Digging Up the Marrow

TL;DR: 3/4 self promotion of director Adam Green and his other works. 1/4 lazy adaptation of Clive Barker's "Nightbreed"

This was a mess. The only saving grace of this movie is the amazing artwork/ creature design of the incredibly talented Alex Pardee. Oh and Ray Wise was pretty great. Unfortunately, that wasn't enough to make the film enjoyable.

There is literally a montage of Green signing autographs... The beginning of the film is supposed to be meaningful. He gets lots of horror celebs to give a short testimonial about their love of the horror genre. But it is really just a montage of Green showing off his connections. This movie screams "Oh look at me! Aren't I cool? I have tons of fans and know lots of famous people."

Half the movie is just Adam and friends wearing t-shirts from his movies surrounded by posters of his movies with a computer screensaver of his movies... Absolutely shameless. There are so many inconsistencies in tone because Green can't stick to the narrative and just has to keep shamelessly showing off and self-promoting.

If he wanted to make an effective mockumentary, he should've cast other actors and left himself out of the spotlight. But he just couldn't help himself. This is a vanity project wearing the guise of a horror film.

Adam Green has always seemed like a hack to me. This film further solidifies that feeling. He comes across as a self-important egomaniac. In interviews he always defends the plot holes and lazy filmmaking decisions of his movies with circular reasoning and 4th wall tapping. Dude, just because you make a self-deprecating joke about portions of your movie or personality, does NOT give you an excuse to keep using lazy scripts and have a sloppy attention to detail.

What a waste of Ray Wise and Alex Pardee...

Adam Green would probably better off making Hatcher 4 or actual documentary of his work. Digging Up The Marrow is an average found footage film with reliance of authenticity as film makers find an odd conspiracy theory. It gets a bit too meta with inside joke and backstage production, but there isn't much excitement since more than half of the content is simple bantering. What few scares it has are only half effective and numbingly too late.

Plot involves a real production house, they are called by a strange old man claiming that he has seen another world filled with monsters. Adam Green and his colleagues investigate this story with generous amount of interviews and vague camera shots. Since it's a mockumentary, genuine reaction might contribute more, but as the story progresses the yelling and debating become stale incredibly fast. Script is more true to life, yet it's often too sporadic to form any suspense.

The better part of the film is behind-the-scene features. It's nice to see more of the assembly parts of filmmaking, be that artistic design, editing process or a few nit bits from comic-con. Whereas the horror plot isn't that appealing or convincing in any way. Unfortunately, there is hefty amount of the playtime that's allocated for this horror tale which lacks real tension. There are a couple of good moments, but even those are expected gimmick other found footage films have already done, and ironically the film itself is aware of this.

Camera work is not great, it predictably uses first person view or some manners of CCTV. The most agonizing part of this subgenre, shots in the dark and shaky cam are also presented here. Although some of the effects could build the atmosphere, but halfway point after hearing multiple banters the film becomes tedious.

If it's a complicated way to show passion for the work, there has to be better ways to convey that message. A montage of authentic production from old films would be more fascinating than pseudo horror like this.

a documentary-style found footage film by the writer/director of Holliston and the Hatchet slasher series. i'd heard good things about the monster design and make-up, but wasn't very impressed. the monsters get only a few seconds a piece of shaky-camera screen time and are actually pretty cartoonishly goofy-looking if you pause on them

the movie suffers a bit from the shaky camera syndrome typical of its genre — there's a point where the crew is sitting in the woods at night, waiting for a monster to appear, and when one of them points to a shape moving through the trees, the camera guy focuses literally everywhere but where the character is pointing. i can only imagine it was done on purpose to parody the genre style, and the actors were laughing about it behind the scenes

the story is imaginative and compelling, and Ray Wise, as detective William Dekker who invites director Adam Green to witness and record proof of the existence of monsters, is a great actor and storyteller. my favourite scenes are the ones where Adam and the film crew are just sitting in Dekker's house, recording his stories of past encounters with and illustrations of monsters from a subterranean metropolis he calls The Marrow

i like the film despite it's flaws and wouldn't mind a sequel picking up exploration, where this one ends rather abruptly, of The Marrow and its inhabitants. recommended for fans of found footage monster movies

Adam Green, the upstart horror fan boy filmmaker behind Frozen and the Hatchet movies, directs this mockumentary about his love of monsters and how it leads to a strange old man called Decker (Ray Wise of Twin Peaks and Jeepers Creepers 2). Green plays himself as himself, not as a cartoonish parody as he did on his now defunct TV series Holliston. And we follow Green and his trusty cameraman as they record Decker's ramblings about the secret, subterranean society of monsters that lives beneath our world. Decker (a name presumably referencing David Cronenberg's legendary monster hunter from Clive Barker's Nightbreed) even claims to have found an entrance to this other world, a hole in the ground near a cemetery which he calls the Marrow.

Digging Up the Marrow is a fast paced, entertaining little movie that functions as a sort of subversion of the done to death found footage sub genre. But that also brings me to my main problem with the movie. I just am not sure what Adam Green intended to do here.

By playing himself, and having several other notable genre names cameo as themselves, people like Kane Hodder and Tom Holland, it seems that he wants to blur the lines between fact and fiction. However, by casting recognizable character actor Ray Wise as the fictional character at the center of all this, he completely ruins the illusion making it obvious from the start that this is wholly a work of fiction. So why make the movie in this fashion? I honestly have no idea.

But, I did enjoy watching the movie and Green does manage to prove at least two things here. The first is that he actually can "act" although he is playing himself, he plays himself as a likable, slightly awkward dreamer whose desperation to believe leads him down a rabbit hole into increasingly dangerous situations. The second is his wholehearted and rather admirable dedication to practical special effects. There is no cheesy CG here and what you see is obviously tangible and quite well designed to boot. Digging in the Marrow may feel a tad disposable, more like a time killing side project than a true feature, but it's still more entertaining and engaging than a lot of low budget crap out there. So check it out and have a good time.

This is a horror flick, taking the road of a fake documentary (mockumentary) that's all about the plot.

The whole thought put into making the overall Marrow structure kinda amazed me. While watching, even though you're not thrilled or anything, you're deep curious to know what's going to be the outcome of all that.

Acting is regular, nothing special. Also, I liked that they went down the practical effects road. Even though it's pretty obvious that the effects are cheap, I like that feeling you get while seeing someone in rubber costumes and go full "aaah, practical effects all the way"! (It's way better than seeing bad CGI).

There're some jump scares here and there, but that's about it; it's all about the story indeed.