Robot & Frank

This film is about an old man with dementia who forms an unlikely attachment to his robot caretaker.

"Robot And Frank" has a really good plot. It tells how a man has to bear with a robot caretaker in order not to be admitted to a nursing home. From his ability to plot big projects, it seems that his functional ability is not impaired. However, we see later on that in fact he does not remember even the most fundamental stuff. This shock is quite a surprise. In addition, I really like the parallels and opposites in the plot. We see Frank's attitude to the robot change, his attitude to his daughter change, and how Frank and the robot both lose their memories. Apart from the plot, the sets are nice as well; simplistic, bright and modern settings make the visuals appealing. Acting by Frank Langella is impressive as well, he really conveys the feelings and thoughts of his character very well. I enjoyed watching "Robot And Frank".

Robot & Frank opens nationally this week only at a limited number of select art-house theaters across the country, and most likely won't get the larger release it deserves…which frankly is too bad. The film uniquely crosses across so many genre borders and can best be described as a dramedy meets a heist thriller. Robot & Frank is incredibly charming, funny and moving.

Writer Christopher D. Ford pens his rare tale set sometime in the ambiguous near future. He doesn't worry about flying cars or futuristic fashion, and keeps this tale grounded in a plausible future that is easily believable. First time director Jake Schreier reveals a mature ability to find the perfect pacing that develops the characters with ease and exact timing that turns the comedy bits into gold.

Frank Langella (Frost/Nixon, Good Night, and Good Luck) is nothing short of exceptional as the title character of Frank. He is hilarious and poignant as the surly ex-con who is starting to lose his mind, and radiates a million emotions across his face without saying a word. If this film could possibly find a larger audience, Langella would have a good shot at punching his Oscar card again.

The smaller supporting cast plays in perfect to establish Frank's present and his past. Susan Sarandon (Thelma & Louise, Dead Man Walking) radiates a beautiful sadness playing a lonely librarian and one of Frank's only connections to the real world. Liv Tyler (Lord of the Rings, Armageddon) and James Marsden (X-Men, 27 Dresses) are solid as Frank's grown-up kids who don't have the time to care for their father and his worsening condition. Best of all is Peter Sarsgaard (Jarhead, Garden State) who brings a perfect sense of comedy and real life validation as the voice of the robot. His dry wit steals the scene on numerous occasions.

Robot & Frank is one of the best films of the year. It's a mystery why bigger studio distributors are so afraid to fully get behind a film like this and push it out the mass audience, especially when you think about the $80 million that was spent on advertising costs for a film like Battleship alone. Robot & Frank is funny, exciting and touching. What else does a movie need?

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I could find no error in the story and that is unbelievable when I remember those top latest movies that I have watched in recent days of which they had at least a few.

What impresses me at most is that we can trace those warm family ties which we used to have once and now deteriorating.

The movie is easily watched; can assume the camera is well used and Frank Langella is acting marvelously.

I wonder if the reason I liked the movie too much is that I am 63 years old.

One more comment: It shows that you can make also make a good movie without a big budget and too many walking man.

Robot and Frank is a sweet and tender drama, set in what it proclaims to be "the near future," about a retired cat-burglar, responsible for several crimes that were said to rob the insurance criminals and the robot that is placed in his life as a caregiver when he becomes no longer able-bodied enough to do so. The man is Frank (Frank Langella), an ex-convict beginning to experience dementia/Alzheimer's like symptoms. His son, Hunter (James Marsden), is tired of commuting ten hours round-trip on a weekly basis to care for his father, so to assure his safety and health, he buys him a slick domestic robot (voiced by Peter Sarsgaard), which is programmed to help the elderly in their daily activities. The bot also promotes a rather therapeutic lifestyle, emphasizing healthy eating habits and cognitive exercises to restore and maintain brain activity. I can only hope these things become available publicly in the near future.

As expected, Frank is hesitant to use the robot, finding it useless since he sees himself as capable to take care of himself. Yet when he realizes that the robot doesn't have the conscious ability to distinguish ethical behavior from illegal behavior, Frank believes he can get back into the petty-crime business and use the robot as a lock-picking device. Their first crime involves stealing a rare antique book from the local library, which is looking to overhaul its print media format in favor of the digital age. The librarian, Jennifer (Susan Sarandon), who Frank begins to develop a small little crush on, is dismayed, but coping with the loss of print books in the world, so Frank believes that his effort to save one of the rarest books of all time will make her a bit happier.

A subplot involves Frank's daughter Madison (Liv Tyler), who works on-location in Turkmenistan, coming to visit him shortly after Hunter gives him the robot, to show that human-care is the best care of all and that robots can not provide a human with the same kind of love a human can. She possesses something of the opinion Frank held before this robot came into his life, and we wonder if she will come out changed like him.

The "near future" presented is the kind of near future that we ourselves can kind of predict, rather than it being a Jetsons-esque utopia. All cars have a "Smart Car" built towards them if the "Smart Car" was compressed and made leaner (they look like a twenty-five mile-an-hour wind can blow them over), digital media is taking over in places like libraries, phone calls are made through the TV in a Skype-like format, and the aforementioned domestic robot has become something of a standard. This is the second most favorable aspect to this film, next to the relationship Frank has with his robot. The world the film erects is pragmatic and easily-likable. It doesn't require the suspension of disbelief. It might have if this was made in the 1990's. Libraries going away? Yeah, right.

The film sweetly gives us a parable on how aging and caregiving may be changed in the next few years, with the influx of technology and the possibilities for in-home care with robots. As foreign as this sounds, it isn't far from likely. American citizens, especially the elderly, have had a terrifically tough time adapting to a world that is changing faster than many can keep up, and this film details that. We see Frank is more in-tuned with technology than many others his age, but he may be one of the lucky ones. If there's anything to take away from Robot and Frank, it's that there will be a frightening increase of new and a depressing decrease of old. Life as we know it may not be as simple as it once was - one of the downsides to technological advances.

Many of the film's ideas and actions, such as humanizing a burglar, constructing a believable world where robots have become dependable caregivers, and injecting a very small love story, all work with the gentle direction of Jake Schreier and the thoughtful, sympathetic writing by Christopher D. Ford. This is a premise that shouldn't work as well as it does, but there are many smart people in front of and behind the camera, assuring greatness with every shot. As it ended, I kind of wanted to see it again, which is a high compliment to pay to a movie.

Starring: Frank Langella, James Marsden, Liv Tyler, Susan Sarandon, and Peter Sarsgaard. Directed by: Jake Schreier.

I didn't expect much. Frank Langella is a great old actor, but I don't really like him much. Same for Susan Sarandon. Then it is an indie film, something that just a few people would see in a limited release. So I hoped for something slightly funny, maybe with crazy people that try to seem deep, that kind of stuff. Well, I was mistaken on all counts!

Frank Langella played beautifully his role of an amnesic old man helped by a caretaker robot to plan and execute heists. His son and daughter have minimal roles, as well as most other actors. Susan Sarandon's important role is revealed towards the end. All actors play very well, though the gem of this movie is the story and the little details in the script. Finally I can say that I saw a movie with a fantastic script and am naturally puzzled how this kind of film gets a limited release.

Bottom line: a comedic drama which explores the depth of soul, while taking us through a story that is both original and very well written and executed. The Keystone cops type of thing at the end blew it a little for me, but the rest is top notch and the film is definitely worth the watch.