Dopo Oliver

Definitely fits into the underwhelming category based on the well known writing capability of Dan Levy. I liked the concept, but don't think it delivered. The opening segment was anticlimactic and didn't illicit the expected empathy, it was almost like "okay... now what". And the now what, was three self obsessed people pretending to be friends and having mostly meaningless conversations. The characters were all for the most part unlikeable, and therefore it didn't matter to me if they got "happy endings" and dealt with their hangups. Overall, okay, no depth to characters or story. I feel no need to ever watch again.

People are looking at this movie in a weird way. It is an original love story, regarding two people, and the *most complications you can fit into a love story while holding it all together. It, has the least amount of tropes for this category of film, and draws you in emotionally on several different levels.

Here is where the reviews start to slant. It's what I've heard as a "gay-mance" movie. Meaning a romantic film involving lovers of the same sex (in case you don't know). But if Dan Levi was played by Rachel McCadams, this would be better than The Notebook; and I hope someone tells Dan Levi that. It's a great romance that should be recognized in film. It was great to watch with my wife and ask "what if...?" I would implore everyone else to do the same.

Have you ever experienced the loss of your partner in your life? Have you tried to find fault with others in order to better cope with the situation? How much did your friends help you get through this stage in your life, and how important were they to you during this time? Is there a time frame for how long a person should grieve a loss? These are the questions you will ask yourself while watching Good Grief. Dan Levy's directorial debut, in which he has put a significant part of his story, is an unorthodox romantic drama that touches closely on the themes of love, grief, forgiveness, reconciliation and new beginnings.

For those who cherish Daniel Levy from the humor and escapism Schitt's Creek provides, this is not that... adjust your lens and your expectations. This is a beautiful film that portrays real life in a myriad of ways and the actors do a fantastic job sharing that story. This felt very ready for the stage yet as a film it never gave me the release I tend to crave. No high highs, no drastic lows... just a restrained and even keeled world in which the characters still remain in tact. Not exactly what I hoped it might be, but still has its place and I'm happy it exists, especially to offer greater representation of many underrepresented communities.

SO ... it's a decent movie, and I love how we can now have well known actors in actual mainstream movie productions that is not considered a "B" movie (budget movie for those ...) HOWEVER! It's extremely frustrating when gay men and gay culture are depicted and portrayed as cheating, having open marriages, throuples, being promiscuous, or anything that paints us in yet more unfavorable light! It just reiterates to the general public that we are sexually deviant, weird, abnormal, and the stereotypical queer which is the opposite of the light that we need painted in art this time ... in MY opinion!