Una donna, alla fine degli anni '20, attraversa le strade secondarie e i jazz club di Melbourne, combattendo l'ingiustizia con la sua pistola dal manico di perla e il suo affilatissimo pugna... Leggi tuttoUna donna, alla fine degli anni '20, attraversa le strade secondarie e i jazz club di Melbourne, combattendo l'ingiustizia con la sua pistola dal manico di perla e il suo affilatissimo pugnale.Una donna, alla fine degli anni '20, attraversa le strade secondarie e i jazz club di Melbourne, combattendo l'ingiustizia con la sua pistola dal manico di perla e il suo affilatissimo pugnale.
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As someone who hasn't read Kerry Greenwood's novels, I found this entertaining, light- hearted and aesthetically pleasing. Perhaps a little formulaic and not particularly creative in its plot devices, but altogether an enjoyable way to while away an hour on a Friday night. In fact, I may now read the novels after all.
However, as I haven't read them I can't really comment on the criticisms of other reviewers that the storyline was changed and that the main character suffered in her translation from print to screen. Obviously it's often difficult to leave a story unchanged because it just doesn't work in film the way it does in a book; and who knows what other (budgetary) restrictions the production was working within.
The sometimes ponderous camera work and precise, deliberate acting reminded me pleasantly of the Poirot series- although Phryne Fisher is rather racier than the little Belgian. I enjoyed the recreation of late-20s Melbourne, including the bright, interesting wardrobe of the leading lady. I got a little annoyed in some of the middle episodes that the storyline concerning Phryne's sister appeared to be dropped as it was the most intriguing thing about the early episodes, but I was satisfied by the end of the series. I also liked the development of the friendship between Phryne and Jack Robinson, and Hugh & Dot were quite cute too.
Don't sit down to this expecting something mind-altering or deeply intellectual. This is quality b-grade and proud of it; it does its thing very well indeed.
However, as I haven't read them I can't really comment on the criticisms of other reviewers that the storyline was changed and that the main character suffered in her translation from print to screen. Obviously it's often difficult to leave a story unchanged because it just doesn't work in film the way it does in a book; and who knows what other (budgetary) restrictions the production was working within.
The sometimes ponderous camera work and precise, deliberate acting reminded me pleasantly of the Poirot series- although Phryne Fisher is rather racier than the little Belgian. I enjoyed the recreation of late-20s Melbourne, including the bright, interesting wardrobe of the leading lady. I got a little annoyed in some of the middle episodes that the storyline concerning Phryne's sister appeared to be dropped as it was the most intriguing thing about the early episodes, but I was satisfied by the end of the series. I also liked the development of the friendship between Phryne and Jack Robinson, and Hugh & Dot were quite cute too.
Don't sit down to this expecting something mind-altering or deeply intellectual. This is quality b-grade and proud of it; it does its thing very well indeed.
As a life long mystery buff,I find "Miss Fisher's Murder Mysteries" to be a real treat. The series is very reminiscent of Agatha Christie's "Marple" (with Geraldine McEwan ) and "Poirot" (with David Suchet). There's just something special about period murder mysteries, perhaps it's the lack of high tech machines that do our sleuthing for us, a la CSI, or maybe it's the romanticism of the period itself. Regardless, Miss Fisher's Murder Mysteries is expertly produced from exquisite wardrobe & makeup, to lush shooting locations and breathtaking cinematography. Every element of the production is done with such attention to detail, you loose yourself in the story. The two leads, Essie Davis as Miss Phryne Fisher and Nathan Page as Detective Jack Robinson are perfect in their roles. Having watched each episode thus far, I cannot imagine anyone else portraying these delightful characters and their chemistry is undeniable. The entire cast is great, the characters are well thought out and multi-dimensional. The episodes are also well done, peppered with historical information and accuracy. I would highly recommend "Miss Fisher's Murder Mysteries" to any mystery buff, it's a modern classic done in the period style of the roaring 20's.
She is...the spice. Her Miss Fisher is provocative, and modern and fancy and...cool. And this is the most important fact because, in many episodes, she is...the story. Short, a serie reminding many others in large lines. More British than Australian. But seductive. For smart performance of Essie Davis, first.
The story lines, charcters, writing, acting, sets, period ambiance... whatever else... are all superb. While there is enough compelling mystery to keep you interested there is enough good humor to make you smile. The relationships between all the characters are mostly heartwarming. Maybe that's what draws me to Australian shows more than the hardarse bitterness and violence of American tv. Gees, there's enough gritty reality in the real world... give me a break... and a little escape. Too bad it had to end. I look forward to the movie. The 60s MOD version is fun and similar in nature so, if you like this, try that.
Addendum: The way I rate shows... I don't usually review anything less than a 7 because 6 would be a failing grade and I won't waste my time watching it. I'm old; I don't know how much time I've got left. Since I probably turned it off before getting even halfway through, it wouldn't be fair to rate or review it. 7 is watchable but I may go a while between episodes since, though somewhat entertaining, there are other shows more interesting or compelling. 8 would be a regular in my lineup. 9 is a must see and probably bingeable. 10 is just the epitome of superbity and headed for my all-time favorites list. I'm adding this to my reviews because it seems there are a lot of binary reactions to pretty much everything these days. I am not a like/unlike kind of guy. I see a lot of grays so if I give something a 10 it doesn't mean the only alternative is a 1.
Addendum: The way I rate shows... I don't usually review anything less than a 7 because 6 would be a failing grade and I won't waste my time watching it. I'm old; I don't know how much time I've got left. Since I probably turned it off before getting even halfway through, it wouldn't be fair to rate or review it. 7 is watchable but I may go a while between episodes since, though somewhat entertaining, there are other shows more interesting or compelling. 8 would be a regular in my lineup. 9 is a must see and probably bingeable. 10 is just the epitome of superbity and headed for my all-time favorites list. I'm adding this to my reviews because it seems there are a lot of binary reactions to pretty much everything these days. I am not a like/unlike kind of guy. I see a lot of grays so if I give something a 10 it doesn't mean the only alternative is a 1.
I am so glad to see a local author recognised during their working life in this way! Fantastic to see the series made. Yes, they have changed a few of the "facts" but it has to tie together within a restricted framework of a TV series.
I also thought Essie Davis was older than the character was meant to be (about 27) but I could not think of anyone better for the role. I don't think she plays it as too experienced a person; you must remember that people grew up a lot faster in wartime than they do in the comfortable lazy days we live in now.
As for the review entitled "Ho Hum", if the roles were reversed, and the important characters male, with the females filling the vacuous or stupid roles, it would be NORMAL TELEVISION FARE! For once, we have a story that represents women in a strong light, and having some fun, instead of being a backdrop to a male tale.
ABC, you rock!
I also thought Essie Davis was older than the character was meant to be (about 27) but I could not think of anyone better for the role. I don't think she plays it as too experienced a person; you must remember that people grew up a lot faster in wartime than they do in the comfortable lazy days we live in now.
As for the review entitled "Ho Hum", if the roles were reversed, and the important characters male, with the females filling the vacuous or stupid roles, it would be NORMAL TELEVISION FARE! For once, we have a story that represents women in a strong light, and having some fun, instead of being a backdrop to a male tale.
ABC, you rock!
Lo sapevi?
- QuizOn 15 December 2017, a crowdfunding campaign was opened to allow fans to support the effort to release a Miss Fisher film. The original campaign reached its goal of $250,000 in less than 48 hours.
- BlooperIn series 1, the same house is used for Lydia Andrews' house in Cocaine Blues, the Waddingtons' house in Death at Victoria Dock, and Aunt Prudence's house in Murder in the Dark. After series 1, the house is only used for Aunt Prudence.
- ConnessioniFollowed by Miss Fisher e la cripta delle lacrime (2020)
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- Miss Fisher's Murder Mysteries
- Luoghi delle riprese
- Wardlow, 114 Park Drive, Parkville, Melbourne, Victoria, Australia(Phryne Fisher's House)
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