The Killer

I liked this movie. In general, the cinematography of the countries of the East, like other industries, knows how to quickly use the inventions and ideas of the West. In our case, it is a replica of the popular American franchise about the hired killer John Wick.

And you know, copied quite well. Certain illogicalities were masked by a dynamic plot that does not allow us to think about inconsistencies. The battles are staged quite well, the camera movements are also copied from Hollywood masters. But there is still a Korean environment and atmosphere. There is a lot of blood, but it does not cut the eyes and harmoniously fits into this meat grinder.

The main character for me is just a killer robot doing his job according to the scripts. This picture is not about empathy for the characters, but about a driving attraction that captivates and draws you into a whirlwind of gunfights and duels.

Therefore, as a project with a meaningful load, it should not be considered. Although he promotes certain moral principles - do not insult the innocent and the weak, for example.

For me, this is a well-deserved 7 points. Hang out in the evening with chips and corned beef.

One of the few gifts of the COVID-19 pandemic has been the use of Korean films to provide cinema screens in the Western world with content/programming. Until the pandemic hit, I'm unsure whether I had watched more than a handful of Korean movies over the course of my near half-century on this Earth. Since then, I've watched several every year, especially when the reviews are good, and I've rarely been disappointed. If you can handle subtitles, if you can take this in on a big screen, if you're open minded enough to watch foreign films, and if you enjoy action movies, then you should enjoy The Killer. It's recommended viewing for fans of the genre.

If you follow Korean cinema you already know that Korean auteurs, among the best in the world, prefer to be first with a concept. However if they have to be a copycat, they will be relentless in trying to improve on the original. As good as this is, it has the same failings as the iconic American original, too fast, too furious, too frenetic, too implausible. Which is why it never comes close to the Korean masterpiece THE MAN FROM NOWHERE 2010, on my IMBb list of all time classics. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

A man gets suckered into watching the daughter of his wife's friend with the explicate instruction of making sure she is safe only to learn the teen is being targeted by a sex trafficking ring. No problem though because this fella is a top notch mercenary/hitman and willing to go to great lengths to keep the girl safe.

Great action choreography and stunt work but the story is lacking.

There wasn't enough focus on the story to help the viewer care about what was happening. We find out very little about the teen, the hitman and his wife or a GOOD reason as to why the girl was targeted. However, the action scenes are really done well and sorta carry the entire film.

Not the best woven story but still a decent watch for the action.

The action sequences are entertaining as hell and the lead actor is a Korean John Wick. His wife has a friend with a daughter and the hitman is convinced to watch over the teenage girl for a couple of weeks. It seems simple enough until the teen is abducted by a sex trafficking ring run by the Russian mafia.

The story becomes a bit confused as the hitman climbs the ladder of bad guys, killing legions along the way, using his hands, feet, knives and occasional gun to accomplish his mission.

He is a combination of Bruce Lee and John Wick and has the charisma to carry the film to its' predictable conclusion.

Do not expext Citizen Kane here but just sit back and enjoy the ride for an hour and a half.