Inside Men

Excellent story....great characters....superb performances....what can u say....another brilliant brit crime drama

Right up front I should tell you that 'Inside Men' plays with time. It begins in 'the present' then moves back and forth between the now and the past. Things / events we experience in the now get us leaning one way, events in the past get us leaning another. The series-makers' hope must have been that at a certain point between the present and the distant past, all would make sense to the viewer. And it does. But by then - at least in my opinion - the viewer is so tired of leaning that he or she no longer cares. And during the series' fourth and final episode my lack of caring was monumental.

Steven Mackintosh as the 'hero' / 'anti hero' is quite good. His is a face we can care about, root for, have hopes for. Nicola Walker plays John's never-suspecting wife. Ashley Walters and Warren Brown play employees of John's; the three of them possibly involved with a scheme to rob a 'cash depot' (where banks' cash is distributed) of 150 million British Pounds. Or possibly they are not involved. Or maybe just one of them. Or two? The answer to this, the "who' of this mystery, is what keeps the story going.

Until that final fourth episode. Which is really too bad.

I stumbled upon this series by chance to be honest and hence my expectations were not high. I figured the cinematography would be interesting given it is a BBC production so I thought "Why not?!"

While it is too early to give a concrete review, having watched the first 2 episodes just leaves one yearning for more. The storyline at first glance seems simple enough..3 employees staging a heist of a lumpsum of cash. The aftermath is what unravels as the core of this series, with the use of timely back-flashes to give the viewer a feel of what transpired before. The delivery of suspense, and drama is excellent along with the character choices, played marvellously by Steve Mackintosh (I only remember as the weed seller in Guy Ritchie's "lock, Stock and Two Smokin' Barrels") as the lead. The character development doesn't seem rushed and the sub-plots and dialogue make sense - which is a far cry from recent suspense/thriller/drama productions which are all effects and zero punch.

For those that are intrigued by heists and the what they entail along with the drama revolving around each character, this one's definitely for you. Edge of the seat stuff.

This series really captivated me from very beginning. Acting, casting, character development, it had everything I've come to love and appreciate from British drama. I couldn't wait to recommend this to everyone I knew. Then the finale. OMG, did they fire all the writers after episode 3 and start over? I couldn't wait to see how this was gonna end. What a disappointment. Had to google it to understand exactly what I'd just watched. What a waste of really good acting! I gave this a 6 just because of the acting, on the end I really felt cheated. It came so close to greatness but the ending ruined it. Too bad.

This four-part BBC drama made for gripping viewing from first to last. Centring on a multi-million pound heist at a money counting house, it imaginatively moves back and forth in time until both time-streams converge in a repeat showing of the violent robbery, by which point the viewer has become informed as to the lead characters' emotional make-up, weaknesses and motivations. In the most inspired piece of writing / direction in the piece, we're at that point shown the climactic holdup scene with the perpetrators both masked and unmasked, showing us not only who did what at that point but also letting the viewer see how the criminals themselves are reacting to the pressure of their nefarious task.

The programme is also about the three lead "inside men" and their relationships with the women in their lives, for one, the de-facto leader played by Steven Mackintosh, it's his chance to re-assert his masculinity in his stale marriage, for another, Warren Brown, like Mackintosh last seen in "Luther", the petty crook, shoot for the sky / land in the gutter, delivery man, he's desperate to set his girl-friend, (later wife) up in the rich lifestyle she craves and for the third, Ashley Walters, it's a chance to escape his background of a jailbird father and drunken mother in providing a steady life for his new girlfriend and their forthcoming child.

My only problems with the well layered narrative were the too-obvious way Mackintosh's wife worked out who her captor was and the unbelievability of Mackintosh's motive, culminating in a slightly anti-climactic ending, while the constant shifts in time just occasionally seemed dizzying and confusing. There was also an awkward, artificial scene where Mackintosh was lecturing his newly adopted six-year old daughter on how wrong is sometimes right, something I'm not sure even the most hardened crook would do.

These quibbles apart, the story was quite excellently acted, Mackintosh outstanding as the shrinking violet who finds within himself the tough guy he'd been suppressing for years, with Brown almost as good as the dim but game accomplice and Walters likewise very good as the security man wrestling with his conscience.

The direction rarely flagged with the tension kept close to boiling point throughout in what was one of the best home-grown mini-series I've seen in a long time.