Guarda le storie dell'antologia incentrate su rivalità tra famose che includono Bette Davis e Joan Crawford.Guarda le storie dell'antologia incentrate su rivalità tra famose che includono Bette Davis e Joan Crawford.Guarda le storie dell'antologia incentrate su rivalità tra famose che includono Bette Davis e Joan Crawford.
- Vincitore di 3 Primetime Emmy
- 12 vittorie e 130 candidature totali
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Recensioni in evidenza
Eight-part cable series from super-producer Ryan Murphy delineates the long-running Hollywood rivalry between Oscar-winning actresses Joan Crawford and Bette Davis, culminating with their teaming for two pictures, 1962's "What Ever Happened to Baby Jane" and 1964's "Hush...Hush, Sweet Charlotte", the latter of which was finished without Crawford (Olivia de Havilland stepped in after "producer" Bette ran Joan off). Altogether amazing recreation of a by-gone era...not quite what we now think of as classic Hollywood, but rather a Tinsel Town in decline, feeding off itself and its denizens. Material which might have slipped into caricature becomes observant, acerbic and surprisingly touching here, under the service of several different writers and directors. By showing the human side of an older Crawford (Jessica Lange) and Davis (Susan Sarandon), we see the hidden, hurting heart of Hollywood, a town not known for having or showing sympathy to aging actresses. The first two episodes of the series are entertaining if a bit wobbly--neither Lange nor Sarandon particularly sounds nor resembles the ladies they are portraying, and the supporting cast, too, works to find their footing--but these are nitpicks in what is essentially a loving (and lovingly, meticulously designed) tribute to the Hollywood icons. The padding for length is exposed on occasion, but this duet keeps getting better and better. By the grand finale, both Lange and Sarandon are performing at the top of their craft (initially, one may hope for impersonations, but what we eventually get from the ladies is far richer). In an eerie, evocative dream sequence near the end, all the feelings of pain and loss and triumph and regret come full circle. These women were survivors, battle-scarred veterans, two tough broads--but not so tough that they didn't privately feel the pain of the passing years, and how a possible friendship was trampled over in the need for success and respect.
The whole series so far is a rewarding surprise. No camp caricature here but a serious, incisive portrayal of two iconic characters. Jessica Lange and Susan Sarandon create her characters based on Joan Crawford and Bette Davis with such virtuosity that every new episode allow us to go deeper without ever turning into parody. Their reality is parody enough. But what touches me is that Lange and Sarandon, taking our preconceptions into account, inspire us to look at this two women as human beings. My admiration also to Alfred Molina - Robert Aldrich? Wow! Absolute perfection. On the latest episode "And The Winner Is..." Two extraordinary moments: Geraldine Page (A superb Sarah Paulson) taking Crawford's call and surrendering to her request because "She needs it" or Anne Bancroft (a wonderful Serinda Swan) receiving Crawford in her dressing room. Bancroft and Page understand Crawford's agony even from a distance. Compassion at last. I'm enjoying Feud with all my senses. Thank you Ryan Murphy and everyone involved.
Ryan Murphy managed the virtually impossible. Finding a tone and the tone has to do with the humanity of this Hollywood gargoyles. I wonder if young Joan and Bette knew where they were heading. Those women that their daughters wrote about, were they who they were or who they became. Jessica Lange throws a light on Joan Crawford that made me, already, re-think her myth. Her fear is actually tangible. Great, great performance. Susan Sarandon captures Davis's temperament and allow us a glimpse into the contradictory nature of the woman. Brilliant, succinct observation - when she throws herself into the role of wife and mother, she was thoroughly miscast. Alfred Molina is superb as Robert Aldrich and Stanley Tucci is terrific as Jack "I show you my hemorrhoids" Warner. I can't wait for the next episode.
Superb. The dream, the wish, the thought. Sitting at a table face to face to say, I'm sorry. Thank you to Ryan Murphy and everyone concerned. Jessica Lange gives a performance that will live for ever, so does Susan Sarandon, in the last episode, her Bette Davis is there, totally, absolutely, chillingly there. What a thrill! Jessica Lange has five or six moments that I think will remain as "acting" landmarks. Alfred Molina's Robert Aldrich, devastating, brilliant! And Jack Warner's Stanley Tucci, a repellent delight. Fabulous eight episodes, eight! Enough to keep us wishing for more.
Why was I thinking that it couldn't work? Maybe because it never does. But "Bette and Joan" present us with that always welcome exception. The introduction of this two icons has sharpness and shine. Both walking a very tight rope. Joan with desperation, Bette with defiance. It is a terrific treat to see Jessica Lange and Susan Sarandon going for the real centers rather than the caricature. Alfred Molina is priceless as Robert Aldrich and Stanley Tucci reinvents Jack Warner to a delightful perfection. The late entrance of Joan/Jessica at the theater where Bette/Susan is playing in The Night Of The Iguana is one of my favorite film moments of the young 2017 season. Now, needles to say, I can't wait for the next chapter.
Lo sapevi?
- QuizRyan Murphy interviewed Bette Davis months before her death in 1989. The agreed-upon 20-minute interview lasted four hours, and inspired his characterization of Davis. When he asked her about Joan Crawford, she would talk about how much she hated her, before saying "She was a professional. And I admired that."
- Curiosità sui creditiJessica Lange and Susan Sarandon alternated top billing in the opening credits on alternate episodes.
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- Feud: Bette and Joan
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- Tempo di esecuzione1 ora
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