Kroll Show

This show is a masterpiece! I am amazed at the originality of the writing and the great performances by Nick Kroll, Jon Daly and the rest of the cast. I recommend this show to anyone that appreciates satirical parodies of reality shows and TV dramas.

My embarrassing guilty pleasure is watching reality TV or what my husband like to call "trash"as a mean to relax, and the Kroll Show makes me feel that I am not alone in seeing the absurdity of its "reality" but still watch anyways because it makes me feel intellectually superior. The show makes satire accessible to all audiences because it brings a funny twist to characters we are all familiar with, without over amplifying or going into extremes to prove a point.

It is brilliant, entertaining and very very VERY FUNNY!

Thank you Comedy Central for giving this show a second season, which turned out to exceed our expectations!

**My favorite characters are "Bobby Bottleservice", "Dr.Armand", "C-zar" and "Liz"

I honestly don't get how so many people can find this show so unappealing.

It's a fantastic satire of modern celebrity and reality TV that sadly no one on the internet gets outside of a few niches. It's a parody of the downfall of society.

It's something more people should get, but I guess Kroll coming from a show about fantasy football will give you an audience more predisposed to ESPN and firmly against Bravo therefore unlikely to get a lot of the humor. It's a satire and at this point in the second season it has blossomed into one of Comedy Central's best shows.

This show excels at highlighting the peculiar and hilarious aspects of real people and reality TV. Nick Kroll's attention to detail and direction are impeccable, illustrated by the cast's portrayal of idiosyncrasies that not all may be quick enough to notice, but are instant classics once absorbed. Some examples of this are Pony Tales, Ghost Bouncers, PubLIZity, and Wheels Ontario, all of which could be made into their own successful TV shows.

Acute specificity being a mainstay of the show's humor, some of its best moments may verge on cryptic for those less culturally aware or perceptive, but there are still many components with mass appeal. Writing, acting, direction, production, editing—all fantastic. This show is a museum.

This is one of the better skit shows post Chappelle Show.

Nick Kroll is surprisingly funny and yes it took the success of his wildly popular Netflix show Big Mouth for me to even further investigate his comedic in devours, I'm glad I stubbled across this little hidden gem.

The main difference between this and other skit comedy shows is instead of keeping it vague and open to a broader promise of diversity because he makes more 'characters' every other skit revolves around one of the same characters.

Don't get me wrong some characters are hilarious (personally a big fan of Liz and Armound) but other characters can be "eh" or not your cup of tee and I guess that's where the shows main flaw is. Once you're not a fan of a particular skit you're just going to ride it out because the same character is coming back the next episode.

Was good for some big laughs just got a little played out ps what was the deal with these awkward in-between moments interviewing guests and writers? That didn't work for me.

All in all I give it 6.4 knee slaps to of 10.

I really like this show. But I'm not shocked that many people dislike it. The sketches don't all stand up well by themselves, lacking the clearly-defined, singular premise that is the hallmark of traditional sketch comedy (e.g., SNL, Mad TV, Chappelle Show, Whitest Kids U Know), where a humorous situation is set up and then played out to further and further extremes. There is not much here aimed towards water-cooler recaps. Nor is the satire offbeat enough for the show to achieve that surreal, absurdist quality that you get from Mr. Show, Portlandia, Comedy Bang Bang, or even Monty Python. Kroll does not venture too far from reality show parodies. But where Kroll Show may shrug off mainstream expectations as sketch comedy, it nails its target as social commentary: a kind of stream-of-consciousness symphonic poem aware only of the circular, ephemeral landscape of trashy television and internet memes that exists in front of its own eyes. At its best, the show is to Bravo and E! what The Onion is to bad journalism, the joke not so much on the idiots that it caricatures but rather on all of us for letting them happen. If you don't feel a little ashamed of yourself by how recognizable all of this is then yes, you are probably missing the point.