L'amore e la vita - Call the Midwife

**UPDATE AFTER SEASON 6: If I could mark 11 stars, that would be it. The episodes about the Thalidomide children were hard but very well focused and treated. I am intrigued at how they film the scenes with just born babies in the very hands of the actors, with wide shots, not just close-ups. Call the Midwife is a most humanistic show indeed, focused on believable, realistic positive values. In a time when humanism seems to be disgraced and devalued everywhere, it is most welcome in my screen.***

This show is extraordinary.

It portrays so vividly the changes of an era in Great Britain, when the latter half of the 20th century blasted into people's daily lives at poor East End London, with all its hopes, marvels, progress, and shifts from a traditional to a modern lifestyle.

The performances are brilliant; the characters are as lovable as well-written; the atmosphere is perfectly recreated, and though quite serious health and social issues are crudely shown along the episodes, the tone is always permeated with hope, love and joy of living.

We do not come from a Christian upbringing, and I am not a Catholic, but I strongly sympathize with the humanistic and sensible approach of Nonnatus House's team of nuns and midwives, where tolerance, acceptance and care for life ranks higher than dogma or empty beliefs.

It is very hard to write a really deep, philosophical and poetic show while maintaining a light-hearted spirit and lots of humour, and Call the Midwife really makes it in a masterly way.

I have to say it gets better and better as the seasons pass, always intertwining the main characters' personal stories and individual cases with relevant and updated issues of public health and bioethics.

By the way, the admirable British public health system, which made wonders in the 50s and 60s and promoted equal access to safety, well-being and human development, also becomes a magnificent political statement in our own age, all the more appreciated in a retrospective look.

There is nothing to complain about of this show, which exerts an honest, compelling, deeply satisfying magnetism on viewers.

For those of us who love motherhood, babies and pregnancies, there is the unique plus of rejoicing at the sight of so many just born babies at the moment of delivery, in a remarkably natural and non-sensationalist feat of cinematography. You can feel the unmistakable miracle of life in each episode, with its sufferings and joys, which is so unusual among a current TV grid full of violence, special effects, overt sex, glorified evil and frenzied action.

Kudos to BBC! Yes, they have made it again, once more!

It's hard to believe that anyone could be as compassionate and tender as the midwives in Call the Midwife, compassion and tenderness being rare qualities in the increasingly disconnected world of the 21st century. I suspect those qualities are a real incentive for even the casual viewer of this series, which depicts the lives of midwives toiling in the east London of the late 50s- early 1960s. The world of almost 60 years ago was a very different one from today, both from a social and technological standpoint. I'm impressed by the attention to detail in the series, which allows viewers to immerse themselves in the stories, which touch upon issues such as abortion and incest, as well as the then real threats of polio and tuberculosis. More recent stories have even addressed the thalidomide tragedy. The acting is, without exception, top notch, especially that of Judy Parfitt as Sister Monica Joan. I tend to be especially critical of shows that rely on lachrymose sentimentality to further the story. Call the Midwife is at times tender, sweet tempered and, well, nice, but never false as it displays the panorama of the human condition.

This is one of the most beautiful shows I've ever watched. The writing and acting are both superb, and the incredible stories take us on a journey to show us the true meaning LOVE. Do people with this much compassion actually exist? They do, and Call the Midwife reminds us of that.

This show epitomizes acceptance, patience, and perspective. It's the unconditional love and nonjudgemental views of the characters that make your heart swell while you watch.

I'm rewatching and this time with my 13 year old daughter. I recommend the show to all my friends and get excited when they tell me they've started.

I recently found this series on Netflix and instantly fell in love with it. I have never read the books, so I have nothing else to go by. The characters are fabulous. The actors/actresses are amazing. I think every episode has made me both laugh and cry, and I'm looking forward to more!

Some of the episodes can be hard to watch, especially since I am pregnant, and I think that anyone feeling overly anxious about their pregnancy may want to hold off watching this series, because it really shows the good, the bad, and the ugly sides of pregnancy and child birth.

I found one major goof that had me laughing: In one episode they mention knitting blanket squares, and people are shown knitting them. When assembling the squares to make a blanket what they actually have are crocheted granny squares.

If you want history at its truth, watch a documentary. As entertainment this show has it all. Every episode has had me in tears from either laughter or poignancy. The casting is perfect and beautifully shot. It really shows the diverse community that has embedded itself in our culture today. Who cares if the docks were not in the right place! The show is about people coming together in tough times and bonding with a community regardless of class and colour. It makes me yearn for that kind of spirit in todays world where everyone has so much and yet is never satisfied. I really hope the BBC invest in a new series - I already miss Miranda!