Rubinek
    Saul Rubinek
    • Hasty Hathaway
    William Devane
    William Devane
    • Dr. Dix
    John Beale
    • Doc Perkins
    Brian Heighton
    • Stan
    John Maclaren
    John Maclaren
    • Jim Gammon
    Christopher Killam
    • Steven
    Sheena Larkin
    Sheena Larkin
    • Rose's Mom
    • Regia
      • Robert Harmon
    • Sceneggiatura
      • Robert B. Parker
      • Tom Selleck
      • Michael Brandman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti30

    7,14.3K
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    Recensioni in evidenza

    7Reno-Rangan

    The one man force.

    The eighth film in the Jesse Stone series based upon the characters created by Robert B. Parker. If you had read all my previous reviews of this series, you would know how much I'm looking forward for this. Not like I'm happy with the series to continue, but the last couple of films were below par than usual Jesse films. Like always, I went for it expecting the series could get better, and does it fulfill my desire? I won't say it did, but surely a decent one. It had the opportunity to become much better than that, but it was the story, like they wanted to start off again from the scratch. So it was kind of a refresher in the series, there's big changes you would find from the very first scene itself.

    Jesse received his PPD cap, that mean he's back, but he's the only one left in the force. This time he brought in to investigate the death of his rival in the department. He also has a strong back from the town council, as well as from his Boston boss. So this is an important case for everyone, particularly for Jesse to get back like he always say this is his last stop. This is not a detached story, I mean not some new characters comes in, commits crime and got punished. This is really well improvised story within the available characters. So the viewers can be optimistic about guessing the events including the finale.

    Kind of depressing to see one man doing all the job. I mean it was always been like that in the series, but this time feels it was a slow presentation. Jesse is no Rambo, yet feel he's isolated. I liked how the film developed with the existing characters. That means there's a serious change in characters, like many are from the previous films went missing and some of those who appeared in this were involved in termination. So the next film will be very interesting, whether there will be a bunch of new ones or the old ones return.

    "Cop deserves the benefit of the doubt."

    Regarding the case he's on, he deals it on his usual way. But nothing seems a masterful, the twist and turns are ordinary. So don't anticipate any masterstrokes. Jesse was just roaming around seeking information and then suddenly he gets a clue he was looking for. With that he uses a bait to catch the bad guys and they fall for it. But while dealing it, the event takes an unexpected turn, leaves the story might continue in the following sequel as well. That's the confusing, because the film ran for nearly 90 minutes and did nothing to end on high as it does always. So with this kind of drag, I don't know where the series is heading.

    Like I always say, Tom Selleck is the reason I'm still hooked to this series. In this installment, it is all about him, because like I mentioned earlier, the next to his roles like Rose and Luther are off the hook. That means the Jesse's therapist like the third string characters automatically taken the leap forward, but nothing much expectable from them. Particularly Thelma, the Hasty's assistant seems interested in Jesse, but it does not tell us how serious it is. Because fighting crime takes over the this romance, or maybe we can call a flirtation like Jesse does to gain information. I think, again the follow-up is to answer that question.

    After getting into the rock bottom with the last film, this one looked much better, but still not the best I was looking for. It's just trying to be a normal film, like a television film from the old days and it succeeded somehow. So definitely it is a decent comeback and there's only one film to go for me to end the Jesse Stone series. Oh, I almost forgot that the original director returned for this, that's really amazing news for the series fans. Like the old team coming together, somewhat the series back on the track. The next film that released in the 2015 was received well, that's what I've heard, so can't wait to watch it. The final review on its way, meet me there.

    7/10
    7blanche-2

    Jesse is back and Paradise has got him

    When two police officers are blown up in a police car while investigating a fire, Jesse Stone is brought back as the Chief of Police. The town council fired him; they now re-hire him, as one of the men on the council's son-in-law was one of the cops.

    Jesse breaks into his old office, where there is no staff and no action. He calls Rose (Kathy Baker) who is staying with her mother; she says she'll think about it. Suitcase decides to stay away as well.

    Jesse works to sort through what little he has: money in the trunk of the police car is but one. He speaks with his various sources: his analyst (William Devane), a Massachusetts State Patrol Captain (Stephen McHattie) a Mob kingpin (William Sandler), and the felonious Hasty (Saul Rubinek), now out of prison.

    Were the cops dirty? Who made the call to bring them to the site? Can Jesse keep from drinking his way through the case? Will Rose and Suitcase ever return?

    Somehow these characters grow on one. I still think Selleck is too one-note and depressed, though this script had a little humor in it. Still, people enjoy the show, and that's what counts.
    7headhunter46

    Another well acted episode. No major plot give aways here, just the basics.

    I like the pace of Jesse Stone TV movies. They are too slow for some folks, but the pauses give the discriminating viewer time to guess at what Jesse is turning over in his head. I thoroughly enjoy the banter between him and his psychologist friend and Capt Healey. As a man who survived all the banter that accompanies time in the military, I actually get a kick out of hearing the dialogue.

    Jesse is rehired as chief after some police are killed in a car bomb. He is caught between not liking one of the dead and wanting justice even if it proves the dead cop was innocent of a crime.

    There is some touching of old friendships and a few surprises. We get a small hint of something to come but it is hard to actually piece all of what we see together and know how it will play out.

    I enjoyed it very much, hope you will too.
    8stephenrtod

    Equalizers

    Imagine that you and I could live our lives over again - or even a portion of them - and use the life lessons we have garnered, the hard way, to help ourselves and others. Police Chief Jesse Stone, portrayed by Tom Selleck, in the small Massachusetts town of Paradise, seizes such an opportunity. Divorce, alcoholism, murder, loyalty and betrayal, stupidity, false trust and false pride, dist integrating integrity, Stone has deposited lessons in some bank inside himself; and in these made-for-television modern morality plays, ironically, he is the right man in just the right place to help both himself and the small town.

    Stone is no Ebenezer Scrooge. The ghosts that terrified him back in Los Angeles where he took to binge drinking and lost a high profile law enforcement job, are within his soul still, permanently goading and guiding him.

    From 2005 through 2012, I watched, with increasing curiosity, involvement, and enthusiasm, as Tom Selleck and his cast maneuvered through five movies about Jesse Stone. Now, I have the distinct feeling that Selleck has assembled his favorite fellow actors to join in producing art and serious fun.

    Thirty years ago, after "Magnum P.I.," Selleck is still refining and perfecting his acting skills. The actor who lost the Indiana Jones franchise to Harrison Ford, is selecting his vehicles carefully, systematically.

    The dialog in the Stone movies is unusual, like the repartee one might overhear, by accident, between aged, battle-scarred warriors, or experienced EMT workers, in private, or out of ear shot, making ironic comments about life and love, death and destruction treating very serious subjects in a manner that sounds like light banter.

    The Jesse Stone movies will not be for everyone's tastes. Its humor evolves out of people continually reminding themselves of how easily they could become corrupted or dead, the kind of humor that keeps characters and audiences on edge. Serious drama tipped just enough on edge to allow the audience to glimpse just a bit of Abbott and Costello or "Waiting for Gogot," reflecting on what well-intentioned but often self-deceiving creatures we human beings are.

    Stone's drinking and womanizing somehow make him a sympathetic character where another actor might come across as a cad or pervert, a creep or monster. That is acting skill. This is Horation satire. It mocks and ridicules wrongs and weaknesses, but it is forgiving, unlike Juvenalian satire which is serious, grim, caustic and unforgiving, going straight for the jugular.

    Selleck and cast treat even gruesome death with the dark humor MASH surgeons use to keep their sanity as they continually patch up wounded soldiers sending them back again and again to try to kill other human beings.

    Some of the wittiest repartee since the 1980's "Equalizer" starred Edward Woodward and Robert Lansing, shows the verbal counter punching skills of Selleck and McHattie.

    This movie may appeal to students of successful failures. It may even appeal to people who believe in atonement and forgiveness, reformation and redemption.

    The movie manages to evoke an almost Vaudevillian humor out of events which in reality might feel like distilled sorrow or overwhelming grief.

    Devane, shrink, ex-cop and almost ex-drinker, is a reflector for Stone's struggles and misadventures with both women and the bottle, and their interludes are played both for serious intent and droll comedy, as men, as lovers, as drinkers, and as human beings struggling to help themselves and others.

    Aristotle said that a memorable character is (a) true to life (b) true to type and (c) true to self. The Stone movies turn the first two definitions on their heads a bit, but we know that it takes all kinds to make a world. Being true to oneself entails continual contemplation and application of the Serenity Prayer.
    6highwaytourist

    Nice scenery and atmosphere, but not much of a story

    This show starts out with a bang, literally. In a small, coastal town, two policemen die in a car bombing while out on a routine call. That certainly got my attention. Retired L.A. detective Jesse Stone is appointed to investigate. After that, the story wanders. We get to meet the various locals who live in the gloomy community with its rocky coast and gray weather, a place which has clearly seen better days. It's filled with cynical people one comes to expect in a movie like this. As expected, Stone (played well enough by Tom Sellink) asks questions of people, trying to find clues. As far as I could tell, but only finds little hints. In fact, the investigation doesn't go anywhere until the last half hour and the ending was very rushed. It also seems as if a sequel is being set up at the end.

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    Trama

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    Lo sapevi?

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    • Quiz
      A couple of times Jesse Stone says that he knew he'd get his job back, not getting it back was out of the question as "fate wouldn't do that to me". The same quote is in the first episode of Magnum PI, when Selleck's character (Thomas Magnum) said he knew he'll be able to break into Robyn Masters' Ferrari and therefore get to live in the guest house and use the Ferrari. Not breaking into the Ferrari was out of the question as "fate wouldn't do that to me". Tom Selleck was co-writer of "Benefit of the Doubt" and probably liked that quote from his Magnum character 32 years earlier.
    • Blooper
      When Officer D'Angelo is driving Chief Butler, before the explosion, you can briefly see a 70 mph speed limit sign. There are no posted 70 mph speed limits on Massachussetts rural roads. It's a Canadian 70 kilometer per hour (43.50 mph) sign.
    • Citazioni

      Jesse Stone: Hello, Gino.

      Gino Fish: Oh, I see your PPD hat has found its way back onto your head.

    • Connessioni
      Features L'ultimo urrà (1958)
    • Colonne sonore
      Klavierstücke Op. 118 No. 2
      (1893) (uncredited)

      Written by Johannes Brahms

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    Dettagli

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    • Data di uscita
      • 27 novembre 2013 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Jesse Stone: Benefit of the Doubt
    • Luoghi delle riprese
      • Halifax, Nuova Scozia, Canada
    • Aziende produttrici
      • Brandman Productions
      • TWS Productions II
      • Sony Pictures Television
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    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 30 minuti
    • Colore
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    • Proporzioni
      • 16:9 HD

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